अपनी भाषा में प्लॉट जोड़ेंA former cop returns to challenge a plot to escalate gang violence in the streets of Los Angeles.A former cop returns to challenge a plot to escalate gang violence in the streets of Los Angeles.A former cop returns to challenge a plot to escalate gang violence in the streets of Los Angeles.
Adam Gifford
- Jesus
- (as G. Adam Gifford)
फ़ीचर्ड समीक्षाएं
Street Knight is pure excitement. This is a film to be appreciated by only true fans of the genre-throwaway action movies. Lots of action characterizes this decent piece of film kicked out by Cannon. The fight scenes are well-choreographed and the ending is memorable. The acting isn't the best, but you can't have everything. Rent this and treat yourself to some top-notch violent entertainment. You won't be sorry. 6/10
Jeff Speakman stars as Jake an ex-cop who is still reeling from the death of a hostage, who he feels responsible for, however he finds a chance for redemption when a group of cops try to provoke a gang war so they can take over the streets in this overall boring actioner. Jeff Speakman may have some good moves but this and his other clunker (The Perfect Weapon) fail to impress. Street Knight is an overall loser, well worth avoiding.
Jeff Speakman is an ex cop, trying to prevent war between two rival gangs. However, a shadowy group are instigating the war, in order to take over the streets. Why are the actual cops themselves doing nothing to prevent this state of affairs? Because they aren't martial artists, and Speakman is, that's why.
Nobody is going to watch a film called "Street Knight" featuring a martial artist in order to see a heartfelt social commentary on gang violence. They're gonna watch it to see Speakman kick ass, break heads and then kick more ass.
Does he fulfill his ass kicking duties? Yeah, pretty much, and it's the actual fight scenes (including one wince inducing one with mechanic's tools) which somewhat elevates Street Knight above the usual bargain basement crap. Speakman is a competent martial artist and the scenes are well choreographed, which makes this one worth a watch, and satisfying (albeit in a purely switch brain off kinda way) for fans of the genre, or action fans.
Nothing at all special, but a satisfying enough beer/whatever flick all the same. 6/10, bonus point for decent fight scenes.
Nobody is going to watch a film called "Street Knight" featuring a martial artist in order to see a heartfelt social commentary on gang violence. They're gonna watch it to see Speakman kick ass, break heads and then kick more ass.
Does he fulfill his ass kicking duties? Yeah, pretty much, and it's the actual fight scenes (including one wince inducing one with mechanic's tools) which somewhat elevates Street Knight above the usual bargain basement crap. Speakman is a competent martial artist and the scenes are well choreographed, which makes this one worth a watch, and satisfying (albeit in a purely switch brain off kinda way) for fans of the genre, or action fans.
Nothing at all special, but a satisfying enough beer/whatever flick all the same. 6/10, bonus point for decent fight scenes.
One of those movies where the hero is a noble white man trapped between two rival gangs on the eve of war. Here Speakman's been hired to find a kid just as the local African-American and Hispanic gangs are getting ready to kill each other. In fact, the kid's in hiding ever since he inadvertently discovered that the upcoming gang war is being fomented by evil white guys looking to knock over a jewelry store. Fifty years ago it would've been a B-Western with Neville Brand, maybe, and Apaches and Homesteaders.
Speakman's not a bad actor, although he's not especially charismatic and tends to feel more workmanlike than anything else. The fight scenes are good and a bit more extended than is common for this era, although I could've stood more fighting more generally. The plot doesn't make a lick of sense (why foment a gang war? Why not just rob the jewelry store?) and the lead bad guy's a bit, uh, flamboyant. Not especially bad, just pretty much forgettable.
Speakman's not a bad actor, although he's not especially charismatic and tends to feel more workmanlike than anything else. The fight scenes are good and a bit more extended than is common for this era, although I could've stood more fighting more generally. The plot doesn't make a lick of sense (why foment a gang war? Why not just rob the jewelry store?) and the lead bad guy's a bit, uh, flamboyant. Not especially bad, just pretty much forgettable.
Sloppily edited action flick starring Jeff Speakman as a former cop who gets enmeshed in a nefarious plot to escalate gang violence in L.a. by a group of mercenaries who met in prison. Not nearly enough action, although the big battle at the end helps a bit. Too often, it's just people standing around spouting clichéd lines. Speakman is the only reason to see it. His best film remains "The Perfect Weapon." This one is under-budgeted and not well written. Final effort by Cannon Films, which also featured Chuck Norris in a number of his action films. Instead of the usual car chase in this one, we get Speakman riding a horse, pursued by some bad guys in an SUV. It wasn't much of a chase, but it was different.
क्या आपको पता है
- ट्रिवियाThe last film to be produced by Cannon Films. The company went bankrupt shortly afterward.
- गूफ़At the end, Jake shot the guy about 20 times without reloading his handgun.
- कनेक्शनFeatured in Joe Bob's Drive-In Theater: Blood, Breasts, and Beasts (1995)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $8,41,015
- दुनिया भर में सकल
- $8,41,015
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