Dolores Claiborne

Selena St George returns to her Maine island home to be reunited with her estranged mother Dolores. Dolores has been charged with the murder of her long time wealthy employer Vera, and all the evidence points to her guilt. Inspector Mackey leads the investigation, however his view is tainted as he failed to convict Dolores for the murder of her husband Joe, almost 20 years ago - his only unclosed case. As the present murder is investigated the truth about the past is slowly revealed.

How many Hollywood films give good roles to women. Not many - certainly not older women. This stands out because it has three good roles for women and a very strong supporting cast. The story is compelling, the present murder is slowly revealed, while the back story between Dolores, Selena, Joe and Vera is slowly spun out in memories. The various strands are all gripping - the level of detail and back story is excellent. The way the past is weaved into the present is well handled and you never feel like there's too much going on - each strand compliments the others.

The flashbacks are well filmed - each memory is painted bright with sunshine and gaudy colours. Like Selena's memory, it all seems better in hindsight. The present is filmed in pale greys, not even flesh colours come across - everyone looks ashen and grey. The director also deserves praise with the way he blends the present scenes into the past - the camera moves slightly revealing past action. At the end, every story is revealed and it's very satisfying.

As I said, the cast are excellent. If Bates got an Oscar for Misery then she more than deserved one here. She is superb in older and younger roles. She has some annoying habits, mainly the phrases she uses - but she brings out so much hurt, so many layers and so much resentment really well. Jason-Leigh is as good as always and is suitably disturbed - she is very well matched by her younger version, Ellen Muth, who matched Leigh's manner and speech well. Parfitt is an excellent Vera, she has a smaller role but deals with the changes very well. The support cast are all excellent - three stand out. Strathairn is excellent as the abusive Joe, Plummer is great as the cop, who turns out to have as many unresolved issues as Selena. The cast is rounded off by John C Reilly, who is always great.

Overall this is a well-acted compelling story. It lacks the sudden horror of Misery, but is a much more fully developed character piece.

Dolores Claiborne is directed by Taylor Hackford and adapted to screenplay by Tony Gilroy from the novel of the same name written by Stephen King. It stars Kathy Bates, Jennifer Jason Leigh, David Strathairn, John C. Riley, Christopher Plummer and Judy Parfitt. Music is scored by Danny Elfman and cinematography by Gabriel Beristain.

Plot sees Leigh as Selena St. George, a big-city reporter who travels to her home town island in Maine when her mother is accused of murdering the elderly woman that she was caring for. Her estranged mother, Dolores (Bates), is also widely suspected to have killed her husband and Selena's father some 20 years earlier, even though that was ruled as an accident. As mother and daughter come together, secrets of the past merge with the harshness of the present.

A terrifically well acted and well mounted drama doing justice to a great book, Dolores Claiborne thrusts family trauma to the front of an on going murder investigation. King adaptations are well known for being very hit and miss, but this is certainly one of the better ones, it sees a shift from standard horror monsters, to monsters of a different kind, the human ones. Played out to a perpetually dank backdrop of rain, grey skies and a sea devoid of beauty, film unfolds to reveal the sadness of one family's roots, where emotional discord hangs heavy, constantly.

The structure is well handled by Hackford, as present day scenes merge into those from the past, giving off a perfectly ghost like feel to the plotting. Plummer's weary detective John Mackey is a bit too underwritten for my liking, and the time afforded the pre-trial debate and inquest is simply not enough to make the required impact once all the revelations come tumbling forward - the latter of which is nearly unforgivable given the film runs at over two hours. However, slight irks aside, this is still great stuff and if only for the trio of lead lady performances then this is a must see for the drama seeking film fan whom wants some intelligent emotional heft in the screenplay. 8/10

It isn't quite fair to say that 'Dolores Claiborne' is a one-woman show, but let's face it; it's pretty much a virtuoso performance from Kathy Bates. She dominates virtually every scene she's in, shows tremendous range, from tender to sour and bitter, to borderline maniacal, and leaves you wondering who else on Earth could possibly have pulled it off.

That's not to belittle the rest of the cast. The other actors are adequate at very least, and Judy Parfitt puts in a performance as the bedridden Vera Donovan, which is the one time that Bates is slightly overshadowed.

Briefly, a middle-aged, working-class widow (Bates) in a small Maine town (where else, for SK?) is suspected of murdering her rich, elderly employer (Parfitt) in an apparently open and shut case. Christopher Plummer is the nasty lawman who is convinced she also killed her husband years before. Meanwhile, her estranged daughter from New York comes up to cover the story for a newspaper, and... well, you don't really need to know any more details before seeing the movie.

It's adapted from a Stephen King novel, and being a drama rather than a supernatural story, it has a flying headstart, being in the company of 'Green Mile', 'Stand By Me', and 'Shawshank Redemption' rather than 'Christine' or 'Salem's Lot'. Whereas it isn't in the exalted league of those movies, it's miles ahead of most of the horror adaptation of King stories. Take Bates out and it might be rather ordinary, but as it it, Dolores gets a very solid 7.0 from me.

Few Stephen King works of fiction translate well to the screen. Horror elements are best left described rather than shown - so that the darkest recesses of our own imaginations can fill in the details. The horror visions of others may or may not affect us the same way - more often than not, they fall short of true terror.

But DOLORES CLAIBORNE is the exception - a masterful condensation of the Stephen King novel of the same name. More compact and deeply psychological than the novel, the film focuses almost exclusively on telling the story (in both present-day AND multiple flashback story lines) of Dolores Claiborne and her daughter, Selena.

Charged with murdering her wealthy but crippled employer, Dolores (Kathy Bates) is reunited with her estranged daughter, Selena (Jennifer Jason-Leigh). Sullen, brilliant, but deeply disturbed by a past that still obviously haunts her, Selena returns to the lonely and isolated Maine fishing village to help her mother face the legal and familial issues raised by the murder accusation.

We learn that Dolores had previously been suspected of killing her abusive and alcoholic husband. The same detective who had been unable to press the case 17 years earlier is now assigned to the new investigation. And as his work proceeds, secrets from the past reveal themselves, through brilliant use of flashbacks.

The acting by all concerned is first rate, with Bates giving probably her finest non-Oscar-nominated performance. Jason-Leigh is spot-on as the psychologically damaged and cynical Selena - more a victim than even she knows. Christopher Plummer is excellent as the detective.

Taylor Hackford's direction is absolutely brilliant - as is the use of color saturation and creative scene blending and transition to move seamlessly between present and past.

This is an outstanding film - well worth the Oscar nominations it received (as well as those it did not!). HIghest rating!

I first saw "Dolores Claiborne" when it came out in 1995 and have seen it again some 3 or 4 times since, a practice I dedicate only to "certified" masterpieces. At first, I couldn't figure out why I kept revisiting "D.C." when it showed up on cable - it's not a cinematic wonder or a work of art (something it doesn't strive to be, by the way), not even a story that you can say it's really original. But as I became more familiar with the film, I could see why it always pulled me in: it's a triumph of story-telling, of the WAY and PACE the story is revealed in small precise doses much like slowly completing a puzzle, the kind of film you can only let go when the last missing piece (Selena's final flashback) fits into place.

How the story manages to make such initially repulsive characters (all of them!!) develop into sympathetic (or at least pathetic) ones is of course Stephen King's special talent, expertly translated by the fine jobs by the screenwriter, actors and director of "Dolores Claiborne". The cinematography is kind of obvious in its distinct color treatment of past and present, but the entire cast is inspired, including Kathy Bates' best-ever performance (she has stated so herself), especially in the flash-back scenes; delightfully virtuoso Judy Parfitt (you just keep hoping along for more Vera's scenes, and each one of them is a knockout); and reliable pros Christopher Plummer, David Strathairn (such an underrated actor!) and John C. Reilly. Even Jennifer Jason Leigh for once has her irritating mannerisms fit perfectly to build her terribly tormented character.

That's what good story-telling is all about: even if you already know the plot from A to Z, you just want to see once again the way it unfolds, like a good scary fairy tale. "Dolores Claiborne" is not without faults, but it's certainly worth your time, and even more than once.