अपनी भाषा में प्लॉट जोड़ेंTwo minor characters from the play 'Hamlet' stumble around unaware of their scripted lives and unable to deviate from them.Two minor characters from the play 'Hamlet' stumble around unaware of their scripted lives and unable to deviate from them.Two minor characters from the play 'Hamlet' stumble around unaware of their scripted lives and unable to deviate from them.
- पुरस्कार
- 3 जीत और कुल 2 नामांकन
Serge Soric
- Tragedian
- (as Srdjan Soric)
Sven Medvesek
- Laertes
- (as Sven Medvesck)
फ़ीचर्ड समीक्षाएं
Rosencrantz and Guildenstern Are Dead was one of my favourite films whilst growing up. The movie follows two irrelevant characters (irrelevant in that although they served a significant purpose, their characters were not developed in any depth... Rosencrantz and Guildenstern, as individuals, were relatively unimportant) through one of the most renowned stories ever told (Hamlet). It is a film about two characters that are completely unaware of the magnitude of the events taking place around them. This carries on throughout the entire film, and is also evidenced in their accidental discoveries of significant historical scientific findings (such as the steam engine or the concept of gravity). The characters stumble their way through the film, unaware of the consequences to their actions or their significance or importance.
The characters spend the entire film coming to terms with their existence. Shakespeare didn't provide any detailed character development of either Rosencrantz or Guildenstern, and as such, they are left confused as to the purpose of their own existence.
The film also looks at the concept of a predetermined destiny. Rosencrantz and Guildenstern's fate is already determined before the film begins. And although they play an important role in one of the greatest stories ever told, they are completely unaware of their destiny; they are merely victims of circumstance.
I should also note that the constant banter between the two characters (specifically in their 'Game of Questions') is pure quality.
The characters spend the entire film coming to terms with their existence. Shakespeare didn't provide any detailed character development of either Rosencrantz or Guildenstern, and as such, they are left confused as to the purpose of their own existence.
The film also looks at the concept of a predetermined destiny. Rosencrantz and Guildenstern's fate is already determined before the film begins. And although they play an important role in one of the greatest stories ever told, they are completely unaware of their destiny; they are merely victims of circumstance.
I should also note that the constant banter between the two characters (specifically in their 'Game of Questions') is pure quality.
Imagine if you will, two talented actors. They are playing quite small roles... the smallest roles in the play so are given no form of direction or motivation for their parts. They are simply told they are "sent for". They are told they are "Rosencrantz and Guildenstern" but no one fully indicated to them which of them were which. No they are thrust bodily into the play itself (Hamlet) and stripped of all their memories of their life before... they have become the characters. They know their cues, instinctively know their lines, but no one bothered to tell them the plot of the play, leaving them to figure it out (or not) for themselves. Their only source of any kind of direction is a player (Dreyfuss) who gives them a rudimentary crash course on dying and tragedy itself ("Generally speaking, things have gone about as far as they can possibly go, when things have gotten about as bad as they can reasonably get.")... and ("We are tragedians. We follow directions. There is no choice involved.") This is Rosencrantz and Guildenstern Are Dead. And it is the funniest intellectually stimulating comedy I've ever seen. Oldman and Roth deliver a wonderful performance, always desperately struggling "get it" but never quite fully understanding what's going on around them. Oldman's portrayal of the existentially distracted Rosencrantz... or is that Guildenstern... was brilliant! (G: Is that you? R: I don't know! G: (disgustedly) It's you.) Viewers who delighted in the "verbal tennis" match might also notice that this really goes on through out the movie. (Player: But why? R: Exactly! G: Exactly what? R: Exactly why. G: Why what? R: What? G: Why? Why what, exactly?) It's truly sad that this movie doesn't get the recognition that it deserves. See Hamlet... become familiar with the story line... and then see this movie. It is quite worth the effort. I give it a 10 out of 10.
Okay, so you may want to brush up on your knowledge of "Hamlet" before viewing "Rosencrantz and Guildenstern Are Dead", Tom Stoppard's big screen adaptation of his own classic play. Please don't let that frighten you away, or you'll miss out on a seriously funny movie.
The lead roles are extremely well cast. Gary Oldman is hilarious as sweet, befuddled Rosencrantz. Tim Roth's angry, frustrated Guildenstern is the perfect complement. They make a great team.
Stoppard's film has a sprightly step even when raising a few cosmic questions. It's the perfect tonic for some of the more pompous cinematic takes on Shakespeare, and even the Bard would appreciate its sparkling wordplay.
The lead roles are extremely well cast. Gary Oldman is hilarious as sweet, befuddled Rosencrantz. Tim Roth's angry, frustrated Guildenstern is the perfect complement. They make a great team.
Stoppard's film has a sprightly step even when raising a few cosmic questions. It's the perfect tonic for some of the more pompous cinematic takes on Shakespeare, and even the Bard would appreciate its sparkling wordplay.
This is a truly unique movie, comic, sarcastic, tragic, ironic, and definitely hilarious. based on tom stoppard's play of the same name (stoppard also directs the film), "rosencrantz and guildenstern are dead" delves into the tragicomic lives of minor characters everywhere, on-stage and off. ros and guild's lives are thrown into turmoil every time they interact with the regular cast of hamlet, leaving them with few clues as to what their purpose is in the play and in life. stoppard's script is dizzying with puns, plays, feints and twists. the cinematography is minimalist to say the least (remember, the script was originally intended for the stage) but the "stage-presence" of the actors more than makes up for any lacks. if you like theatre and the absurd, this movie is for you.
I love this movie. I remember first watching it in a college class talking about different takes, different points of view. Watching it again now and I find myself liking it even more. It's such an interesting film with an anti-narrative and such a wonderfully, deliberately bizarre structure. Rose & Guild follows the story of our titular characters but it's really more about what they're doing off to the side of the main story of Hamlet. So much so that they just randomly show up in places when the story demands it and they don't even know how they got there.
It's weird and it absolutely isn't going to work for some people but I love this one. It's so unique and fun, creative and inventive and I try to give props to any movie setting out to be as different as this one especially when it actually succeeds at what it's trying to do. Strong recommend here, whether you're familiar with Hamlet or not, though a loose understanding of the play would likely be beneficial.
It's weird and it absolutely isn't going to work for some people but I love this one. It's so unique and fun, creative and inventive and I try to give props to any movie setting out to be as different as this one especially when it actually succeeds at what it's trying to do. Strong recommend here, whether you're familiar with Hamlet or not, though a loose understanding of the play would likely be beneficial.
क्या आपको पता है
- ट्रिवियाOriginally, the two leads (who appropriately spend the movie mixing up their own names) were cast the other way around.
- गूफ़Throughout the movie there are scenes where day suddenly changes to night and vice versa. This is a running gag of Tom Stoppard plays which often have "time jumps" written into the stage directions.
- भाव
Rosencrantz: Do you think Death could possibly be a boat?
Guildenstern: No, no, no... Death is "not." Death isn't. Take my meaning? Death is the ultimate negative. Not-being. You can't not be on a boat.
Rosencrantz: I've frequently not been on boats.
Guildenstern: No, no... What you've been is not on boats.
- कनेक्शनEdited into Spisok korabley (2008)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Rosencrantz & Guildenstern Are Dead?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Rosencrantz y Guildenstern han muerto
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $7,39,104
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $24,004
- 10 फ़र॰ 1991
- दुनिया भर में सकल
- $7,39,104
- चलने की अवधि
- 1 घं 57 मि(117 min)
- रंग
- पक्ष अनुपात
- 1.85 : 1
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