Nikita

I think I probably watched this film at the wrong time. I first saw the American-language remake 'Assassin' back in the early nineties and have only just got round to watching the film it was based on, 'Nikita' (or 'La Femme Nikita' to be precise). Therefore, it's hard to accept that the French version is the original source material and not the remake. Both stay pretty much on the same story-telling path, telling the tale of a down-and-out, drug-addled young woman, killing a police officer in a burglary gone wrong, but eluding the death penalty in favour of working for a secret government agency to 'off' those who need disappearing. Yes, the plot is possibly a little far-fetched, but, if you can suspend your disbelief long enough, you'll find that it's well worth it.

What you get is the story of a tortured soul who's trying to make a fresh start of her life and yet keeps finding herself dragged back into the covert ways of the spy agency to do their dirty work. You will definitely feel for the lead and the writing is pretty solid for her and all those she encounters. It's one of those rare films where there isn't a discernible 'baddie' to take on. The 'bad-guy' (if it can be considered so) is the situation she's found herself in and her attempts to - once again - change her life for the better and truly escape the shackles she's found herself in - whether a slave to drug abuse or the government's whims.

I think the best thing about Nikita is its realism (yes, I know I've already said you have to suspend your disbelief to appreciate it, but hear me out...) - in many modern films where the lead is a female action hero who spends her time beating up dozens of burly men who stand in her way, you feel that - although cool to look at - it may not happen that way in real life. However, in Nikita she never uses her physical strength to overpower and take-down her targets. Instead, she uses her wits and deadeye with a sniper's rifle to get the dirty job done (and get home in time for tea with her new fella).

I'm glad I've watched the original. It's a decent film which blends action with genuine emotion for the characters, plus it's worth noting that it was good enough to inspire whoever greenlit its American remake NOT to change it so much that it's barely recognisable and remained true to what made it great in the first place.

This, the French La Femme Nikita, directed by Luc Besson, is one of the strangest, most bizarre, yet psychologically truest movies ever made. The story on the surface is absurd and something you'd expect from a grade 'B' international intrigue thriller. Anne Parillaud plays Nikita, a bitter, drug-dependent, unsocialized child of the streets who is faster than a kung fu fighter and packs more punch than a Mike Tyson bite. She's killed some people and is given a choice between death and becoming an assassin for the French government.

This premise should lead to the usual action/adventure yarn, with lots of fists flying, guns going off, people jumping off of buildings, roaring through the streets in souped up vehicles, spraying bullets, etc., as blood flows and bones shatter. And something like that does happen. However there is a second level in which Nitika becomes the embodiment of something beyond an action adventure heroine. She is coerced and managed by society. Her individuality is beaten out of her so that she can be molded into what the society demands. She comes out of her 'training' with her individuality compromised, her free and natural spirit cowed, but undefeated and alive, and she sets out to do what she has been taught to do. And then she falls in love. And she notices, somewhere along the way, amid the murder and the mayhem, that there is something better than and more important than, and closer to her soul in this world than killing and being killed. She finds that she prefers love to hate, tenderness to brutality. She sees herself and who she is for the first time, but it is too late. She cannot escape. Or can she?

Parillaud brings a wild animal persona tinged with beauty and unself-conscious grace to the role of Nikita. Marc Duret plays Rico, the tender man she loves, and Tchéky Karyo is her mentor, Bob, whom she also loves. Jeanne Moreau, the legend, has a small part as Amande, who teaches Nikita lipstick application and how to be attractive.

Now compare this to the US remake called Point of No Return (1993), starring Bridget Fonda. (Please, do not even consider the vapid TV Nikita.) What's the difference? Well, Fonda's flashier, I suppose, but nowhere is there anything like the psychological depth and raw animal magnetism found in the original. The Fonda vehicle is simply a one-dimensional action flick stylishly done in a predictable manner. Besson's Nikita is a work of art that explores the human predicament and even suggests something close to salvation.

As always with a French film, get the subtitled version. The dubbing is always atrocious, and anyway there's really not that much dialogue.

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'Josephine' in her little black dress, crouched in a hotel kitchen, HUGE smoking hand-cannon swaying in her delicate little paws, not entirely sure what she's doing......equals my all-time favourite movie poster and an enduring image of a wonderfully crafted, absorbing study of love, penance and obligation. Throw in a funky, pulsing score and you have a modern classic. The film is generally slow-paced save for a couple of genuinely exciting and achingly cool set-pieces and is more an examination of Marie's transformation and rehabilitation than anything else. If you want consistent, high-octane thrills then look elsewhere because this beautiful film packs an emotional rather than physical punch. Anne Parillaud as 'Marie' (Nikita/Josephine) in the lead role is breathtaking and her failure to feature since in any picture of note baffles me. She is the centrepiece of the film: aggressive, fragile, tactile, ugly, beautiful, cold, efficient, she runs the gamut of human emotion and in doing so lingers on as one of the most complex and memorable female characters in recent movie history. Time is a central character here; much as in Gaspar Noe's 'Irreversible' it is all-powerful and destroys everything, good and bad. It's passage is portrayed regularly, symbolic of Marie's simultaneous progress and rehabilitation. The lighting here is also effective, giving the film an almost washed-out feel. Hollywood again take note, this is a REAL film about love and pain of the most excruciating kind: of having no control, identity or direction and hurting those about whom you care the most. A must-see.

Exciting and stirring movie that is remade in American style by John Badham (1993) . A gang of armed drug-addicts break into a shop to try and steal drugs to fuel their habit and then takes place a bloody tour of force . However, the police arrive too fast and all addicts but one are killed .The hardened criminal (Anne Parillaud , role subsequently played by Bridget Fonda) , a punk-junkie sociopath acts with consistence violence, even in police custody and is given a life sentence .But after being drugged by her captors she wakes up to find that she has been spared in order to train her as a government assassin . However, top-secret agency official (a Svengali alike ,Tcheky Karyo , character interpreted in the American version by Gabriel Byrne))arranges a stage , so she can be elaborately trained as phantom killer and subdued into obedience. After a dramatic transformation, she is allowed to leave and start a new life for herself .On her eventual release she turns into a sophisticated girl thanks to an old lady (Jeanne Moreau , role also acted by Anne Bancroft) . As a cover, she gets a new identity . And with a wonderful house-mate, a broad-minded, gentle boyfriend (Jean Hugues Anglade , posteriorly performed by Dermot Mulroney) . The two fall in love, but that complicates jobs. His good influence extends to breeding her a conscience that puts love over business, alas unlike agency. However, she begins to discover that there is more to life than she previously thought and soon begins to wish she could escape from her obligation. But the government aren't so easy to evade .

This exciting noir-thriller is packed with thrills , tension , suspense and lots of noisy action .From the start to the ending the action pace is fast moving, provides fast and furious entertainment with spectacular scenes. Displays nonstop action and is extremely entertaining and thrilling . Some scenes are brutal and with a load of violence. Still it's a good movie, I think furthermore the incredible chemistry between Parillaud and Karyo ,the plot was moving and intense , it makes you want to know what happens after . Anne Parillaud is pretty good as the heroine who turns in violent tendencies to patriotic use , both as the anti-social rebel of the early scenes and the sophisticated, seductive young lady of the later ones . It benefits enormously from a memorably assured performances from veteran as Jeanne Moreau , Jean Reno , Philippe Leroy and Jean Bouise whom is dedicated the movie . Atmospheric musical score by Eric Serra , though with excessive use of synthesizer . Colorful cinematography by Thierry Arbogast and perfectly remastered . The motion picture is lavishly produced and well directed by Luc Besson with his ordinary visual pyrotechnics . He often casts Jean Reno and music always by Eric Serra. Besson is the greatest producer and director from France with hits as ¨Leon¨ , ¨Joan of Arc¨ , ¨The fifth element¨ , the ¨Taxi¨ series , ¨Big blue¨ , ¨Arthur and the Minimois¨ , of course ¨Nikita¨ and many others .

"You could say I work...for the government. We've decided to give you another chance."

I've been wanting to see La Femma Nikita for ages, as I used to be quite the fan of the TV show based on it when I was a kid. It's nice to be able to say that the movie was just as exciting and entertaining as I remember the show being.

The plot is about a young drug addict who kills a cop when she and some guys are caught robbing a pharmacy. The French government fakes her death, and she's given little alternative but to join a training program to become an agent in the government's employ. The stress of living a violent life that she doesn't want and having to keep it secret from her fiancé eventually becomes too much for her to cope with.

La Femme Nikita has several impressive action sequences, but it's more than just an action movie. Nikita transforms over the course of the story from a drugged-up junkie with nothing to live for to a capable and dangerous woman who wants control over her own life.

All in all I thought La Femme Nikita was a solid blend of assassination and drama. The heroine is probably one of the most interesting female action protagonists ever put up on the big screen, and it's hard to overstate the impact Nikita has had on other female protagonists in these kinds of movies in the last twenty years. Recommended.