IMDb रेटिंग
6.1/10
3.6 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंTwo cops become compelled to act against corruption and discrimination within their police precinct.Two cops become compelled to act against corruption and discrimination within their police precinct.Two cops become compelled to act against corruption and discrimination within their police precinct.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- कुल 1 नामांकन
फ़ीचर्ड समीक्षाएं
There's a strong resemblance to the much praised L.A. CONFIDENTIAL in this vivid story of crime and corruption on the police force, based partially on a true story involving these events.
Basically, it's the tale of a black police rookie who tries to fit in by covering corrupt practices and tries to uncover the truth behind the false prosecution of a black man (ICE CUBE). The black rookie (MICHEAL BOATMAN) suffers slurs inherent with being the first black man on the force and other social injustices within the department.
All the performances are first rate, beginning with Boatman, who does a fine job, MICHAEL ANDERSON, BERNIE CASEY (especially good as Ice Cube's lawyer), and ELLIOT GOULD--all first rate. LORI PETTY is also convincing as the only woman rookie who helps Boatman in his investigation. MICHAEL IRONSIDE is chilling as one of Anderson's most corrupt officers.
Given terse direction by Charles Burnett in well paced, brisk, documentary style, it maintains a grip on the attention throughout as it unravels a tale of police corruption and the hard decisions that have to be made.
Basically, it's the tale of a black police rookie who tries to fit in by covering corrupt practices and tries to uncover the truth behind the false prosecution of a black man (ICE CUBE). The black rookie (MICHEAL BOATMAN) suffers slurs inherent with being the first black man on the force and other social injustices within the department.
All the performances are first rate, beginning with Boatman, who does a fine job, MICHAEL ANDERSON, BERNIE CASEY (especially good as Ice Cube's lawyer), and ELLIOT GOULD--all first rate. LORI PETTY is also convincing as the only woman rookie who helps Boatman in his investigation. MICHAEL IRONSIDE is chilling as one of Anderson's most corrupt officers.
Given terse direction by Charles Burnett in well paced, brisk, documentary style, it maintains a grip on the attention throughout as it unravels a tale of police corruption and the hard decisions that have to be made.
I was hesitating between giving 8 or 9 and decided for a 9 when I thought "It was so difficult watching this film - it really showed well how frustrating some things can be in Life; I'm exhausted".
And that in itself sums up this film : it does not have the top notch direction of Crash which won the 2006 Oscars, but, just like Crash, I was on the edge of my seat till the very very end of the film. I was punching the wall out of feeling as frustrated as some of the characters, I was tense and worried that someone was going to get shot, I was a total ball of nerves by the end. And for that alone I went for a 9 rather than an 8 : this film is 10 out of 10 in terms of drawing the viewer into the frustrations of police corruption, racism, sexism, cover-ups, minor mistakes which come back to haunt you big time, the effect on communities, fate. It is not a traditional Police film, it is a hundred times more than that.
If you liked Crash 2006 (the one which won the Oscars), then you'll like this film. Guarantee.
And that in itself sums up this film : it does not have the top notch direction of Crash which won the 2006 Oscars, but, just like Crash, I was on the edge of my seat till the very very end of the film. I was punching the wall out of feeling as frustrated as some of the characters, I was tense and worried that someone was going to get shot, I was a total ball of nerves by the end. And for that alone I went for a 9 rather than an 8 : this film is 10 out of 10 in terms of drawing the viewer into the frustrations of police corruption, racism, sexism, cover-ups, minor mistakes which come back to haunt you big time, the effect on communities, fate. It is not a traditional Police film, it is a hundred times more than that.
If you liked Crash 2006 (the one which won the Oscars), then you'll like this film. Guarantee.
The Glass Shield (1994) is a movie that I recently watched on Prime. The storyline follows a black police officer on the force who is trying his best to fit in to the culture of the department. He witnesses an arrest that he knows is wrong; but to fit in, he bites his tongue and lets it go to trial. Once faced with the task of testifying, he will need to decide what's more important - the truth or his job.
This movie is written and directed by Charles Burnett (Killer of Sheep) and stars Michael Boatman (Hamburger Hill), Lori Petty (Tank Girl), Ice Cube (Boyz n the Hood), Michael Ironside (Total Recall) and Erich Anderson (Friday the 13th: The Final Chapter).
The storyline is well written, and the circumstances are a challenge to this very day and the cast is pretty good in name...but Ice Cube is the only performance that is well executed. Lori Petty delivers a strong supporting character also, but the villains were a bit cliche, even if their characteristics are a challenge within our society. Michael Boatman's mannerisms, facial expressions and overall delivery of the main character left a lot to be desired. The dialogue is very well written, as is the court drama, and the ending is worthwhile.
Overall, this is a movie with a solid premise but inconsistent execution. I would score this a 6/10 but strongly recommend it.
This movie is written and directed by Charles Burnett (Killer of Sheep) and stars Michael Boatman (Hamburger Hill), Lori Petty (Tank Girl), Ice Cube (Boyz n the Hood), Michael Ironside (Total Recall) and Erich Anderson (Friday the 13th: The Final Chapter).
The storyline is well written, and the circumstances are a challenge to this very day and the cast is pretty good in name...but Ice Cube is the only performance that is well executed. Lori Petty delivers a strong supporting character also, but the villains were a bit cliche, even if their characteristics are a challenge within our society. Michael Boatman's mannerisms, facial expressions and overall delivery of the main character left a lot to be desired. The dialogue is very well written, as is the court drama, and the ending is worthwhile.
Overall, this is a movie with a solid premise but inconsistent execution. I would score this a 6/10 but strongly recommend it.
Michael Boatman ('Spin City') plays J. J. Johnson, an ambitious young black policeman who gets singled out for an honor: he is posted to the Sheriffs' Department at Edgemar Station. As the only black lawman there, he is a definite outsider, as is Deborah Fields (Lori Petty, "Point Break"), the only female cop with the department. J. J. Is at first content not to make waves, and to support his fellow officers, but he comes to learn just how crooked and racist they all are.
The main story thread deals with an innocent young black man, Teddy Woods (Ice Cube), who is hassled and turned into a convenient suspect when a mans' wife is murdered.
This is a good story inspired by a real-life case and an un-produced screenplay by Ned Welsh. We do see how these men in these positions of authority have been abusing that authority for a long time, and we are properly frustrated at seeing how hard it is to take them down. It benefits from having a lead character who is not so squeaky-clean, making his big mistake by initially taking the side of his fellow officers. The antagonists are all thoroughly disreputable types guaranteed to get some viewers' blood boiling.
Boatman does a solid job anchoring the tale with his sincere performance, and has good chemistry with Petty. But this thing has an *amazing* supporting cast full of familiar faces, including, but not limited to, Richard "Oscar Goldman" Anderson, Don Harvey ("Die Hard 2"), Elliott Gould ("The Long Goodbye"), Bernie Casey ("I'm Gonna Git You Sucka"), Wanda De Jesus ("Blood Work"), Victoria Dillard ("Ali"), Michael Ironside ("Starship Troopers"), Sy Richardson ("Straight to Hell"), and M. Emmet Walsh ("Blood Simple"). Casey is a standout as a savvy defense attorney.
Scripted and directed by Charles Burnett, whose other pictures include "Killer of Sheep" and "To Sleep with Anger", this made for a compelling tale indeed.
Seven out of 10.
The main story thread deals with an innocent young black man, Teddy Woods (Ice Cube), who is hassled and turned into a convenient suspect when a mans' wife is murdered.
This is a good story inspired by a real-life case and an un-produced screenplay by Ned Welsh. We do see how these men in these positions of authority have been abusing that authority for a long time, and we are properly frustrated at seeing how hard it is to take them down. It benefits from having a lead character who is not so squeaky-clean, making his big mistake by initially taking the side of his fellow officers. The antagonists are all thoroughly disreputable types guaranteed to get some viewers' blood boiling.
Boatman does a solid job anchoring the tale with his sincere performance, and has good chemistry with Petty. But this thing has an *amazing* supporting cast full of familiar faces, including, but not limited to, Richard "Oscar Goldman" Anderson, Don Harvey ("Die Hard 2"), Elliott Gould ("The Long Goodbye"), Bernie Casey ("I'm Gonna Git You Sucka"), Wanda De Jesus ("Blood Work"), Victoria Dillard ("Ali"), Michael Ironside ("Starship Troopers"), Sy Richardson ("Straight to Hell"), and M. Emmet Walsh ("Blood Simple"). Casey is a standout as a savvy defense attorney.
Scripted and directed by Charles Burnett, whose other pictures include "Killer of Sheep" and "To Sleep with Anger", this made for a compelling tale indeed.
Seven out of 10.
The movie sends a good message. As clichéd as it sounds: Absolute power corrupts absolutely. As other viewers have noted, this movie is low budget and not overtly action packed. But it does showcase very well what can happen when trying to fit in: Loosing sight of what is right and wrong, then trying to do what is right and getting penalized for it from different directions. Many movies do an awesome job in telling a tale. This is one of them. The message of being drunk with power and corruption among peers is something that is not only seen in the law enforcement institutions, but in the corporate and higher education areas as well. It just appears that corruption is more harmful in law enforcement because there is the higher probability that people may become physically and psychologically damaged (on the deepest level) as a result of corrupt people misusing their guns, badges, and utmost authority). The movie is more likely to hit home for someone who is female and/or a minority who has had some in-depth exposure to law enforcement. While many police officers are, for the most part, decent and on the level, I would say that EVERY law enforcement agency has some level of corruption occurring. The corruption can be a lone officer or two belittling citizens unjustifiably (and getting away with it), or a group of them who systematically abuse power. Perhaps a film like this would be worth mandatory viewing for new police recruits. There is something in it for everyone. Not only is there the lesson of how wrong and nasty discrimination is (especially in groups), but there is also the lesson of your own well meaning, however wrong actions, coming back to haunt you. And finally there is the lesson of how harassment, alienation and adversity are often used as cruel weapons in attempts get others to conform to wrongdoing.
क्या आपको पता है
- भाव
Detective Gene Baker: Save your judgements for when you make detective. In the meantime, just keep the traffic flowing.
- कनेक्शनFeatured in Siskel & Ebert & the Movies: Congo/The Glass Shield/Pocahontas/Fluke (1995)
- साउंडट्रैकBlack Man Sings the Blues
Performed by Lance Eaton and Ernie Lee Banks (as Ernie Banks)
Music and Lyrics by Stephen James Taylor, BMI
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Glass Shield?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- बजट
- $50,00,000(अनुमानित)
- US और कनाडा में सकल
- $32,91,163
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $11,46,748
- 4 जून 1995
- दुनिया भर में सकल
- $32,91,163
- चलने की अवधि1 घंटा 49 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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