Wu syu

This Billy Tang vehicle is relentlessly grim and relentlessly entertaining. I love that.

Fatty (Kent Chang) accidentally orders a hit on his wife and creates a huge debt for himself that must be repaid. Since Fatty can not repay it, others repay it instead -- with their lives.

Watching a fat guy stress and sweat and fall in a blubbering heap is a highly entertaining experience that must be seen to be believed. The torching of a little girl by super-villain Simon Yam (in a superbly over-the-top performance) pushes the boundaries of on-screen depictions and the gloriously violent finale, where Fatty becomes an unstoppable monster, really delivers the chills.

Danny Lee makes an appearance as -- what else? -- a cop, but he's as useful as pockets on a singlet and never manages to put so much as a dent in the gory proceedings.

Director Tang was on a roll with this, RED TO KILL and DR. LAMB.

This is mostly an action pic, but it also falls into the horror category simply because it doesn't know when to quit being grotesque. Love that, too.

Fatty (Kent Cheng) catches his wife (Lily Li) with another man; on their anniversary, no less. He gets drunk and hires a hit man to take care of her; only there is a slight miscommunication over what he wants.

Now, the gang leader (Lung Wei Wang) wants $800,000 for the job they did. Lots of chop socky and blood is spilled in the attempt to collect. Rival gangs get involved and the blood flows freely.

When Ching Fung's (Simon Yam) brother Wah (Sui Wah Fok) dies, he vows revenge on Fatty and his family. Fung tortures Fatty in the worst possible way and even kills his own partners as he goes psychotic after Fatty escapes.

He and fatty have a fight to the death. It was magnificent.

A strange little Category III and one of the more notorious of its kind. Watch it and you'll soon see why. Kent Cheng is cast against type as a likeable petrol station owner and family man who discovers his wife cheating on him. Before you can say STRANGER ON A TRAIN, he's up to his neck in vengeful gang members and sadistic violence, captured unremarkably by director Billy Tang. The first hour feels cheap and cheerful, enlivened slightly by tough guy actors like Danny Lee, Melvin Wong and Johnny Wang Lung Wei, although Simon Yam deserves mention as a truly crazy character. However, in the last half an hour, this really heats up (!) with some extremely disturbing scenes and frenetic moments you'd never find in Hollywood. It makes an impact, that's for sure.

Run and Kill is an excellent example of what the Chinese do so well - a violent revenge thriller, in the vein of MAN WANTED and RETURN ENGAGEMENT (both also starring SIMON YAM). Kent Cheung plays a mild-mannered man who accidentally involves himself in the murder of his wife when drunk at a nightclub one evening. When he sobers up and realizes what has happened, he goes to the police, headed by DANNY LEE, who find his tale somewhat hard to believe! He soon goes home to find the gang leader who wants his payment for the murder of his wife, and when he can't pay, gets beaten up for his troubles. The plot thickens from here on, but I wouldn't want to spoil it for you. Suffice to say there are a few nasty moments involving a lead pipe, and a burning child....you find yourself really rooting for the hero (?) of the piece as he comes up against the lunatic Simon Yam. This film is based on a true story, which makes it all the more gripping if you can stand the gore and violence on display. Unfortunately, this movie isn't available in the UK, but if you get the chance, it comes highly recommended.

A misunderstanding in a bar puts propane salesman Kent 'Fatty' Cheng smack in the middle of a gang war between Vietnamese blackmailers and Chinese mercenaries. Mercenary Simon Yam, in one of his trademark crazy-eyed psycho roles, blames Cheng for starting the events that lead to his brother's death. His revenge against Cheng's family fills the second half of the film. This film is not for the queasy. Unlike most HK thrillers with their stylized fighting, the violence here comes suddenly and with shocking brutality. The fact that most of the film takes place at night in dark labyrinthine places - warehouses, construction sites - gives the film an effective nightmarish atmosphere as Cheng tries to flee from the demonic Yam.

Also present in this movie is a darkly absurdist comedic sensibility that lets the violent action and the characters go way too far and keep on going, until the effect is almost sickening and yet still entertaining.