The Hairdresser's Husband

How anyone can give a negative review of this film is beyond me. It is a delight to watch from start to finish. It has everything, humour, drama and it is very moving. I have read reviews stating that the film is sexist; I'm sure these so- called 'critics' were watching a different film to me. It is a film about a man's pure love for a woman and if thats sexist, then beam me up Scotty! If you get a chance, please watch this film. I promise, you won't be disappointed.

The French are the masters of melancholy. I don't think I've ever been more pleased by sadness than after watching this beautiful film. A little boy obsesses over his hairdresser as a child and then finally fulfills his fantasy nearly forty years later when he marries a stunningly gorgeous owner of a barber shop on a whim. The story is simple, and though it may leave some viewers wanting more in terms of character development, it will play well if you see it as a fable. The two are madly in love with each other and their whole life revolves around the barber shop and their customers. Quirky humor, insightful observances about everyday life and people's behavior, and superb photography (especially of the luminous actress playing the hairdresser) make this a highly enjoyable film to watch. This is a wonderful look at how lust can grow into love, and how love can turn tragic and then hopeful again. Bravo to director Leconte. C'est la vie!

this is actually what this movie is about: what happens when all your dreams come true and what you exprience every day is so incredibly beautiful and fulfilling that you fear even think of losing what you have. funny and touching, poetic and sad - this movie has this 'something special' about it that makes it unforgettable. great acting, one-of-the-kind story and beautiful cinematography combined with really unique, fairytale-like mood make this movie a genuine 10 out of 10.

I hold foreign films in a different light from movies of North American mainstream cinema. I must admit - I'm more subjective when it comes to a foreign film. Why? I guess because they aren't in my language sometimes or have names I don't recognize. Most have turned out well, but not all. Perhaps the view that foreign movies are generally of good quality comes from the fact that American audiences are only exposed to foreign films of good quality. The comparison to "our" movies help too. Unfortunately that's a pretty select group year after year.

The Hairdresser's Husband is not such a foreign film. It didn't make the language barrier jump which is unfortunate. It's well worth the watch for anyone not completed saturated by American movies and customs. The film is equal parts drama and comedy.

It follows Antoine (Jean Rochefort) who as a little boy becomes infatuated with the local hairdresser almost like a secret boyhood crush. From that day on the love of a female hairdresser becomes part of his character. He grows up intent he will marry a hairdresser and hence the title - "The Hairdresser's Husband". He's the kind of person you know will make no harm in the world. Even in adulthood in many respects he is still a child. His personality is such that you'd look at him and know what kind of person he is.

He walks into a local hairdresser's shop and becomes mesmerized by Mathilde (Anna Galiena) the shop's hairdresser. She is beautiful and has a natural free flowing charm. Next thing he's getting his hair cut and inadvertently blurts out "Will you marry me?". General awkwardness follows. The next day, he comes back. Obviously not needing a cut. She tells him she heard what he said and the next thing they are together and he couldn't be more happier. Life suddenly has depth and meaning. He's been waiting for this moment in time his whole life.

"The Hairdresser's Husband" is a kind hearted film that isn't so much a story, but a character study carried out by talented performances and real emotion. Asking nothing but acceptance as it plays out. Although it is relatively brief, the short running time actually suits the material too. In an American movie, Antoine would have lost her somewhere in act two and had to battle to get her back from a person not deserving of her before having happiness again. They might have thrown in a subplot centering around their best friends too. That's the way Hollywood movies are. Thankfully there are no contrived plot points or useless characters thrown about here. It's a tight package. The finale is sad, but that does nothing to impact this foreign film I recommend to anyone with a sense of empathy.

Being a Patrice Leconte-directed film, you know this is going to be nicely photographed with a lot of Sergio Leone-type facial closeups. I always appreciate that, and especially here when it is the beautiful face of Anna Galiena featured often. Some of the "portraits" of her in here would make magnificent paintings.

The story isn't much but it kept my interest in an odd way. The film had some strange scenes and some strange viewpoints on life, although I noticed much of the same secular and superstitious liberalness in many films from France. Unfortunately, that secular viewpoint can lead to tragic endings as is the case in this story which finished in a shocking manner.

However, there is some nice humor in this drama, too, such as the funny dance scenes by Jean Rochefort.

One thing about French films: they don't need a lot of action to keep your interest. They are wonderful storytellers and I usually enjoy their films, despite their odd philosophies on life.