Der bewegte Mann

This film is about a man's life turning upside down after spending the night in a gay man's house.

This film is so funny! The acting is great, the two lead characters, Axel and Norbert are outstanding. Axel is a man who cannot say no to temptation. Norbert, is a secret admirer of Axel. He is cute and hilarious. Axel's wife, Doro, accidentally discovers her husband befriending Norbert. One coincidence after another, she becomes convinced of her husband's homosexuality.

The plot is also very good. Though I can only catch German isolated phrases here and there, I still find the film entertaining. I laughed out loud many times. The sets are also decorated nicely, each of the apartments are set up so that they really feel like a home sweet home. Apart from being entertaining, it also promotes tolerance and diversity.

Ok where to start.. Well I hate American movies, and when they make comedies there's no soul to it, merely funny events which happen to be funny only for Americans. But this movie has its deep side too, like most European movies. Norbert's "rough" boyfriend, the incident with Axel and his former classmate, and the rough boyfriend doing the girl in the bathtub while Axel stands frozen like a fly.. That scene was absolutely priceless.

As for the casting, Katja Riemann is not only beautiful as a goddess, she's also an awesome actress. It's so surprising that she doesn't have the fame she deserves. Or maybe not, considering how many copies of DVD's boring Hollywood movies sell... Each time the word "gay" comes up in this movie, her gestures and facial expressions are outstandingly flawless. Even if you start watching the movie after the 40th minute and start from a scene with that word, you'd perfectly understand she's sick of homosexuality. Joachim Krol and Til Schweiger are also performing great here. I actually thought Joachim Krol was gay in real life after watching the movie. Well I don't have any evidence about his sexuality, but chances are he's not.

My German is quite rusty and I still loved this movie. I'm sure I would like it even more if I understood the dialogues perfectly. So go and watch this movie, and shoot me if you don't like it. A little note, the main characters of this movie can be classified as eye candy. Katja Riemann is beautiful, and Til Schweiger is handsome. And with their acting skills, the movie becomes a delicious pastime.

Based on the work of Ralf König -- the king (no pun intended) of the Teutonic queer comic strip -- Wortmann has made a film about the vicissitudes of coming out. Hand in hand, these two men from the country of "poets and thinkers" dare utter the words: "we are German, we are funny, and we are not ashamed!" In case you missed Wortmann's "Kleine Haie" (1992) -- a road film about three young men coming to grips with their thespianism -- here's proof that comedy is not merely a genre inflicted unilaterally by Hollywood on the rest of the world. Although this film does make concessions in order to be more palatable to its hetero viewership, it is clearly head-and-shoulders above recent Hollywood forays into the queer-exploitation venue such as the abysmal "In&Out" featuring Kevin Kline. After Fassbinder and Wenders it now looks like Germany has a commercially viable director with something worthwhile to say!

There is only one reason to watch this film: sexy Til Schweiger. He has beauty and magnetism, besides being an extraordinary young actor with subtlety, understated power, and depth. Unfortunately, these qualities are all but lost in this heavy-handed comedy. It is beautifully shot but, considering its comedic intent, rather darkly so. The story and its underlying principles leave much to be desired.

Handsome Axel (Schweiger) works in a 30's-style supper club, presumably to remind us of the wacky social farces of that period. Any illusions on that score end, however, when he gallantly accompanies an inviting woman into the bathroom for a quickie. His girlfriend Doro, in the next stall, informs him that they're through. Axel is a very pretty boy but, looking for a place to stay, he is rebuffed with varying degrees of vehemence by former girlfriends all too familiar with his womanizing. Alas, Axel's unfortunate coitus interruptus is the inauspicious high point of the movie, with the opening credits barely over.

Axel is adopted by a group of 'thoughtful' gay men in his hour of need. Norbert, a middle-aged nebbish, gives him a place to stay in hopes that there is a 'maybe'. What ensues is a series of awkward and tasteless gags, mostly involving Axel's discomfort being around gays. Stereotypes abound, and no one comes off particularly well. The straight men are dorky, unattractive, and strangely mortified by the use of common euphemisms for breasts. The gay men are selfish, unattractive, and impossibly flamboyant (in case we miss the point). Doro is shrill, intolerant, and controlling. Axel is shallow, thoughtless, and virtually monosyllabic, but adorable .

When Axel speaks of 'us normal men' we know where the film stands politically. The gay men appear in female attire much of the time, but speak in caricatured bass voices (in case we miss the point). Axel is deeply offended when cruised by a gay man in a gay disco; especially surprising as he asked the man for a light and directions to the bathroom, while hot, sweaty, and very sexy in a tight muscle shirt. 'Nuff said.

The plot thickens – and so does the humor – when Doro finds that she is pregnant and decides to get Axel back. She finds him in her own bed with unsightly Norbert, disturbingly naked, in the middle of a very inept seduction. Despite this awkward reunion, Axel and Doro get married. Axel unceremoniously drops Norbert because his wife is 'allergic to gays' .

The downward spiral continues unabated. Norbert, a strict vegetarian, hooks up with a repellent and humorless butcher, about whom the best one can say is that he has shaved every inch of his gross body. Axel cheats on Doro yet again, with a woman whose animal stimulants put him a coma. We finally hit rock bottom when Doro is bitch-slapped during one last bout of hysteria, and goes into labor. This is funny?

Til Schweiger is scrumptious eye-candy, and looks stunning throughout the film in tight t-shirts, muscle shirts, open shirts, no shirt. Thank heavens for small mercies. But, in one unfortunate aesthetic choice after another, the odious older men appear in greater states of undress more often than the exquisite young man who makes this peculiar move worth watching.

The ending has a nice feeling and suggests some reconciliation between Norbert and Axel. It's way too little, too late.

This is gem of a movie which does not lose any of its wit and charm with the passage of time. The fast pace and irreverence to social institutions kept us howling until our sides ached. Don't misunderstand me, however; the plot of one mans journey to his sexuality is pursued with fever right up to its hilarious climax! I would say that anyone of any sexual orientation with a sense of humor should watch this one with a friend or lover or both!