Mr. Jones

This was Mike Figgis' first film after the rather wonderful and haunting "Liebestraum" and compared to that it's a disappointment.

As others have commented, Gere's acting is magnificent. I have a good friend who is manic depressive and Gere nails the condition absolutely. As others have also commented, this performance is straightjacketed into a contrived Hollywood vehicle with a laughably pat romantic ending. I was unsurprised to discover that the film was taken away from Figgis by the studio, redited, rescored and partially reshot.

A couple of points: of course Lena Olin's character behaves unprofessionally, that's made quite clear in the movie, so pointing it out as a flaw seems a little wide of the mark. What we in fact have is a slightly more subtle than usual rendition of the "psychiatrist is as nutty as the patient" trope - she is shown earlier in the movie to be extremely vulnerable and perhaps irrational after a failed relationship. Meanwhile Gere is extremely charismatic, as manic personalities can be, she is drawn to him out of her own depressed state and the time-honoured Freudian concept of transference does the rest. In addition the choice she makes addresses the notion introduced by Gere's character in the movie - how much is she prepared to give up?

There are also serious questions about "madness" touched on in the film - where does individual personality end and illness begin? To what extent is insanity a logical response to an intolerable situation? Perhaps these were originally to be explored in a little more depth.

I suppose this "accountant's cut" didn't do well enough at the box office for there to be much chance of a director's cut and that's a shame. It seems there is a much better film somewhere in here screaming to be let out....

I caught this movie last night on TMC. It premiered soon after I was diagnosed with clinical depression in 93 and even though I was glad to finally have a name to my own madness, I was not ready to see it at that point. Many told me about it though and finally, I saw it. It was very, very good. Gere did an exceptional job at portraying the classic Bipolar I individual. (My depression is 95% lows and have had only one or two manic episodes in my life and am well controlled and on meds). The highs are fun but it is pure payback with the lows. Of course, with this being a movie, The Dr. falls for Mr Jones and in the real world, that would lead to termination on her part. In the case of movies though, anything goes and Richard Gere would be hard not to fall for, LOL. Everyone did an exceptional job and it was an exceptional movie. Kudos to all!

As a sufferer myself, I found this film very reassuring that my actions are not totally alien. It was both entertaining and supportive. Geres' line that he needs the highs to be able to cope with the lows just shows an understanding into the illness. This is well acted, well written and well worth watching.

I had the pleasure and privilege of seeing Mike Figgis' original cut at the Munich Filmfestival, and liked it a lot. To be honest, I had liked the version that came out in 1993, although I had heard rumors of re-shoots and Figgis not having final cut - and although there were some ridiculous scenes in it. Figgis' version is more believable, albeit darker, but that does make sense, since it is about a manic depressive. Richard Gere is pretty impressive, and it is one of the few times that he's still good when he's doing his free-wheeling high-wire act. But the saddest part about "Mr. Jones" not being recognized for its great moments is the understated performance of Lena Olin, who is almost as good as in "The Unbearable Lightness of Being" (1988) and in the second season of "Alias".

There's one thing about "Mr. Jones" that's better than the movie itself: the story behind the film. Figgis has incredible stories to tell about the production of the movie and we can only hope that one day he'll share them with us in detail in a book, because it says a lot about Hollywood and its inability to cope with non-mainstream themes.

Based on the first few minutes, I was expecting a comedy about a happy-go-lucky construction worker who displays unconventional behavior. Even after his first trip to a mental hospital, I figured this would be a romantic comedy about a fun guy and the pretty female psychiatrist who wants to prove he's wacko.

Actually, she is right about him. He is manic-depressive. The man who only refers to himself as "Mr. Jones" doesn't believe he is manic-depressive because he would have to get depressed. We haven't seen it and surely it's not true, right? Wrong. This is a very troubled man. He will need a lot of care, and we must be prepared to go through some hard times with him.

Richard Gere did a very good job. Naturally, I liked him best when he was fun. His character seems "normal" because this is a movie, but that soon changes. Gere effectively shows a wide range of personality styles, though this is nothing groundbreaking.

Delroy Lindo is a standout performer as Howard, the co-worker who apparently saves Mr. Jones' life. Although they work together less than a full day (I assume), they become close friends. Some of my favorite scenes have Gere and Lindo together.

Baha Jackson does a good job as Howard's son.

Lauren Tom briefly appears as a bubbly, fast-talking, excited patient. Too bubbly. She's going to have to crash--and she does.

Whether you like this movie or not depends on whether you want comedy or drama. I found enough scenes enjoyable.