बैंडिट क्वीन

"Bandit Queen" is the true story of the legendary Phoolan Devi, who was something like Robin Hood of India. While the authorities persecuted her, the media made her famous. In order to avoid the death penalty in the case of capture, in 1983, she surrendered to the authorities, but after eleven years in prison she ran for parliament. She was assassinated in 2001.

The film has a problem with the scenario, some parts are false and in some places it seems hastily and piled up. In all other respects it is greatly made, but quite heavy and difficult.

8/10

It may interest people to know that this film was made without any recourse to Phoolan Devi herself and, when she did finally see parts of it, was so enraged that she announced that the film was not to be shown in India or she would cover herself in petrol and set fire to herself. I do not know whether it was shown at all or not, but given her standing at the time as a rising politician, I doubt it. Since then, I saw a report that she has been ousted from office and charged with further crimes from her Dacoit days, and has gone into hiding as a result.

Her own concerns aside, this is an excellent film, made all the more so by its refreshingly brutal approach; none of the rose-tinted melodrama one might expect from a typical indian film. It should be stressed that concerns about how feminist the film's messages really are and the like are essentially irrelevant: it's a true story. Her misgivings are, it seems, not with what is depicted but with the way in which the film depicts her.

This is a remarkable movie. "The Bandit Queen" is a powerful and repugnant portrayal of a modern real-life Indian outlaw, Phoolan Devi ("Goddess of Flowers"). The movie opens at the point at which the 11 year-old Phoolan is sold as a bride to a middle-aged man. The marital rape and abuse that follows drives her away and eventually, as an outcast, into a life of brigandage.

What I found most striking in this movie is that it does not portray the heroine merely as a "wronged woman" but as a woman with deep psychological problems -- to me she frequently appeared to be downright psychotic. There are several scenes of unbridled, I might say X-rated, violence in which Phoolan is seen to gradually wind up from anger to viciousness. In one of these scenes she beats her former husband with a rifle butt. It was -- and I think it was meant to be -- sickening.

"The Bandit Queen" was very controversial in India. It was widely thought to be Oscar material, though apparently did not make the list due to political infighting within the Indian movie-making community. It's well worth the viewing. But I only recommend it for people with strong stomachs. It's a true story (the real-life Phoolan Devi went on to marry above her caste and became the first Untouchable to serve in the Indian Parliament) but it's a story without a happy ending.

"Bandit Queen" is a controversial and groundbreaking Indian film (co-produced by Great Britain's "Channel Four") telling the real-life story of Phoolan Devi (Seema Biswas, excellent), a low-caste woman given to a husband at age 11 who runs away from him, is constantly violated by upper-caste males, until pairing with a handsome outlaw, Vikram Mallah (Nirmal Pandey), who shows her some respect and invites her to join his gang. Devi became a mythical national figure in her own lifetime (she had just been released from an 11-year prison term when the movie came out, and was murdered in 2001), hailed as "The Bandit Queen" or "Queen of the Ravines". Although at first Devi took legal action to ban the movie's exhibition in India (and it was actually banned for some time - after all, this is no Bollywood fantasy), she eventually changed her mind (plus, Channel Four paid her $60,000...).

A lot has been said about the accuracy of everything portrayed on screen ("My life was much harder", Devi would have said after the first time she saw the movie). Just like he would do in 1998's successful "Elizabeth", Shekhar Kapur knows how to turn a larger than life, actual trajectory in a huge spectacle - but still keeping the essence of its core. Truth be told, this is one of those extraordinary sagas that if even half of what's portrayed on screen is real, it's already quite a journey. Kapur might have been a high-caste, city-bred man trying to portray the life of a brave and rebellious low-caste woman fighting for her survival - in a way that no other woman in her time had done, but that doesn't mean he doesn't know or doesn't have the right to try to depict this reality he doesn't directly belong to. How honest Kapur's original intentions were we can't know for sure, but that doesn't undermine his accomplishment here; this is a story that had to be told to a larger international audience. If a movie manages to work both as an adventurous spectacle and a tale of resurgence after national injustice and misfortunes, then it deserves to be seen. 8.5/10.

The true story of Phoolan Devi who became a national hero in India because she fought for her rights as a woman but in a violent manner. I was surprised to see a powerful film with strong images come out of India instead of the Bollywood art trash classics they churn out.