कोरिना, कोरिना

Corrina, Corrina

Manny Singer (Ray Liotta) is a struggling songwriter for a company that makes television commercials, who also has a loving wife and a daughter, Molly (Tina Majorino). When his wife dies, Manny's whole life falls apart, his daughter stops speaking, and he develops a creative block on his jingle-writing skills that threatens to get him fired. To solve one of these problems, he starts looking for a nanny for Molly, reluctantly settling on Corrina Washington (Whoopi Goldberg), a woman who has recently moved into town to stay with her sister, and who also happens to be black. Though far from the most efficient housekeeper in the town, Corrina clicks instantly with Molly, who eventually starts to speak again. Manny also takes a shine to Corrina, and a friendship soon forms between the two widows, but they can't seem to agree on what is best for Molly.

As easy as it may be to classify 'Corrina, Corrina' as a fifties-set drama, I'm inclined to resist this temptation, for two main reasons. Firstly, aside from the underlying comments about race, the fifties setting is used only as a backdrop, with the focus on a very heartfelt dramedy, which leads me to my second point. 'Corrina, Corrina' is certainly moving, and there are times when you may feel the need to reach for a box of tissues. But it's also quite hilarious as well, and writer/director Jessie Nelson finds a fine balance between the dramatic and comedic beats to make a remarkable motion picture. Liotta, Goldberg and Majorino give wonderful performances, and these really do feel like real characters. A real winner.

~ 8/10 ~

Whoppie Goldberg excels in this thoroughly entertaining film. Ably supported by Ray Liotta, this duo clicks nicely in a surprisingly believable romantic comedy/drama.

Jessie Nelson's script reflects on a somewhat forgotten, yet thoroughly accurate, 50's neighborhood setting which existed in many parts of the country -- an environment generally overlooked by film subjects.

There's a nice lilt to the story, a surprising warmth projected to character portrayals, and an ingratiating blend of humor and drama. All in all, a very pleasant, relaxing family film, nicely directed by Nelson, and with an intelligent and sensitive performance by Goldberg.

This is a very endearing and heartwarming movie, I readily feel that it captures the delicate issue of mixed race relations during the 1950's with the right amount of poignancy and humor. Whoopi Goldberg is a delight and the whole cast works very well together. The film's setting had an added impact to me as it was filmed in my old neighborhood in Long Beach, California where i grew up and even though i grew up in the seventies i could easily identify with the events and characters. I fully recommend this as a film for the whole family.

My wife Rebecca is a fan of Ray Liotta so when this movie appeared on cable TV it had to be viewed. And what a surprise! The rapport between Ray and Whoopi Goldberg was very noticable. I don't know if it is so but there seemed to be a considerable amount of ad lib-ing. Some of the things that happened on screen could not have been scripted or the director's instructions. And the rapport between Whoopi and Molly (Tina Majorino later to be seen in "Waterworld") was just as impressive. But the theme of two minority groups (Jewish and Negro) coming together in the way they did was done in absolutely good taste and a delight to any liberal thinking viewers. It could have become a weepie but, for sure, I'm glad it didn't. I can't wait to see it again.

Ray Liotta a typical ad man from the Eisenhower 50s has just lost his wife and his daughter Tina Majorino her mother. He's needing a housekeeper and babysitter very badly. He starts interviewing a variety of candidates not all of them women. But Whoopi Goldberg playing the title role sort of ingratiates herself with both father and daughter.

Soon enough there's an attraction between the two of them, but this is not 2019 it is the 50s and before the Civil Rights Act. They get a lot of fisheyed stares and a racial crack or two. And that is both of them as Goldberg's own family says to stick to her own kind.

Whoopi's scenes with Tina are really special they're what drive the film. It also makes it a family film in every sense of the word.

Two movie oldtimers, K.T. Stevens and Don Ameche make their farewell appearances. Ameche has only a few scenes and you can see how the ravages of cancer are killing him slowly. A lot like Edward G. Robinson and Soylent Green.

There's also a nice performance by Erica Yohn as Liotta's mom and what a Yiddishe Mama she is. Ameche is his father.

This is a wonderful film and with interracial couples far more accepted now it's a look back on some brave people.