Sommersby

"Sommersby" is an intriguing film that keeps the audience barely outside the scenes but close enough to be touched by them. The story, of Jack Sommersby (or so it appears) a changed man after returning to his wife and hometown years after being held captive in the Civil War, was borrowed from the French film "The Return of Martin Guerre." But apparently this one has some new twists.

As we watch this movie, we're not quite sure what to think. The townspeople, his friends, his dog and even his own wife aren't certain this is the man who left for the war. That, and the trial toward the end of the movie, stretches credulity a bit, my minor complaints. But after all, this is the movies, and there is a pretty good story here. A real tear-jerker, for certain.

Jodie Foster and Richard Gere carry this plot well, both putting in what I believe is some of their best work. The direction and cinematography also shine.

In the end, this movie is all about pure love of a man for a woman, in which he literally loves her more than life itself. That may seem a bit hokey, but it's a refreshing and enduring message in an movie age in which a one-night stand passes for a long-term relationship.

This is a sweet film with noble causes and a grand love story. I've seen it umm, 4 times? now... An improbable story, but moral, epic, just after the civil war, of an imposter southern gentleman returning to his run down plantation, wife, child, and joining all together, black and white, to bring a tobacco farm to being, against great odds, and prosperity to the town.

But the man he is posing as must be prosecuted as a criminal... the imposter can continue the ruse and die for the crime, or confess his true identity, and undo his love, his work, his community. He must prove to the court that he is indeed Jack Sommersby, and must extract Fosters (his wife's) testimony, against her will, that he is Jack Sommersby, because as Jack, he will die. A few grand lines... when Foster must say that he is indeed her husband, that she never loved "Jack the way I loved you" and Gere, in his cell, asks her to be there at his hanging "I can do this thing if you are there."

I've enjoyed it each time I've seen it, and it brings grand tears each time.

For the most part I found this movie to be nothing more than a routine movie about a man who may not be who he claims to be. But then, somehow, the last twenty minutes or so struck a chord with me and made the whole thing worthwhile.

Richard Gere plays Jack Sommersby (or does he?), a Confederate veteran of the Civil War who returns home after several years in a Federal prison camp. He is accepted by the townsfolk and by his wife, but he is a changed man (war could do that) and suspicions begin to rise. Ultimately, the question of his true identity becomes a life and death issue when he faces trial for murder. Is it or is it not a case of mistaken identity?

Richard Gere handled this role superbly. I was very impressed with him. I was less impressed with Jodie Foster, who seemed terribly miscast to me. Be warned: this is not a fast-paced movie, and it sometimes bogs down, but it manages to hold its own. Not a classic by any means, but worth a look-see.

6/10

There's a clever idea serving as the basis for this film: A farmer returns to his village after fighting in the American Civil War and subsequently being imprisoned for desertion, and turns out to be a much better and compassionate husband and townsman than he was before he left. What has made him change? The period elements are well done initially, and the story is told with an agreeable rhythm by director Jon Amiel (later of Copycat and Entrapment). With a big budget and stars Richard Gere and Jodie Foster trying their hand at the 1800s for the first time, there's a lot at stake for Sommersby. And it ultimately shows, because the picture plays it safer and safer as we get closer and closer to the denouement of the mystery. There's a drawn out segment from a courtroom which feels more like the 1993 version of Richard Gere explaining the plot of a period picture than the charged climax it should have been. Gere and Foster are fine in the interpersonal segments and the everyday life in the village, but they cannot help coming off as anachronistic during said trial. It's partly Amiel's fault, of course - he strips away the story's edge and pain and replaces it with a docile romance aesthetic. Based on the 1982 French film Le Retour de Martin Guerre, which in turn was based on real events from the 16th century.

This is another one of my favorite Richard Gere movies, this guy is one gifted actor.

This movie is mainly about character study and the love between the two leads Jack Sommersby(Richard Gere)and his wife Laurel(Jodie Foster).

Jack Sommersby comes back from the Civil War seeming to be a changed man(for the better). All the neighbors and especially Laurel want the change to be real, so they just believe it whether it's true or not. Lets face it most people have probably at one time or another done the same thing, I know I have.

Later Jack is arrested for murder and the real question is asked. Is he or is he not Jack Sommersby?

The love that Jack(Richard)and Laurel(Jodie)have for each other is very important because it comes into play during the trial and at the ending of the movie. The ending of this movie was the only proper way to end it for the characters involved.

Richard Gere is a master when it comes to showing tenderness, sensitivity and compassion on screen. It was good to see these two actors Jodie Foster and Richard Gere playing the lead rolls, they complemented each other.

This is a beautifully written love story and a real tear jerker. I rate this movie a 10.