Golden Gate

I caught this film late one night in Japan. I had never heard of it and was amazed. I've always liked Matt Dillon, and fell in love with Joan Chen watching this film.

Matt Dillon is his usual brilliant self playing an FBI agent who falls in love with a subject under observation. He contrives a way to meet her and they connect with a blinding love. However a love founded on a great lie and betrayal. Joan Chen is beautiful and pure, true to her culture and family. Her role here could not have been portrayed by an American-Chinese actress with such realism.

This film spoke to my heart and I would definitely rate that night in Japan watching this as an unforgettable experience. Watch it if you like films that speak true.

Matt Dillon is so good in anything he does. This is a heartbreaker of mistakes both human and political. It had nothing to do with left or right just a story of the times told with a realism which must have been repeated many times. A hidden gem of a movie.

John Madden's "Golden Gate" mixes issues of racism with McCarthy-era witch hunts. Matt Dillon plays an FBI agent in San Francisco who trumps up charges against a Chinese-American man and later starts up a relationship with the man's daughter (Joan Chen). I actually thought that one of the most effective scenes was the college scene in which the Asian-American students reflect on discrimination. But even so I thought that they did a sufficient job looking at the issues. I understand that screenwriter David Henry Hwang is a noted dramatist; indeed, part of the movie feels like a play.

Anyway, pretty good movie. Also starring Bruno Kirby (young Pete Clemenza in "The Godfather Part II"), Teri Polo (Pam in "Meet the Parents") and Tzi Ma (one of the accomplices in the remake of "The Ladykillers").

John Madden, who last year brought to life a dark, moody adaptation of Edith Wharton's Ethan Frome, shows some of the same tendencies with Golden Gate. In spite of the film's uneven tone, the atmosphere is consistently strong. The sense of place, cemented by various shots of the Golden Gate Bridge, is never lost on the viewer. Unfortunately, the sudden shifts in mood, and the screenplay's unwillingness to develop in a more original direction, hamper Golden Gate. The movie has themes to explore, and it holds the audience's attention while doing so, but there are flaws that even all the fog of the Bay Area can't conceal. The acting by leads Matt Dillon and Joan Chen is more than adequate.

Hey, don't these screenwriters know how to read any more? I mean this screenplay is so rank with vague cliches & timeless imprecision, it's beyond comprehension. There's no cohesion here, narrative, emotional, political or otherwise. It's beyond embarrassment. Woof. Only poor Matt Dillon gives it any dignity or professionality. What is he, the indie's Jeff Bridges? The guy deserves some kind of special award. Definitely.