Doomsday Gun

The only thing I can add is that as a Canadian, I continue to be disappointed in our Government protection of our fellow citizens. RIP Gerald Bull and William Sampson and all of you have been left behind.

Just a quibble to correct Jonathan from Hoboken's identification of Gerry Bull as an America. He was Canadian (you can even see him brandishing his Canadian passport in the final airport scene with Price (Spacey) near the end.) Gerry Bull was an inconvenient Canadian, in that he thought too big for a Canadian, and, like many other Canadians of talent and vision, eventually had to leave the country to achieve what he wanted. He was a brilliant supersonic aerodynamics engineer, who had contributed to the Avro Arrow program, and had run HARP (High Altitude Research Program) which had been, ahem, aimed at achieving spaceflight using guns, a la Jules Verne. It had operated the original 'supergun' in the Caribbean, with battleship guns put end to end. Bull gave up on Canada when Canada gave up on him, and that's when he became the international long-range artillery guy, selling his expertise to whoever paid - Israel, South Africa, Iraq. I figure if Israel could knock out Saddam's Osirak nuclear plant with an air strike, it wouldn't be past them to knock off the guy about to give Saddam a supergun with which to shell Tel Aviv.

The movie, though heavy on the CIA-is-the-root-of-all-evil conspiracy theories, was entertaining and not that bad, especially as a made-for-TV job, with, I thought, pretty good casting (I always like Michael Kitchen).

Another excellent made-for-TV movie. This is as good a spy thriller as I have seen in a long time. The icing on the cake is, it also happens to be true!

This movie is short on action, short on special effects, explosions, car chases and the likes; this is a movie with a great script (true life is the best writer I have ever known), it is intelligently made, well directed and acted. All of the protagonists are excellent, but special mention is due to Alan Arkin in my opinion, whose portrayal of a cynical spy is Oscar worthy. James Fox has a cameo as the Head of MI6, he is also perfect in his role and seems to be amusing himself greatly while playing it.

It would be very interesting to learn the whole truth about this story one day...

This movie sets out to tell the (more or less) true story of Canadian weapons designer Gerald Bull (Frank Langella), who dreams of building the world's most powerful artillery gun: hundreds of feet long and able to deliver a shell the size of a small building. The only problem? America and Great Britain don't want to finance his masterpiece and don't want Bull constructing one for anybody else. But Iraqi dictator Saddam Hussein is willing to pay for one, and able to get around the American embargo on selling weapons to Iraq by cleverly disguising the gun's parts as ordinary industrial equipment. But once Bull goes to work for Saddam, he sets himself as a target for international hit squads willing to do anything to keep such a weapon out of the wrong hands. He found himself playing cat-and-mouse, taking precautions to stay one step ahead of the world's intelligence agencies. This movie provides a pretty good reconstruction of the project, and the fact that the project was a quite chilling possibility gives the story much of its interest. Unlike the outlandish schemes of James Bond's usual adversaries, Bull's supergun was technically feasible and his customer, Saddam, was a very real threat to world peace. A decent way to pass the time for anybody looking for real life intelligence intrigue.

I enjoyed this movie because I can vaguely remember the circumstances surrounding his death and the noticeable lack of attention paid to it in Canada. The story is interesting and the character study is fascinating. I thought that Frank Langella was right for the role. Not only is he relatively unknown by Hollywood standards, he is also Canadian. This is a case where a man's dream to build the biggest and best arms overrides his sense of morality.He was willing to sell his technology to anyone regardless of how it would be used. He wasn't interested in profit - it was all in the interest of personal aggrandizement. The movie probably could have been better (at least in the glitzy Hollywood sense) but the story is told in a fairly straightforward and interesting manner allowing the viewer to decide for him/herself about ends versus means.