Siu nin Wong Fei Hung chi: Tit ma lau

This film has everything you'd want in a good martial arts film - characters, story, setting and of course, martial arts. The comparison to Robin Hood is apt as it centres on vigilante justice.

Hong Kong film director and martial arts expert Yuen Woo-ping is absolutely outstanding. In "Iron Monkey," one scene I admire most is the poetically quiet, beautiful interaction of fluid movements in graceful progression: as Dr. Yang and Miss Orchid close shop (the clinic), a whiff of wind blows the papers (written prescriptions) up in the air, and Yang (who's actually Iron Monkey) elevates himself up into the air to catch the flying papers, while Orchid, with a few agile movements and glides, catches the balance of the flying papers. It's like a short interlude - a silent romantic song with punctuated accents - with a slight kick from Miss Orchid, a stool plops into place upside down as it should be on another neatly ends the piece. I actually relish this quiet segment much more than the awe-struck extensive finale scene, which is truly an amazing display of exquisitely choreographed martial art movements of three masters (two good forces tenaciously team up against one skillful evil monk) on multiple wooden poles with inferno-like fire a-dancing below. Fantastic performances from Donnie Yen as Wong Kei-ying, father of Wong Fei-hung, who's deftly portrayed by a young girl Tsang Sze-man, and Yu Rongguang as Dr. Yang/Iron Monkey, with Jean Wang as Miss Orchid, to the upstanding police chief, the devastating evil monk and all.

Iron Monkey is essentially a film about the legendary Shaolin kung-fu master (also known as drunken master) Wong Fei-hung when he was young. In fact, the alternate title is "Siunin Wong Fei-hung tsi titmalau," literally: Young Wong Fei-hung's iron monkey.

Follow this up with Jet Li's "Once Upon A Time In China 2" ("Wong Fei-hung ji yi: Naam yi dong ji keung" 1992, literally: Wong Fei-hung #2 - young man should be self-sufficiently strong) and the adult Wong Fei-hung portrayal will be better understood: why he's so good at his knowledge and practice of Chinese medicine, why he acted so restrained and coy with Aunt Yee, whom he very much loves but won't express so - all due to the austere teachings from his father as noted in "Iron Monkey." We also learn that he lost his mother at a tender young age - though from Jackie Chan's "The Legend of Drunken Master" (2000 USA, "Jui Kuen 2" 1994, literally: Drunken fist 2), we can see he has quite a wonderful stepmother - smart and wittily portrayed by Anita Mui! See it if you want another excitingly fun, martial arts action-packed drama about the adult Wong Fei-hung.

Note that this movie's subtitle is "The Young Wong Fei-Hong."

This isn't so much a movie about a Chinese Robin Hood/Zorro figure, or a strict martial arts hero - it's a movie about a young boy and the people who influence who he will become. It's poignant in parts - such as when Fei Hong tries to grab his father's hand and is scolded for it - and hilarious in others - "My kung-fu is pretty good!" exclaims a surprised Fei Hong in one scene.

While much of the movie is focused on the concerns of the adults around him, Fei Hong is also the audience's conduit to the subtle messages of the movie as a whole. It's not all about kick-ass fight scenes - that's just how they keep our attention. The world portrayed in IRON MONKEY admires intellect and wit as much as martial arts ability. Woven into the whole is a lesson in honor, the balance between discipline and recklessness, and the need for affection and love.

Fans of CROUCHING TIGER, HIDDEN DRAGON will love this movie because of one simple fact - the plot is linear, with short flashback sequences as needed, and despite its intricacy, it's not too involved. CTHD would be like riding in a Rolls-Royce: beautiful to look at, enjoyable to drive; but IRON MONKEY is like a Porche, fast, sleek and dangerous. CTHD may be visually superior as far as cinematography goes - and in a lot of ways, it is - but IRON MONKEY moves along in ways that CTHD does not.

Also look for Tsang Sze Man, who had the potential to be what Haley Joel Osment is here in America. Pity Man didn't do any more martial arts films.

Film fans must see this movie; kung fu fans probably should see this movie. But if subtitles scare you (the dubbed version isn't quite as good) and guys in robes and braids are "gay," keep away. Go rent DUMB AND DUMBER or something.

For all you people who've only seen the matrix, CTHD, and think fight club features the best fighting ever, you ain't seen nothing yet. Iron Monkey features Hong Kong movie making at one of its best. For those of you who couldn't find a plot, I don't know what kind of movie you saw or how well you pay attention to a movie but I found the plot to be about a good doctor who helps the poor, and the oppressive govt official that's after him. And it gets complicated by Donnie Yen's character. And sorry, for those of you who don't know, there's no literal Monkey made out of Iron in this movie just like there are no crouching tigers or hidden dragons in that movie. But Iron Monkey is a martial arts classic.

Films like this I can watch again and again, unlike an over inflated Hollywood blockbuster. There is a continuing trend for far eastern film makers to work in the west, like Jet Li, Tsui Hark and Yuen Woo Ping but their best work was done in Hong Kong and China. This film is a good example.

With gorgeous photography, lively martial arts and a great cast this can't help pleasing. Yu Rong Guang is relaxed and charming as Dr Yang and Jean Wang as Orchid Ho is sublime and spirited. Donnie Yen brings his usual intensity to contrast with the other two. It is that ancient story of the mysterious hero robbing the rich and giving to the poor but the plot keeps one interested while the action goes on.

My favourite scene is not a martial one but when a sheaf of papers is blown about and Dr Yang and Orchid collect the sheets up. It is a short scene but full of grace and beauty and quiet humour, a million miles away from Hollywood. Nothing in 'Matrix Reloaded' sticks in my mind like that scene.

A splendid film!