Midnight Ride

Even halfway through this film, I would not have recommended it. Now I would watch it again. It seems like one of those weak plotted, thrown together films with dull and boring driving scenes. And there is plenty of that. But it is not the plot. Nor is it stunning acting. So what is it about this film that works? Strong, pressing acting, without letting up. Each lull in the "action" precipitates more progression towards anticlimax. It gains a hidden rhythm and timing which turns what would seem to me to have been the most boring movie of the month, if not of the year, into something that stands on its own. Incidentally, they must have spent a small fortune on explosive materials. For a film having only four leading actors, Michael Dudikoff, Mark Hamill, Savina Gersak and then finally, Robert Mitchum, who plays this kind of role well, there was more going on than normal observation revealed. It comes out as a strange film and if you appreciate the way these things come together with a good, full cast, then watch it all the way through. After it is over, you'll like it. Then when you think about it, you'll like it a little more. Very odd. In fact, as I consider it now, part of the character of the film borrows from the style of older horror films made in the 50's and early 60's.

Actor Mark Hamill as a sickly disturbed psychotic killer on the road. No way! The boyishly sweet looking Hamill is obviously trying to break away from that typecast his been associated with and this cheap b-grade Cannon action flick gave him an opportunity to do that. Well he lets it all out in an unconvincingly hammy and spaced-out portrayal with such non-apologetic aplomb. It's quite a sight…. A frightening one too, but not in that threatening way. But there's something random about it that just compels. Starring opposite of him is a surprisingly sound and rugged Michael Dudikoff and coming between the two is a feisty Savina Gersak. Making a brief and all-too tired turn is Robert Mitchum. Who looks like he'd rather be somewhere else and its understandable. I can't deny that I didn't enjoy it, as for an active nocturnal road chase movie with cat and mouse elements it was thrillingly executed. Never did it lose any of that gritty energy and hysterical nastiness from Bob Bralver's assertive direction. Sure it can be laughable, and contrived with its weak psychological front. But it's all about leaving a constant pile of destruction and a workable death toll. Still there's a real creepiness in certain sequences and atmospheric lighting, but it's mostly broken up by some ridiculously over-the-top set-pieces. That also goes for the out-of-nowhere shock ending. The material has actually dreamt up something that's original and could've been tightly menacing (as it has a wife fleeing her committed police husband, while unknowingly offering a ride to a unstable psycho), but how they go about it loses the possibility of gelling the two threats and dissolves into something quite standard with the opening half of the story's motive coming off dispensable. Fair b-grade action romp.

Despite receiving top billing, I wouldn't call this a Dudikoff movie. It's Mark Hamill's movie all the way, as the former Luke Skywalker chews the scenery and steals the entire film. In a role that again demonstrates Hamill's versatile talent, he plays a mental patient who has escaped from his hospital to visit his doctor, Robert Mitchum in a small supporting role towards the end of the film. After an argument, Dudikoff's wife leaves him and goes to see her sister, picking up hitchhiking Hamill along the way. Dudikoff borrows his friend's car and sets out to find her, unaware of the danger she will soon be in. As much as I like to see Hamill play good guys, he always makes a delightful bad guy, and his role here is one of his best psychotic characters. Even when he's playing nice there's an underlining sense of uncertainly. The wife finds out Hamill is a psycho when he kills a hotel clerk and fashions a necklace out of her fake eye, dangling it from his finger and asking if she likes it. Dudikoff soon catches up, but learning he's a cop, Hamill forces the wife to hightail it, setting off a dangerous game of pursuit. Dudikoff thinks his wife is trying to get away with another man, and the entire time, always ends up one step behind. At one point he loses his car, forcing him to steal another from a car carrier truck as it speeds down the highway. (A great scene, by the way).

There's plenty of action: car chases, explosions, car chases, explosions, and one tense scene in which Hamill straps Dudikoff to the hood of a taxi cab and proceeds to slam repeatedly into the rear of a gas tanker (the driver of which must be completely unable to feel the hits his vehicle is taking). The climax at a hospital is pretty good as well, with a tense final encounter between Dudikoff and Hamill on the roof of the building. The gritty cinematography helps give the film a horror movie-like tone. I just wish we had known a bit more about Dudikoff and his wife. All we know is that he and a friend helped get her out of Russia, though how we are never told. But that little unknown plot point aside, MIDNIGHT RIDE is effective as a creepy little road movie, and fans of those should enjoy it. It would make a terrific Saturday triple-bill with DUEL and THE NATURE OF THE BEAST.

This movie is GREAT! For anyone who doesn't like it, doesn't get it. And, oh yeah, get a sense of humor (a black one would be best). No matter how many times she escapes, Mark Hamill just keeps showing up. Driving the bus was my favorite. His insane driving is ridiculous, but it's hysterical that his hands are always at 10 & 2! The exploding cars had us rolling. Also, how many cars is her husband, the cop, going to steal? My favorite was off the moving car hauler. Appreciate it for what it is, & you'll have a good time.

Michael Dudikoff stars as Lawson a police officer who tracks down Justin a hitch-hiker who has kidnapped Lawson's wife Lara in this so-so actioner that benefits from some pretty decent actionscenes as well as Mark Hamill's over the top performance make this one mildly diverting. Robert Mitchum also lends some class as Hamill's doctor.