Angie

Gina is a wonderful actress and she is marvelous in this realistic portrayal of life in New York City. In all her moods her personality rings true. The film leaves some unanswered questions but so does life.

It will bring you to tears and make you laugh. Angie lives in the Bensonhurst section of Brooklyn and dreams of a better life than everyone she knows. When she finds that she is pregnant by her boyfriend Vinnie, she decides that she will have the baby, but not Vinnie as a husband. This turns the entire neighborhood upside down and starts her on a journey of self discovery. This kind of sentimental character piece needs a tight focus so all of the nuances of the characters shine through. The characters in this film have a lot of depth, and that makes all the difference. I give this one a rating of 7 out of 10.

Comedy-drama from talented if erratic director Martha Coolidge concerns a modern Italian-American working woman in Brooklyn, pregnant and unmarried, finding herself curious about the mother who abandoned her and her father years before. Begins brightly, with Geena Davis seemingly well-cast in the lead, but it quickly becomes mired in colorless sub-plots (including the woman's resentful best friend and her abusive husband, a schizophrenic mother, a needy stepmother, a malformed infant, and a married boyfriend!). By the midway point, Davis begins to struggle in her role, pushing her pivotal moments too hard and losing her innate likability. Worse, this scenario is far too neat and tidy--and when the actors aren't being overly 'cute', they're screaming senselessly at each other. *1/2 from ****

So THIS is where they concocted the cast for the "Sopranos". Go figure. Three of the character actor cast members go on to the best show on television. And "Geena Davis", a damned Oscar winner, gets saddled with the "Geena Davis Show". If Geena Davis were Italian..I guess she'd have landed the Edie Falco role. I think there ought to be a Congressional inquiry into the matter. Something tells me that during the shoot for "Angie", David Chase was standing on a grassy knoll...hey...call me a conspiracy theorist...but I'll be willing to bet I'm right. Back and to the left..back and to the left.....

Though Geena Davis is a great actress, good at playing particularly strong-willed women, the screenplay for "Angie" just meanders all over the place, from light comedy to the staunchest of melodramas.

I mean, what kind of a movie has a woman go into labor while gyrating in a Santa Claus suit then show her give birth to a one-armed baby, get abandoned by her married lover, watch as her stepmother breast-feeds the one-armed baby, abandons said baby, finds her long-lost mother (who it turns out is a schizophrenic), learns that one-armed baby is in a coma... all in about 15 minutes.

This was one of the most uneven films I've ever seen. Turturro's particularly good in it as the best friend, yet her character is left out of the final half hour, though she's a central character, and never returned to. Rea and Gandolfini's potentials are completely wasted in a movie that just doesn't seem to know what to do with itself.