This three-hour miniseries is a bit of an acquired taste, so if I warn you of what you're getting into, you'll be in a better position to appreciate it. First of all, it's extremely wordy. David W. Rintels's script is well-researched, but it feels like he's written a play rather than a teleplay. With exception to the real-life war footage that's shown—and that could be projected onto a backdrop onstage—the entire movie feels like a taped live theatrical performance. Secondly, it was written in a very unusual style: the three lead characters are in completely separate environments, but they have conversations with each other in the same scene. For the majority of the film, the screen is split in halves or thirds, showing the characters speaking in a dialogue as if they're in the same room, rather than separate countries. Sometimes it feels a little jarring or strange, but if you imagine you're watching a play and the stage is separated into thirds and lit up in accordance to who's talking, it's much more entertaining. And hats off to the editor, John A. Martinelli, who no doubt had his hands full!
The film starts in 1941, months before Pearl Harbor, and follows the involvements and interactions of Winston Churchill, Franklin Delano Roosevelt, and Joseph Stalin through the Tehran Conference in 1943. John Lithgow plays FDR, and while he looks very much like the president, he still sounds like himself. Bob Hoskins, on the other hand, is just the opposite. He doesn't look a thing like Churchill, but if you close your eyes, he sounds exactly like him! With Michael Caine as Joseph Stalin, you get the best of both worlds; not only is his appearance picture-perfect, but he puts on a surprisingly good Russian accent. The performances are very fun to watch, so even if you can't make it through the entire three-hour running time, at least watch a half hour of it to appreciate the acting.
