The Spirit of '76

As someone who grew up in the seventies, it was refreshing to see the 70s depicted as strangely as it really was. Some anachronisms exist, such as the exploding Pinto. thjat didn't come to light til the early 80s, but the movies hearts in the right place. Any one who was growing up then, or has even heard of the 70s will love it. Great Music, Great Clothes, and of course the hair brings back frighting nightmares.

Whoever came up with this concept deserves an award of some kind. Time travelers from the future need to visit 1776 to learn vital information about the founding of the nation. Unfortunately, something goes wrong, and the explorers wind up in 1976 instead -- without realizing it! Something didn't quite make it in the implementation, though. Maybe it is the obviously rock-bottom budget. Throughout the movie, you are acutely aware that you are watching a movie set with a few Gremlins and Pintos parked here and there. Also, the decision to cast some 70's heartthrobs (Cassidy and Garrett) as major characters was interesting, but these guys are not exactly Academy Award material, if you know what I mean. However, there are some pretty entertaining scenes, including Rob Reiner as the insane leader of an "est"-like cult.

In the future, civilization has really declined. The fashions are U.S.S.R. retro, don't you know. Not only that, no one is flourishing. Therefore, when a man named Adam 11 (David Cassidy) insists he has made a time machine, the U.S. government asks him to go back to 1776 and study the founding fathers and the making of the constitution. It is hoped that he and his co-horts, Chanel 6 (Olivia D'Abo) and Heinz 57 will learn how to make society worth living again. The time machine takes off but lands in 1976 instead. Not realizing their mistake, the three interlopers try their best to find out how to revitalize their country with the lessons from the seventies. Amid Pacers and learning the hustle, can they succeed? This movie is a fast and fun look at the much maligned seventies. Things were more colorful then, that's for sure, and people did seem to be having a great time, despite the tight pants and floral shirts. Cassidy, D'Abo and company do a nice job of keeping the spirit of discovery alive. If you lived through the seventies, this movie is made for you. It has so many seventies icons that will make you laugh and remember. The younger crowd, too, would be entertained in seeing what they only know from history books. Don't hesitate to pop this movie in the VCR some evening in the near future. It was made, as the Bay City Rollers croon, for a fun, fun "Saturday Night".

I saw this one evening with my boss who had done a lot of feature work. His one comment was this; "This just shows that you can make any kind of film you want if you have the right connections." The gist here being that he didn't like it, and thought the film was sorely lacking on a number of levels.

I agreed with him.

Having lived through the 70s, as had my former manager, we were hoping for a bit of a send-up and otherwise a humorous tribute to what one stand-up comic described as a "cultural depression". Tassles on banana seat bikes, flared out bell bottom genes and slacks, paisley print shirts, apple caps, gas lines, disco, and, of course, exploding Pintos. But it was not to be.

Instead of commentary on why the nation (and the then "Western Free World") veered in that direction, we were given superficial exposition to the cultural tidbits of 1976. They're like minor vignettes for a variety show done during the post-sexual revolution.

The promised exploration and exposition of 1976 America (as it loosely related to the nations founding in 1776 ... part of the gag) is lost. There's no emotional connection whatsoever, just a loose and feebly scripted "homage" to the peculiarities and trends of the time. It's as if the script was written by a first or second year film student. The story lacks a larger theme and deeper emotional focus.

Still, it's worth a smirk to look at one time. My boss wasn't too pleased that I had dragged him to see a midnight showing after work (especially since we had a 7AM call time the next morning ... but I digress), but I have to admit that my curiosity of seeing the film had been satisfied. And although I agree with my former employer's comment, and have ripped the film apart in this review, I did, in a very not-so-serious way, enjoy it for what it was. Still, it's not a film I'd add to my DVD collection.

Watch at your own risk.

Founding USA documents have descended to tee-shirt decorations and ornamental kitsch. The draft and political oppression are in full swing. The one person who can explain things to a time-traveler works in a peep show. The great ideas on which this country were founded have become mere commercial garbage to cash in on, not principles to live by.

I thought it was brilliant satire. A similar point is made in "Time After Time" (1979) where HG Wells pursues Jack the Ripper to modern San Francisco and is astonished to see some ideas he had written about brought to life. The nearly magical technology of telephones for example, has been reduced to a toy in the form of a Mickey Mouse telephone. That difference between ideas and actual practice is what drives this movie, which is far more than a comedy, successful or otherwise.