A.P.E.X.

In the year 2072, a top secret, military-funded experiment dedicated to exploring time sends an APEX (Advanced Prototype Explorer) robot 100 years back in time. Technician Nicholas Sinclair is accidentally thrown back in time after the robot self-destructs. When he returns to the future, he finds himself in a timeline alien to him where mankind is fighting an army of APEX robot soldiers as well as a killer virus caused by time travel.

At first glance, this direct-to-video clone of The Terminator is clearly a B-grade low budget effort, as evidenced by cheap special effects (although the robots are very convincing). However, the film has something which sets it apart from the rest of the killer robot films around – a dose of imagination. The time-travel plot is very well conducted & plausible, although there is a plot hole – where are the robots coming from? With this in mind, the story is well written. The acting is extremely effective, with the actors giving a fair go as far as performances are concerned. Director Roth, known for his slick B-grade action films, conducts the film with a flair for realistic action scenarios.

Grade: B

Review by M. K. Geist.

Time travel usually goes wrong. I think all machines designed for that purpose are legally required to have something like that written on a sticker on it. Someone certainly should have told the people of 2072. They decided to mess around with it to... "check out time". With their Advanced Prototype EXploration units(yeah, that *is* a pretty dumb abbreviation), they... well, do so. Apparently. And one of the trips have Nicholas Sinclair going back, because, uhm, something didn't go as planned(...who'da thunk?). He's recently been having nightmares about his wife disappearing by way of a cheap editing trick. This gives him a nasty case of Must Narrate Everything, in spite of the fact that, with two exceptions, what he says, *we already know*. Anyway, he ends up in an alternate time-line where the robots(and yes, there is a nice amount of sequences of humans fighting them in this... and the suits aren't bad, nor is the weaponry on them, with rockets and machineguns) they would send back(to combat the virus that going back in time would create... and they've been programmed to destroy all biological life, I guess... that was good thinking guys, honestly... how could *anyone* think that would backfire?), as these have been constantly been sent back(... automatically? And they keep being made... by who or what?) for 100 years(...wait, we've survived a century of this war?). Don't worry, the people there have figured out how to smash those metal mf-ers into... oh, wait... plus, he meets up with Duke Nukem. Perhaps you've already realized that this script wasn't authored by someone holding a Ph.d. It's pretty straightforward, and the paradoxes don't hold up to scrutiny. Yes, the AI's aim sucks when it needs to. No, the characters are stereotypical. Yes, the lead being in love with this "universe's" version of his spouse(who resembles her by appearance *only*) means he's really superficial. However, if you watched The Terminator and spent the whole time wishing the entire thing was set in the future... well, this is a fix for you. This is 96 minutes sans credits, and most of it is in a post apocalyptic, dystopian future with plenty of explosions, shooting and... well, attempts at tension. The acting is decent. There is lot of bloody violence and disturbing content and a sex scene(not graphic) in this. I recommend this to those that just want to unwind with something like this. 5/10

I really like the premise of the film; time travel; time continuum violation; a scientist trapped in a violent world. His wife in his own world, is now,in his new world, a tough soldier, stricken with a fatal virus; and she doesn't even like him. He is trying desperately to repair the damage to time, and return the world from that of a violent war zone, beset by robots trying to exterminate all human life, to his own advanced and sophisticated culture. The idea, and the low budget presentation, are intriguing.

I do not believe that every science fiction film can or will have a huge budget and expensive special effects. I enjoyed the actors, the acting and the adventure. I was able to immerse myself in the characters and flow right through the film with them. A.P.E.X has a strong plot, excellent continuity, good science, adventure, suspense and lots of excitement. The director did an excellent job of creating a world on the verge of extinction, hanging onto its humanity by slender threads.

The only elements I did not care for at all, were the extremely foul language that pervaded the entire film; and the degrading stereotyping of the black soldier. He was a good actor, and had a lot more to offer than that of a modern day ghetto brute. His character could have been rough and crude without being completely obscene. All they had to do was leave out all the bad language. The actor did a fine job with his role anyway. I enjoyed his rendition of his character.

I often think that some day, in a more enlightened cultural time frame, we are going to be completely ashamed of the foul language that currently pervades and debases even our finest films. There will possibly be an effort to clean up the old films, and a debate will rage as to whether this is akin to colorization, and destroys the artistic intent of the films. Let us hope.

At any rate, A.P.E.X. is an enjoyable science fiction experience, even with the obscenities intact. I recommend it for mature science fiction fans.

This is billed as a time travel paradox movie - it's really a poorly thought out cardboard shoot-em up. It's full of inconsistencies and even the supposed paradox is flimsy at best.

Berserk robo fans might [at 2am on a stormy night] see something in it but science/sci-fi it ain't.

STAR RATING:*****Unmissable****Very Good***Okay**You Could Go Out For A Meal Instead*Avoid At All Costs

In the year 2073,Nicholas Sinclair (Richard Keats) is a scientist working at a time travelling research facility.He has a wife,the beautiful Natasha (Lisa Ann Russell) and works under the command of Dr Elgin (David Jean Thomas).One day,they send a probe 100 years in to the past and completely change the course of history.While attempting to sort out the peoblem,Sinclair finds himself convulted to a present where he finds himself a member of an elite squadron of soldiers,including pent-up muscle man Shepherd (Mitchell Cox),volatile macho man Taylor (Marcus Aurelis) and reserved background man Rasheed (Adam Lawson),not to mention Natasha,who in the present he could remember was his sweet,humble wife but who here is a 'hardened combat soldier',battling an army of robots who can't shoot straight.Sinclair must survive in this hostile environment long enough to find a way back to the present he remembers and stop the accident from ever happening.

The plot is as blatant a rip off of T2 as you could hope to find without the producers being sued for copyright theft,right down to the grey robots causing lots of death and destruction.Said robots are actually really cool,though rather clunky in both their appearance and movement,cruelly exposing the production values of a film that must have had a pretty high budget for a film of it's made-for-video magnitude.

They're not the only problems the film must contend with,however.It must also reckon with a dodgy,confused storyline that never seems to move from one sequence to the next with much in the way of coherence and one or two characters who are just that little bit too contrived in the mould in which they were sculpted to be taken that seriously.There is,however,some good,involving acting on display,not to mention some enjoyable action and one inventive sequence involving a music CD being inserted in to one of the robots when it really shouldn't.You didn't get a scene like that in T2,did you?

Speaking of which,both films are enjoyable enough on their own seperate levels.It's just,I dunno.T2 is Alton Towers,this is the mop fair.Y' know what I'm sayin'?***