Mister Frost

Ranks with THE FLY as Goldblum's greatest performance. He is mesmerising from his opening scenes with Alan Bates as the detective on a real mission impossible.

Way too intelligent for most audiences of the new millennium, here in Goldblum's character and given the ring-melting sequence, there is no real enigma as to who he is - we have "cool" utterly personified.

Awesome in its contemplation even - the Devil's reincarnation as a means to "renew the faith" as it were, Goldblum is hypnotic and absolutely commands attention and respect for every little nuance he projects in his time on screen.

The end is only anti-climactic for the average "boofhead," who would more than likely have switched off long before the final reel anyway. It never was a question of "who won?" There ARE no winners! I have seen this film several times and only ever known it incidentally as "The Deadly Mister Frost" as is titled my own recently-acquired DVD copy.

Rare and thought-provoking little gem.

True, there are plenty of devil-themed movies out there. But what makes "Mister Frost" different is that it looks more at how the Prince of Darkness might try to communicate with humans. Jeff Goldblum plays the title character, in the form of a man who suddenly is living in a villa and admits to having buried 24 corpses in his yard. After two years of silence, he starts talking to psychiatrist Sarah Day (Kathy Baker) and trying to convince her that he is in fact Satan.

This movie is sort of the flip side of stories about people who rediscover their faith in God. Sarah gives a speech detailing the fact that humans have wrought more havoc than the Devil seemingly could, Frost starts complaining that science has interfered with progress; he's trying to renew her faith in his existence. This is one charismatic Devil. That is, when he's not possessing people.

I certainly liked this movie. Far more perceptive than the average devil-is-trying-to-take-over-the-world story, it manages to be creepy without being particularly violent. Each of the characters looks just a bit menacing at some point or other. Early in the movie, Jeff Goldblum looks almost exactly like Michael Jackson in the "Thriller" video. Really good.

Also starring Alan Bates, Jean-Pierre Cassel, Vincent Schiavelli and Charley Boorman (John Boorman's son).

For a movie which had little special effects, and no CG stuff this was great. Made back in the days when all you had going for you was good writing, good acting and good directing. Its been so long since I saw this, I can't even remember how the production quality was. I wish this would be released on DVD, though. I'd buy it in a heartbeat. Blows away most of the recycled garbage seeping out of Hollywood today by a mile. Great example of a good medium-low budget movie. I like Goldblum in these types of roles. I liked him in the Invasion of the Bodysnatcher remake with Southerland (better than the original, actually) Help me get this released on DVD so our kids don't have to watch crap like 2012, The Day After Tomorrow, and the last 3 Star Wars episodes.

This is a movie for mature audiences, viewers that like the subtalty over the blatant. The dialog is clever, a bit flat sometimes due to the lack of a score, but sometimes this ads to the movie in particular places. Jeff G. is excellent in this role (and I am not one of his fan). And to those that complain that the end of the movie is not climactic enough I don't know why because it is just perfect, just with one line. Rent this movie. It will scare you without grossing you out.

23 May 2010. Jeff Goldblum insidiously and scarily with intelligence inhabits the role of of the Devil in this occult horror thriller that avoids the usually overt bloody mess of its genre. Instead while there is the narcissistic and pretentious characters, it is never about the movie itself, it is about the mental and emotional conflict between good and evil. This movie is scary in its seductive illusion that evil can be good and funny, cunning, and diverting. But in the end it is nothing to be trifled with. Mr. Frost is a cold, manipulating and debonair creature that fools even the audience in calculating the emotional enrapture in a sinister way that even Hannibal Lector cannot, because Mr. Frost is the essence of evil. The movie is engrossing and wicked in its pacing, eerie music reminiscent of the 60s and 70s that even twenty years later screeches with mystery and fear. This movie is a densely "horrible" movie made all the challenging and impressive by its ability to still evoke terror, hatred, revenge by its omission of the more visceral physical depiction of raw and bloody gore allowing the audience to focus on the deeper, substantive essence of evil.