फ्रैंकनस्टाइन

In 1992 we got a romanticized version of Dracula. It seems that its success brought two like-minded movies in 1994: "Wolf" and "Mary Shelley's Frankenstein." Neither of them reached the acclaim level of "Bram Stokers' Dracula."

"Frankenstein" seemed too rushed. It was a big expensive production with a more than adequate budget. It had the look and feel as if they had to cut down a three hour movie to two. Things developed too quickly which made the key characters seem as though they were overly emotional and driven without a substantial motive.

All the proper elements were there for the movie to be as good as "Dracula": the budget, the cast, the set, and the story. If they could've slowed things down just a tad then the movie would've been so much better.

I nearly spit out my teeth when I saw how low Frankenstein (94) score was. This film is quite simply spectacular! It goes in the same category as From Hell, they are both too sophisticated and beautiful to be JUST horror films. The cleverness of this film and its sheer radiance must throw some people off. Robert De Niro is the creature! De Niro gives the foul beast a soul of his own. De Niro's performance brings out genuine pity, sorrow, and most importantly, fear. Kenneth Branagh has always added a bit of class to his films, and his version of Frankenstein is no different. A visually brilliant triumph as a director.

One of Branagh's more maligned works, though for the life of me I can't see why. Sticking closer to the book than to any preconcieved notions of Boris Karloff (perhaps that's why), this injects true horror into the story of a medical student who brings a corpse to life. If you don't like melodrama then maybe it's not the thing for you, but this deserves a far better reputation than it has.

While many people seem to scorn this film, I found it wonderfully enjoyable. Like the great Orson Welles, He stars in, and directs, many of his movies. This one in particular shows some of his more excentric, if not marketable, passions in filmmaking that make movie buffs and connaisseurs alike enjoy this stylized and emotional film.

Yes, it is melodramatic. Yes, the acting is often over the top. But what many critics of this film fail to recognize is that this is precisly the point. By staying very true to the source material(until the Elizabeth thing) and the significant changes that WERE made are clear evidence of this. The book was melodramatic. What Kenneth Branagh does here is stay true to the spirit of the classic gothic novel. The great close-ups define the characters, and through them you can understand them. Do not mistake stylization for poor film-making, because this is a wonderfully made and presented film, that if understood captivates you from the first spoken words(a quote from Mary Shelly, setting up the stylization) to the last frame.

Know what you're getting into, a passionatly made film about what drives one to both excel and what drives one to madness, and the dangers of excess beyond reason. If you have read the book, regardless of whether you liked it or not,see this movie. You will love what they have retained, and will embrace what they've changed. this is not a film(not a movie, a film) for everyone. But for those who are willing to have an open mind, it is pure bliss!

This interpretation of the story "Frankenstein", with personalities like Kenneth Brannagh,Ian Holmes,Helena-Bonham Carter and John Cleese amongst others is so incredible in its execution and dramatic flare.

John Cleese,especially,makes a very memorable part as the mysterious mentor Professor Waldman,which shows Frankenstein the secrets of Life.

And not to forget Kenneth Brannaghs characterization of the manic, desperate and not too forget intense Dr. Victor Frankenstein is completely without competition.

It's in this part Brannaghs sense of Dramatical flare and theatrical intensity really comes into its right, and manages to put the madness of Frankenstein into an incredible sharp relief.

You get an understanding of why Frankenstein does what he does.. The Death of his mother,the want to beat Death, all of these factors formed Frankenstein up to the moment where he creates and reanimates the Monster

Ah, The Monster.. In all the excitement I almost forget Robert De Niro's excellent rendition of the monster. In his characterization the monster isn't just a lifeless and soulless being,but a humane being with wishes,desires,wants and lusts..

He feels and experiences everything with such a strenght and intensity as noone really can describe. And he tries to adapt to a world which is completely hostile to his existence, even his Father he learns will not love him or know him.

The Monster is like a child, trying to cope with emotions and feelings much stronger than anything we can imagine or percieve. And maybe it is that which makes the Monster so reckognizable?. Because he is us, and we are him?