Burke's Law

Amazingly,producer Aaron Spelling brought back his most famous show which produced 27 episodes and ran for one season on CBS from 1994-1995. The title again became "Burke's Law",and Gene Barry was back in his most famous role as Chief of Detectives,Amos Burke,who was still head of operations for the Los Angeles Police Department. This time around,Burke is assisted by his son,Peter Burke(Peter Barton). The revival,even more than the original program,was widely regarded as camp,but it was still a good murder mystery with a cast of "whodunits" leading up to Burke and his son to solve the crime and catch the killer. Also,Gene Barry's character was back chasing crooks in his fabulous Rolls-Royce only this time the producers along with some of the writers including Richard Levinson and William Link along with Harlan Ellison,Ivan Goff and Ben Roberts along with Ernest Kinmoy dusted off the original scripts for this new incarnation. Only on occasion did we see the old spark of creatively that made the original show from the early 1960's so great. Some of these episodes did have a touch of a 90's retrospective,such as a victim freezing to death on the hottest day of the year;an ambulance chasing lawyer getting run over by an ambulance. Who would have thought of bringing back guest stars such as Efrem Zimbalist,Jr. as a greedy tycoon accused of murder while practicing his golf swing from the roof of a building and doesn't care who it falls on?

And other stars such as Brian Keith,as an ex-marine turned novelist accused of first degree murder,who puts on a dress just to get into the mood to write? And other stars as suspects such as Hugh O'Brian, Richard Crenna,Stella Stevens,and Carolyn Jones to name a few. This show also featured guest appearances by many of Gene Barry's peers from the 1960's spy-fi genre including Patrick Macnee(The Avengers), Robert Culp(I Spy),David McCallum(The Man From UNCLE),Peter Lupus and Barbara Bain(Mission:Impossible),and Anne Francis(Honey West). It also have some well-known detectives including Mike Connors(Mannix)and Karl Malden(The Streets of San Francisco). After one season on the air,CBS cancelled it and replaced it with the Dick Van Dyke mystery series "Diagnosis Murder",which was the greatest travesty of its kind and to say CBS kept it on the air for seven years killing one of the greatest mystery shows of all time.

At a time when Angela Lansbury's wildly successful "Murder She Wrote" was winding down, and Dick Van Dyke was in the throes of his late-career resurgence with the equally popular "Diagnosis: Murder", CBS, smartly recognizing the trend of uncomplicated, viewer-friendly mysteries that skewed toward an older demographic, rolled out a reboot of Gene Barry's famous Aaron Spelling-produced '60's series "Burke's Law"! The fact that Spelling had been able to consistently reinvent his product throughout the years to continue producing hit shows marketed toward a younger audience only helped him in the creation of this new "Burke's" endeavor! The fact that star Gene Barry was still a commanding presence in his later years greatly bolstered the seamless execution of this reboot! The new "Burke's Law" benefited from the apparently unlimited budget Spelling threw into the first year of all of his shows! He could place in guest-star roles just about any of the esteemed older actors of one-time prominence, and mix them with the popular younger actors who'd appeared in one of his many nighttime soaps! The solutions to the various "mysteries" were largely, arbitrarily resolved, but the real fun lay in Gene Barry's infectiously fun lead turn, ably supported by his TV "son"---the reliably stoic Peter Barton! This "Burke's Law" reboot was, to my mind, every bit the satisfying, cotton candy-mystery TV puffery that these other hit CBS mystery series were! It was far from amazing, but it was genuinely enjoyable as a latter-day example of pure formula TV made uniquely entertaining and compellingly watchable by all the ingredients that comprised the singular imprint of an Aaron Spelling production!

I well remember the first incarnation of Burke's Law with Gene Barry as the rich old money cop who came to crime scenes in his Rolls-Royce and after an hour of time visiting the guest star lineup inevitably solved the crime. It was a great show for two seasons and then someone had the bright idea to make Amos Burke a secret agent. Show never made it after that.

Thirty years later Amos Burke is with the LAPD again and is now a senior consultant as befitting a senior citizen. He got married and widowed in the interim and had a son. The son grew up to be Peter Barton and he's now a homicide cop with the LAPD.

Now they both go to crime scenes in style. At least Gene Barry does. Barton preferred more understated modes of transportation.

It was a nice show, but I guess it was too late to get this souffle to rise again.

Burke's Law was a 60s police detective series when it started out. First two seasons were anyway. The third season was a bizarre attempt to turn it into a Man From UNCLE type show. This reboot is a throwback to how the original show began. Burke is a swave and wealthy police captain who excels as a detective. That was the original series. Here, much of the work is not done by Amos Burke who by this time is a police chief.

The newer shows make me think ofn he Columbo reboot episodes more than the newer Perry Mason episodes. The format was always good. The writing is not quite up to the level of the original series but it is still pretty good. Recommend searching this one out. I didn't have the easiest time managing that.

As a child, I remember sitting with the folks and watching the original"Burke's Law" series in the 1960's. I recall being intrigued with the character's signature, "It's Burke's Law" witticisms each episode. Fast forward thirty years, and Gene Barry was every bit as dashing as before, and the witticisms were still pure entertainment.

Watching Amos Burke, now a widower with a grown super handsome son, Peter Burke, allowed the testosterone to flow nicely. I certainly enjoyed watching the show in color, and the story lines, while not always fresh, were certainly engaging. Guest appearances by some top notch actors and actresses kept the episodes fresh. Dom DeLuise in his recurring guest role was the cherry on top.

I truly believe the revival series could've last a couple of more seasons easily. It was a mid-season replacement, premiering on Friday,January 7, 1994, in the 9 p.m., also known as the "Friday Night Death Slot," so the series had two strikes against it going in.