Poetic Justice

John Singleton's "Poetic Justice" might be of interest nowadays for the presence of Tupac Shakur, who was shot dead three years after the release. But more than that, it's a soft, positive look at relationships in South Central. Janet Jackson plays the title character, who accompanies some friends to Oakland. While the movie does have some intense scenes, the poetry narration - hence the title - moves everything along.

Released the year after the Rodney King riots, it shows the desperate situation in which large numbers of people in South Central live, making efforts to get by without trouble (no easy task). These are complex characters, each with something to add. I recommend it.

I saw this film after becoming addicted to 'Boyz n the hood'and 'Higher learning', I think John Singleton is one of the greatest filmmakers working today and Poetic Justice is a great example of a truly dedicated and talented filmmaker. The story starts off with Justice (played brilliantly by Janet Jackson, what a surprise)who witnesses the slaying of her boyfriend at a movie, justice becomes very depressed with life and feels nothing but loneliness. She expresses this by writing poems in a notebook to reveal her pain for her lost love and for the pain of living in America's South central l.a district. Lucky (again played greatly by Tupac Shakur in i feel his most personal and greatest role from 'Juice' right up to 'Gang Related')is a postman with nothing to look forward for in his life except to look after his daughter and a dream of rapping his pain for the hood. Together they go on a road trip with two other friends and learn on how to live again and to find their way in life. The performances are great, Singletons direction is wonderful. If your a fan of other 'hood' movies than this you might find a little different from the others. But nonetheless a deep hearted gem. 9/10

After making the effective tear-jerker Boyz N The Hood, John Singleton returns to the field of film with Poetic Justice. While this one is significantly different from that masterpiece, it still has its perks and a solid message to add to its formula of an urban-drama. It is the second film in what Singleton has branded his "Hood trilogy," but yet, it is definitely the weakest of them all.

The plot: Justice (Jackson) is a young woman who lives in South Central, Los Angeles, and is still grieving over the loss of her boyfriend who was murdered during a silly confrontation. Justice writes numerous poems, and narrates them throughout the film. The actual poem were written by writer Maya Angelou, but the authenticity of the writing is the least of our concerns.

Justice works as a hairstylist, and one day, a mailman named Lucky (Shakur) waltzes in one day trying to flirt with several women, when Justice and her friend play a mean joke on him. Karma has its way of reuniting the mailman and the stylist when Justice's friend Iesha (King) forces her to come along on a trip to Oakland with her boyfriend Chicago (Torry) and his coworker Lucky. Justice needs to go for a hair show, so reluctantly agrees to hitch a ride in Lucky's mail-truck.

From then on, the film plays like a buddy road-trip film lacking the buddies. These characters must tolerate each other to survive the trip, but social and emotional conflicts continue to get in their way. Some of these situations feel genuine, but others feel contrived and meant to happen only so the film can advance.

Poetic Justice is very distant from its predecessor, with the only similarities being the setting and the fact that Lucky's uncle, seen in the end of the film, looks a lot like Laurence Fishburne's character in Boyz N The Hood. I can't quite figure out why this one is inferior to them. Maybe it's because the characters aren't as well developed and dripping with charisma, maybe because each one of the characters can be bitter and selfish at points in the film struggling socially, or maybe it's just because.

In Boyz N The Hood, Cuba Gooding Jr. was extremely developed to the point of almost going overboard. In Baby Boy, Omar Gooding was extremely developed. But in Poetic Justice, about a chunk of Janet Jackson's personality is almost snatched away. Same with the ending being a little perplexing and open for explanation.

But this can all be overlooked by two things; the writing and the acting. John Singleton manages to squeeze the premise dry in terms of character dialog. It feels like real discussions being had by real human beings. And Tupac Shakur's acting talents are definitely the strongest point in the film.

Poetic Justice has three meanings when I look at it. It describes redemption for one's previous actions, the character herself in the film, and what the slick writing achieves in this picture.

Starring: Janet Jackson, Tupac Shakur, Regina King, Joe Torry, Tyra Ferrell. Directed by: John Singleton.

the only reason i don't rate this film higher is because i always thought it was a tad long. john singleton, i love your work! like spike lee ( with a lot of his films) and ice cube (with 'friday' and 'barbershop') you've caught a time and place that's only clear to those that have lived it, or at least have knowledge of its existence. all of you capture black young'uns (east and west coasts) as they were lived during the times depicted in the films. wonderful stuff! great acting, solid story, everything is more heartfelt than not, it's why i go to the movies! i hope u and spike and ice cube and tyler perry (silly as he can b!) and the whole slew of other black filmmakers continue for many years to come. i love your work, your honesty and your sincerity. this is good movie-making, maya angelou's poetry is a plus and a bonus!!!

I applaud John Singleton for being brave enough to film "Poetic Justice" -- it's a real triumph in presenting a story that looks beyond Hollywood's usual stereotypes of urban youth. If you are looking for a typical gang-bangin' shoot em up angry urban film...look elsewhere, because that genre is miles away from Singleton's storytelling. This film has precisely what black audiences say they are looking for - depth, real characters with a number of real layers....and yet people say they cannot get into this film. I say watch it and simply feel the messages being conveyed through the hearts of the characters. Tupac Shakur's performance saddens my heart....because he had so much potential as an actor as proven with his performance here. I was fortunate enough to actually meet and compliment him on this performance, which is at turns skillful and all his own. He had that quality that film actors envy in that the camera loved him. Janet Jackson gives a skilled performance as well, and the two have a natural chemistry that works here. This film is worth watching...it's one of my favorites.