The Real McCoy

Not sure why this film gets trashed as much as it does, since it's pretty good. It's worth watching for the cast alone -- Basinger, Kilmer and Stamp. But it must be said that the British film upon which it's based is better. That would be Bellman and True (from an old English song) starring a cast of people that you probably never heard of, headlined by Bernard Hill as the computer geek who has to go along to keep his son safe. Bellman and True also serves as something of a time capsule, taking us back to a grotty, depressed and depressing London that is barely visible in British films any more. We can probably put the change in tone down to the Four Weddings effect. The comparison of these two movies serves as an excellent example of one of the more interesting questions of popular culture: why are the Brits generally so much better at movies that feature crime than Hollywood? Think of Cracker, State of Play, Prime Suspect, Behind The Lines, and Mobile.

This is the sort of film that will do if nothing else is on but not much else. Its a heist film with Kim Basinger and Val Kilmer and everything in it has been done before and done better. The bank robbery at the end is a bit of a let down because it just seems too easy. It was directed by the man who brought us the fabulous Highlander, but sadly also the truly awful Highlander 2, this film is somewhere in between. The only plus points are the always great to look at Kim Basinger, and Val Kilmer in a different sort of role to his usual stuff. I think Kim Basinger is a great actress but like most females in Hollywood seems to struggle to get decent films to star in, not counting the awesome LA Confidential of course. All in all a very average film ***5/10***

The Real McCoy has one of the most impossible storylines around. But how can you not love a movie which contains the line, "What's not normal about getting on a plane with your mom and going down to Rio with 3 million dollars?" Some parts, especially the set-up, are slow, but on the whole it's a great, implausible romp. It's also a must for Kilmer and Basinger fans.

From what I've seen (for the most part), if there's a Trans Am in a movie, then the movie's going to be good. "The Driver", "Smokey and the Bandit", "Donnie Darko", "Blue Thunder", all awesome, and each one proudly displaying a Firebird. Pretty good rule of thumb, thus far.

Not so with the "The Real McCoy", which is mostly a brain-dead affair - in the sense that you can be half-comatose on the couch and still follow the plot. This thing's so formulaic, it doesn't take any brain power to keep up. It's just one heist movie cliché after another. They even manage to waste Terrence Stamp on a vanilla bad guy role (dammit, that should be a federal crime!). It's a little shocking just how meek Kim Basinger comes off here, what with her being the numero-uno cat burglar. Who knows, maybe Catwoman ruined me, but they could've hardened this character.

5/10

Cat burglar Karen McCoy (Kim Basinger) is released from prison after 6 years for the bank robbery. She's on parole with only the suit she went to court with. Her ex told her son Patrick that she's dead. Gary Buckner is her harsh parole officer. J.T. Barker (Val Kilmer) is an incompetent robber eager to be in her next job. She's trying to go straight but nobody is willing to hire an ex-con. J.T.'s relative Jack Schmidt (Terence Stamp) wants her to do one more job. Buckner threatens Karen with more prison unless she does the job. When she refuses, Patrick is kidnapped.

The first half sets up for a solid caper movie. Everything is against Karen. She's the underdog with a heart of gold. The caper is functional. It's at least six years since Karen has done a job and she is still up to date with security tech. It's hard to imagine her ex holding off calling the cops. There are a few little things that add up to a less compelling caper movie.