Lan feng zheng

I had to add a review of this movie, mainly because of certain reviewers choosing to criticize the politics instead of the actual film. To all of you budding western Mao-apologists...before you debate the merits of this story and the veracity of its presentation of life, you should consider learning Chinese, going to China, and talking to people. You will learn two things: 1)this period of time was hidden from an entire generation and is only now being discussed, re-examined and virtually condemned by China. 2)The culture of fear, paranoia and brutality among ordinary citizens is very real and its memory, and vestiges of it, still exist in those old enough to remember that era. Understanding this film is key to understanding the century of virtual trauma that China underwent, at the hands of others and then at the hands of its corrupt, megalomaniacal leaders and even its own people. And if one finds the tone a bit dark, remember: at the time of this film, the Tianamen square crackdown (that still is largely unknown in China...none of my college or high school students had ever heard about it...) was only 4 years old. China today is full of hope and looking forward, but still afraid to speak about the past.

Due to the subject matter, it was impossible to make this a happy movie. The counter-revolutions that followed the ascendancy of the Chinese Communist government were brutal and senseless--destructive just for the sake of being destructive. So naturally, this isn't a "feel good" movie. I liked how honest the movie was in giving a no holds barred look at this period of time--stretching from about 1953 to 1968.

The negatives about the movie really depend on your frame of reference. For the Chinese audience, much of what was occurring on screen would be easy to follow and keeping track of who is who isn't a problem. However, for Western audiences, this can be quite a chore. I had an easier time than most because I am a history teacher and was acquainted with what was occurring--but the average viewer will most likely get lost from time to time. And, unfortunately, MOST Chinese haven't even gotten the chance to view it as it was banned by their government when it premiered in the early 1990s! So, apart from those Chinese people living in Taiwan or elsewhere abroad, the audience may be rather limited. Because of this, I would love to see the movie along with a documentary explaining the time and events--especially because ignorance about this traumatic time is partly due to the Chinese government's attempts in the past to hide the counter-revolution's excesses.

FYI--although NOT made clear in the movie, the scene where the people were out killing sparrows needs some explanation. Chairman Mao ordered EVERYONE across the nation to beat drums and make a huge racket in order to terrify the birds and keep them flying until they exhausted themselves to death. Perhaps billions of these birds were killed in an attempt to increase crop production (aparently the birds were "capitalist reactionaries" or at least enemies of the state). However, the little grain the birds consumed was NOT a real problem but the insects that the birds ate were. So, as a result of the destruction of the birds, bug populations SKYROCKETED and the crops were decimated. That is why several scenes later people are complaining that there were 3 years of famine.

Also, it seemed to me that it was implied that the reason the one lady quit the army (where she was an actress for propaganda plays) was because she was expected to "put out" for officers. She chose to quit instead and shortly afterwards she was sent to a "re-education camp" as punishment for this.

This brilliant film should be seen by anyone who appreciates great movie-making. Covering similar ground as 'Farewell, My Concubine', this time the story of China's political upheavals is told from the point of view of a simple family trying desperately to survive, as told from the point of view of the son. Lu Liping is amazing as the mother. A performance worthy of her contemporary Gong Li. Give me any of these performances over the theatrical machinations of a Meryl Streep or a Glenn Close any day. This is real acting at its finest. One warning: the ending will rip your heart out.

Beijing of the 1950s, as seen through the eyes of Tietou, a little boy. As a child, his father gives him a blue kite. The events of the day sweep the family into chaos, including the father, Lin, who becomes entangled in political intrigue with Mao's communists and winds up in a work camp. Hedies soon afterwords by a falling tree.

Tietou's widowed mother marries her dead husband's former colleague, Li, who tries his best to improve his wife and stepsons lives. The Great Leap Forward occurs and the wave of starvation claims Li as a victim.

The third husband is a party member with a relatively luxurious home at the time of the cultural revolution in China and they get caught up in the terrible violence of the Red Guard and I'll just say that no one lives happily ever after. The Blue Kite is a brutally honest look at China's interesting recent history; a sad but true tale.

Superbly put together, this film gives an accurate portrayal of events during three revolutionary movements which make up some of the most appalling events that took place during the first thirty years of the People's Republic of China's existence.

Orocolorado's comments are tedious and naive; they betray a complete lack of understanding of what these periods of Chinese history were about, and what people living through those terrible times experienced and how they had to learn to cope with their circumstances.

It is a shame that these days we have been fed such a vast amount of exaggerated Hollywood material, that only that which is larger than life can be seen to be a true representation of anything.