The Night We Never Met

"The Night We Never Met" tells of three people, all in relationships, who timeshare a NYC flat with a weekly rotation. The trio has not met but do get to know each other by leaving notes, phone calls, and the inevitable traces of their occupancy which, of course, leads to romance between principals Sciorra and Broderick. A cute little bit of B- fluff which is well cast with a clever premise, "Night..." muddles a little in the middle, runs a tad long, and could have ended better. Nonetheless, it's worth a look. Now on cable.

Three New Yorkers decide to share a Greenwich Village apartment, rotating use of the place for different purposes, on different days. First up is bearded gourmet cheese clerk Matthew Broderick (as Sam Lester); he wants a quiet place to cook romantic dinners for dates, and hopefully have sex. Next tenant is bored painter Annabella Sciorra (as Ellen); she wants a place to paint, and also considers an extramarital affair. Third is well-coiffed sports fan Kevin Anderson (as Brian McVeigh); he wants a place to drink beer and watch ballgames with the guys, without fiancée Justine Bateman (as Janet Beehan) around. The three mix-up their days and Ms. Sciorra accidentally targets Mr. Anderson as a sex partner when she really wants Mr. Broderick. Oops...

***** The Night We Never Met (4/30/93) Warren Leight ~ Matthew Broderick, Annabella Sciorra, Kevin Anderson, Justine Bateman

Mildly entertaining comedy about a threesome timesharing a New York City apartment, but never meet. Broderick is the standout as a fed-up cheese clerk at an upscale grocery store.

While the film itself is barely worth a watch on cable, I thought it was interesting that the movie had no less than three (3!) future Sopranos cast members in roles varying from starring (Anabella Sciorra) to supporting (Dominic Chianese) to walk on (Michael Imperioli). David Chase definitely saw potential in all of these actors, so it's sad to see that the movie really wasted Sciorra's talents...

"What are you, Camus?"

Such an Allenesque line, and when you spot Woody's ex-wife Louise Lasser in a supporting role, and a kooky French female character messing our hero Sam (Matthew Broderick) about...well, the movie rings a few NYC bells.

An interesting premise, in both senses of the spelling. Three people, who don't know each other, all in personal life predicaments, have alternate days renting an apartment. One is a lovelorn cheesemonger (really), another is a dissatisfied dental hygienist (again, that's very Woody), and the third is an oafish city boy on the cusp of marriage, unwilling to give up his bachelor lifestyle altogether. Two of them start leaving cute messages and stuff for one another, but mistaken identity leads to a confused situation.

New York plays its own part in these movies. New York movies are practically a genre unto themselves. This is a cute but slight movie, and its peculiar premise gives it distinction in the rom-com field. One just wishes it were funnier, and maybe one more character with a stronger screen presence. The fact that the three alternating tenants never run into one another, at least before the denouement, seems improbable.

But definitely worth checking out.

Great performances highlight this small story, which has a great hook and some forgivable flaws. The main themes of communication and isolation are given time to flesh themselves out in three separate stories that center around a shared apartment. I like the pacing in this film, it's slow enough to wrap itself around the story, but not so slow as to drag.

The three main female characters are all good, especially Tripplehorn as Pastel, the avant-garde artist and pseudo girlfriend of Broderick. I've never seen her do any better with a character. Broderick has a curious role to play as a man who is tolerant of others up to a point (like his view of Sciorra's illogical behavior), but still has the serenity to offer marital advice to a woman who has just put him through a frustrating case of coitus interruptus. Sciorra's character is more problematic - she has a definite fear-aggression streak that gets tempered somewhat by the end, but there's also a good deal of "tough chick" bravado in her performance that makes it interesting.

I wasn't completely convinced by all of the transformations in the final ten minutes of the movie, but it ties things up neatly enough so you don't feel cheated and leaves enough room for the characters to grow further after the final shot.