Naked Tango

Vincent D'Onofrio is beyond gorgeous in this pretentious little ditty. It's a gorgeous film, very "foreign" and decadent and moody, but what of sense? It's silly - I get it, the tango is sensuous. Yeah, I got that. Wow, she's naked and he's cruel and hot. Wow, he's good in bed and it took a lot to get him to do it. He's not a whore, but she was forced to be! Tell me, isn't this film reminiscent of a "Kids in the Hall" episode with Francessca Foray (a Scott Thompson character, "International B - Movie Star") and everyone was speaking in movie metaphors? Yeah, it is. It's overwrought but I enjoyed this movie. Dumb yes, but it was fun and glorious to look at, from the bondage - bed scenes to Vincent all lean and dressed to the nines. Good Lord that man 's a typhoon of hottness (how's that phrase for you?)

"Naked Tango" makes for a fairly surreal experience. It has the exaggerated gestures and emotions of a silent film or grand opera. Despite gaps in logic you could perform a tango corrida through, the pace and energy of the film doesn't give you time to dwell on them.

On a ship heading to Argentina during the 1920's, Stephanie (Mathilda May), a woman bored by her marriage to the wealthy, much older Judge Torres (Fernando Ray), takes the identity of a young woman she sees jump overboard.

Stephanie more than spices up her life when as Alba, a young Jewish girl from Poland, she finds herself in an arranged marriage to Zico Borenstein (Esai Morales), a member of the Zvi Migdal. This is an organisation of pimps on the grand scale, which tricks women into prostitution. After attracting the attention of Choro, an Argentinean gangster played by Vincent D'Onofrio, events head off in unexpected directions, all swept along by the music and the mystique of the tango.

The stars make this film, and the stunning Mathilda May makes believable all the obsessive attention she receives from the males in the movie. I remember her spectacularly uninhibited performance in the otherwise forgettable "Lifeforce". Here she dances the tango of the film's title to the music of a blindfolded orchestra without any discernible loss of poise.

Vincent D'Onofrio gives an eye-popping performance, but it fits seamlessly with the theatricality of the whole thing. I wouldn't be the first person to notice his resemblance to Orson Welles (he's actually played him in a couple of movies) but here, half hidden in the shadows with the brim of his hat pulled down, he is uncannily like Harry Lime in "The Third Man".

Esai Morales and Fernando Ray wisely underplay, leaving the fireworks to May and D'Onofrio. Fernando Ray is perfect as Stephanie's real husband who realises too late that wealth, position and comfort are not enough to keep his beautiful wife away from the machismo of the dangerous Choro.

This is the second film I can recall that featured the Zvi Migdal. It was the driving force behind the plot of Jonathan Demme's underrated Hitchcock homage, "The Last Embrace", but in that film it is only alluded to, here it is front and centre.

"Naked Tango" has great locations, sumptuous sets, an arresting story, and a couple of stars that burn up the screen. When all is said and done, the title of the film is a good warning as to whether or not you are likely to enjoy this film - it's nothing less than an invitation to a dance on the wild side.

In spite of a strong cast, including the very talented Fernando Rey, and sumptuous settings, this movie is simply a pretentious failure. The story revolves around the sado-masochistic relation between a hoodlum and a hapless woman, the latter abducted into forced prostitution in Argentina. There is surprisingly little eroticism in this movie, even with the presence of the ever lovely, and ever nude, Ms. May. The ill-fated couple tango their way to romance, but the utter lack of chemistry between D'Onofrio and May, compunded by a poorly scripted story line, strains the viewer's credulity. I admire Mr. Schraders' work in other films, but this one was definitely off-the-mark. The video is hard to find but it is most assuredly not a lost masterpiece.

Almost 10 years ago, it happened one night that I got into the theater ( a kind of B-movie theater of double feature ) in the back street of Seoul in Korea. I didn't even know the title of this film when I bought the ticket. Now I am studying film in Art School in San Francisco and still remember the powerful imagery and storytelling of the film. This film shaked my fundamental concept of the film itself and it still gives me the energetic interaction of the very unique aesthetics and visual ecstacy. I could not forget the night of watching this film still now. I think Hector Babenco should adore this film.

Amazing. What struck me right from the start was the intense use of rich colour and brooding shade. The camera seems to leer through a fish-like, distorted lens at times. The story itself is very dynamic, with frequent turns and revolutions in the plot. The creators have used an ingenious blend of futuristic, and what seems to me to be late nineteenth/early twentieth century set and costume, so we are left wondering exactly when and where this story is set. By turns bloody, beautiful, outrageous, mysterious, dark and passionate, this is a very stirring film. The tension and attraction between the protagonists is so palpable it seems to tear up the screen! The final showdown in the abattoir is a cinematic crescendo, putting it politely. I rate this film most highly because it is a classic example of what a director can do when they really let their imagination run wild.