Only the Strong

I thought Only the Strong was a great movie. I would love to learn the martial art. I thought that Ryan Bollman, as well as the rest of the cast, was wonderful. I would recommend this to anyone who wants a good movie. I loved this movie, and am currently trying to find it on video.

An exciting feel-good actioner from the director of Double Impact that demands very little from its audience other than the odd cry of adulation at the spectacular, slow-mo'-induced action scenes set before us. Capoeira, the rhythm-based Brazilian martial art / dance, is the movie's chosen subject, and its saving grace: flamboyant and effortlessly acrobatic, accurately pulled off by a cast of the style's best practitioners. Dacascos masters the art while stationed in Brazil working as a Green Beret, and returns to his old school in Miami to find the classes out of control, made up of petty criminals and drug dealers. He is chosen to teach these crazy kids some discipline (by means of Capoeira), and they seem to become pretty good at it. Prieto provides the beefcake villain element as a Brazilian master-criminal determined to sway one of our hero's prime students. All in all, this is an entertaining watch, a perfect showcase for Dacascos.

I really enjoy this movie and have shown it to most of my friends. Most of my friends and I gave it an eight out of ten and some even higher. I think that the capoeira scenes are great, plus it has good music, but the story and characters could've been presented a little better. If you like martial arts movies and don't care too much about character development, you'll probably like this movie.

The real star of "Only the Strong" is the capoeira style of Brazilian martial arts (which is the pre-cursor of many break dancing moves) exhibited throughout the film. There are many movies that concentrate on wushu, taekwondo, karate, aikido, and many others styles from different parts of the world, but capoeira movies are far and few between, which makes "Only the Strong" that much more unique.

The story is nothing short of rehashed and predictable; a well meaning soldier (Mark Dacascos) with martial arts background from his previous station in Brazil, comes back to the U.S. and attempts to take charge of the rebellious, rival students in a troubled neighbourhood. He attempts to give them a focus in life with the art of capoeira, which combines martial arts, music and dancing, as well as stressing teamwork between the players/fighters. The troublesome students take a while to be won over by Decascos efforts, but eventually play along.

Things get complicated when it turns out that one of the students is the son of a Portuguese gangster, a capoeira maestre himself, that is the terror of the town, leading to some battles and a showdown between the ruthless criminal and his followers and the well meaning teacher.

The acting and the story is sub-par as mentioned previously, but this is , at the time of this writing, the only movie focusing on capoeira as a whole, and as such deserves a closer look by martial arts fans everywhere who are ready for something truly different.

ONLY THE STRONG

Aspect ratio: 1.85:1

Sound format: Dolby Stereo SR

A former Green Beret (Mark Dacascos) is employed by his local high school to rehabilitate some of its worst students by teaching them the art of capoeira (a form of martial arts from Brazil, using dance-like moves). But his work brings him into conflict with a local drug lord (Paco Christian Prieto), whose operations are threatened by Dacascos' interference...

Predictable B-movie, elevated above the routine by virtue of its slick presentation and interesting cast (including Geoffrey Lewis), under the assured direction of Sheldon Lettich (DOUBLE IMPACT). The capoeira sequences are exotic and colorful, which blunts the impact of some pretty heavy fight scenes, and the script is alternately naive and obvious. However, the virtues are considerable: Ultra-buff Dacascos flaunts his pumped-up torso through a variety of tight-fitting vests (drool! slobber!), while ultra-cute Stacey Travis (the romantic interest) hovers around the periphery just long enough to temper the film's relentless macho swagger. Good, catchy music score, too.