Latcho Drom

Latcho Drom is a cinematic survey of Gypsy music from several countries. It is touching, sad and joyous. Most of the segments appear to be completely unstaged, unrehearsed. The music, ranging from the sensual flamenco music of the Spanish Gypsies, to the melancholy music of the Central European Gypsies, is exquisite. If you love Gypsy music, you'll find Latcho Drom absolutely beautiful.

Beautifully filmed, mind expanding exploration of Gypsy culture in the context of their music. Travel across a continent, experiencing the amazing musical styles of various groups of Gypsy peoples. It is sort of misleading to say this movie is not narrated. It is masterfully narrated by the music itself, the soaring melodies and subtititled lyrics tell a story much better than a narrator would have. See this film.

This is not "direct cinéma", as a matter of fact it is its opposite. Second installment of filmmaker Gatlif's gypsy trilogy, this French work produced by Michèle Ray-Gavras, is a film masterpiece, not pure documentary, no fiction by any means. Instead, Gatlif has chosen different locations of the route from India to Spain, wherever the Rom people have a strong presence, and with the help of art directors he has staged several musical numbers that tell us how the gypsies live, sing, dance, struggle and have survived. The movie may have strong opposition from those who question the hypothesis that the Rom tribe is of Indian origin, mostly challenged by those who see a direct link with the Hebrews (so, in a way, it comes as no surprise that they were also persecuted by the Nazis.) But above any anthropological argument, this is a work of great beauty, strong colors and wonderful singing and dancing.

This film is a tapestry, a series of portraits of Rom communities woven together by music. It's very much a musician's film, because of the paucity of spoken dialogue - and what dialogue there is, is not important to the structure of the narrative. Some might expect a National Geographic tale of "customs, dress, and music" or a plot-line orbiting a few central characters - don't look for that here.

This is because it paints a portrait of a family of peoples, rather than telling a story of individuals. The plot is the story through space (India to Andalucia) and/or/ time (we cannot tell) of a people. There is no need of narration. You get a sense of a joyous people, strongly linked in small communities where social interaction is very important. And a great sense of sadness in parts, at their rejection by society at large.

So it's a paean to Rom culture, very beautifully shot, with a wide spectrum of Rom music, and a sting in the tail which is the oppression these people have faced, and still face.

Latcho Drom, or Safe Journey, is the second film in Tony Gatlif's trilogy of the Romany people. The film is a visual depiction and historical record of Romany life in European and Middle Eastern countries. Even though the scenes are mostly planned, rehearsed, and staged there is not a conventional story line and the dialog does not explain activities from scene to scene. Instead, the film allows the viewer to have sometimes a glimpse, sometimes a more in-depth view of these people during different eras and in different countries, ranging from India, Egypt, Romania, Hungary, Slovakia, France, and Spain.

The importance of music in Romany culture is clearly expressed throughout the film. It is a vital part of every event and an important means of communication. Everything they do is expressed with music. Dance is another important activity. Like Romany music, it is specialized and deeply personal, something they alone know how to do correctly. We are provided glimpses into their everyday activities, but the film is not a detailed study of their lives. Rather, it is a testament to their culture, focusing on the music and dance they have created and which have made them unique.

Mr. Gatlif portrays the nomadic groups in a positive way. However, we also witness the rejection, distrust, and alienation they receive from the non-Romany population. It seems that the culture they have developed over countless generations, and inspired from diverse countries, will fade into oblivion because conventional society has no place for nomadic ways.

The other films in the trilogy are Les Princes (1983) and Gadjo Dilo (1998).