IMDb रेटिंग
6.5/10
6.4 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंThe United Nations assembles the ultimate weapon to defeat Godzilla, while scientists discover a fresh pteranodon egg on a remote Japanese island.The United Nations assembles the ultimate weapon to defeat Godzilla, while scientists discover a fresh pteranodon egg on a remote Japanese island.The United Nations assembles the ultimate weapon to defeat Godzilla, while scientists discover a fresh pteranodon egg on a remote Japanese island.
- पुरस्कार
- 2 कुल नामांकन
Yûsuke Kawazu
- Professor Omae
- (as Yusuke Kawazu)
Kôichi Ueda
- General Hyodo
- (as Koichi Ueda)
Daijirô Harada
- Takuya Sasaki
- (as Daijiro Harada)
Andrew Smith
- Andy Johnson
- (as Andy Smith)
फ़ीचर्ड समीक्षाएं
This is the best of the new Heisei Godzilla series made. For one it features the return of many favorites including MechaGodzilla (bigger and badder than ever), Rodan (although he is called "Radon" which is his Japanese name) Baby Godzilla (who could kick Minya's @$$ in 5 seconds) and Godzilla (who who could kick the Tristar Godzilla's @$$ in about 1 second!). The story has characters that you care about, the effects are wonderful, the fight scenes are great, Rodan looks really cool as Fire Rodan, Garuda and MechaGodzilla are really awesome, and the dubbing matches 75% of the time! The story says that an egg, which hatches into a Baby Godzillasaur, is Godzilla's son. However, it was found in Rodan's nest so he thinks that it's his baby too. The UNGCC (United Nations Godzilla Countermeasures Center) takes Baby away for studying. Godzilla and Rodan go to Kyoto to find baby but instead find a huge battle with MechaGodzilla. Rodan is seriously injured and near death. Discovering Godzilla's 2nd brain, MechaGodzilla destroys it, paralyzing Godzilla. Then...you'll have to see it to find out what happens at the end. This a must for any true Godzilla nut like myself. Buy it, and you won't regret it at all!
Godzilla Vs Mechagodzilla is regarded by many as the best Godzilla film in the 'Heisei' series,and it's easy to see why,with it's non-stop action,revivals of three of the 'Showa' series monsters and huge amount of monster footage. No leisurely build up here-we are plunged almost immediately into the action,and it than never lets up apart from a brief slowing down in the middle.
This was Godzilla's 40th anniversary film,and so it is rife with scenes from Showa Godzilla films copied,including even certain shots-for instance,Godzilla attacking an oil refinary from the original Godzilla Vs Mothra,or Rodan knocking down Godzilla from Ghidorah the Three Headed Monster,there's a terrific knowingness to this film. The plot here is very simple but effective in it's simplicity,and Akira Ifikube's score is simply wonderful,his best ever for a Godzilla film,full of memorable themes and often amazingly poignant.
The film is let down a little by it's monsters-the new baby Godzilla is great and far better than 'Minya' from the 'Showa' series,but Rodan and Mechagodzilla look inferior to their predecessors. The fights are OK but the climactic one is somewhat static,and the film has a lot less visual imagination than the last three films. It's difficult to say if this is better than the previous two films,it lacks the wild and crazy story of Godzilla Vs King Ghidorah or the sense of wonder and eye candy of Godzilla vs Mothra,but if you just want monsters on the rampage and battling it out,this one delivers wonderfully,and most Godzilla fans want little more than that.
This was Godzilla's 40th anniversary film,and so it is rife with scenes from Showa Godzilla films copied,including even certain shots-for instance,Godzilla attacking an oil refinary from the original Godzilla Vs Mothra,or Rodan knocking down Godzilla from Ghidorah the Three Headed Monster,there's a terrific knowingness to this film. The plot here is very simple but effective in it's simplicity,and Akira Ifikube's score is simply wonderful,his best ever for a Godzilla film,full of memorable themes and often amazingly poignant.
The film is let down a little by it's monsters-the new baby Godzilla is great and far better than 'Minya' from the 'Showa' series,but Rodan and Mechagodzilla look inferior to their predecessors. The fights are OK but the climactic one is somewhat static,and the film has a lot less visual imagination than the last three films. It's difficult to say if this is better than the previous two films,it lacks the wild and crazy story of Godzilla Vs King Ghidorah or the sense of wonder and eye candy of Godzilla vs Mothra,but if you just want monsters on the rampage and battling it out,this one delivers wonderfully,and most Godzilla fans want little more than that.
Godzilla has a really busy time again: fighting the winged Radon, trashing a huge tin can named Mechagodzilla, and looking for his baby. The little monster is as cute as his predecessor in `Gojira No Mosuko', but better designed, with evil glowing red eyes. One novelty in the 90s Godzilla movies is the creation of a special group of experts called `G Force' who try not to let Godzilla wreck Japan as badly again as he did in the 60s. With little success, though - to sum it up, not one of the best movies of the series, but a good deal of chaos and destruction again. Voted 6/10.
Godzilla vs. Mechagodzilla II is a fantastic Godzilla film, easily the best Mechagodzilla film, and the best film of the Heisei era.
This film has a very compelling, well-written, intriguing, and elegantly simplicit story. It very much revolves around the monster action, which was a fantastic choice, as it allows for a very action-packed film with a very tightly knitted story.
At the same time, the characters are not left on the back burner, and are likable and interesting. Kazuma Aoki makes for a very charming lead who is initially a goofball but learns to take responsibility for his actions throughout the film and becomes a more competent man. Azusa Gojo is a very sympathetic protagonist with her touching mother-son relationship with BabyGodzilla pulling at your heart strings. Miki Saegusa is just as sympathetic and more developed then ever before as she begins to see Godzilla in a different light due to BabyGodzilla. All of the soldiers, commanders, generals, and scientists at G-Force each have their own motivations and character traits as well, such as the big, gruff Commander Aso who has a very deep vendetta against Godzilla. Even the side characters with not much screen time and very little lines have notable character traits, which is partially due to the really well-done acting.
The new Mechagodzilla design is sleek and awesome, looking smoother and more modern than the Showa incarnation, and it looks even better when it combines with the flying machine Garuda, making it look like an even more powerful killing machine. Godzilla looks just as great as ever, still retaining the iconic look introduced in Godzilla vs. Biollante with another excellent suit that happens to be my personal favorite. Rodan's redesign is more majestic and pterosaur-like, an improvement over his very derpy post-1956 Showa era design. He not only looks cooler, but more natural and believable. And finally, BabyGodzilla is a vast improvement over Minilla, looking absolutely adorable and yet still looking very lifelike, like a real theropod dinosaur infant. The three organic monsters are brought to life in such a way that they have their own personalities and could be considered actual dynamic, well-rounded characters on their own. Godzilla has his character ark here, as he starts out being the same rage-filled nuclear leviathan from the previous films only to become a father that can actually show compassion by the end of the film, as he spends the majority of it searching for BabyGodzilla, only to cross paths with Rodan and Mechagodzilla whenever he tries to do so. His goal is clearly to unite with and protect the infant Godzillasaurus to raise him as his own son, and he risks life and limb over it. He's still a badass throughout the film, but we also get to see a bit of his softer side. Rodan also has an emotional attachment to BabyGodzilla, but in a different way; since they were born in the same nest, he sees BabyGodzilla as his little brother and therefore does everything to protect him. BabyGodzilla is the heart of the film, as an innocent and intelligent being that cares deeply about those he sees as his parental figures. On the other side of things, Mechagodzilla moves and acts realistically for a robot, never making it seem like a living thing and therefore solidifying the theme of life vs. artificial life. The decision to make Mechagodzilla lifeless also supports this theme and, along with BabyGodzilla and our main characters, helps drive the audience to an emotional connection to the monsters as the film progresses.
One of the most powerful and unique aspects of the film is indeed the conflict it brings about within the characters and even the audience. It begins with Mechagodzilla being the good guy and Godzilla being the bad guy, but by the middle, it becomes greyer rather than black and white, with both G-Force and Godzilla having reasons to be doing what they're doing and both are reasonable from their point of view. This also creates high stakes and tension with the battles between Godzilla and Mechagodzilla, making for some of the most gripping fight scenes in the franchise.
The special effects are incredibly solid and well-done, with some astounding attention to detail. Despite the film's abundance of action scenes, there aren't any extremely noticeable lapses in the quality of the visual effects: all of it looks top notch (with the exception of some brief funky matte shots that don't look the best, and the prop used when Mechagodzilla is flying does look kind of wonky, though definitely better then the Showa one). In particular, the animatronic heads for all three monsters look notably impressive and extremely organic. The film is also packed with tons of exhilarating and memorable action sequences that are spread out so well that it's very well-paced and highly entertaining. Godzilla and Rodan's battle on Adonoa Island is one of the most exciting fights in the franchise, and the battles where Godzilla and Rodan fight Mechagodzilla are very excitingly choreographed and directed and have no shortage of physical brawling.
And finally, Akira Ifukube's musical score is brilliant; while he usually always delivers fantastic scores, this one is particularity good, with very many memorable, riveting, and haunting yet beautiful pieces.
Overall, Godzilla vs. Mechagodzilla II is an absolutely fantastic Godzilla film all around. It succeeds in practically every category and therefore is definitely one of the finest and most consistently entertaining entries in the entire franchise.
This film has a very compelling, well-written, intriguing, and elegantly simplicit story. It very much revolves around the monster action, which was a fantastic choice, as it allows for a very action-packed film with a very tightly knitted story.
At the same time, the characters are not left on the back burner, and are likable and interesting. Kazuma Aoki makes for a very charming lead who is initially a goofball but learns to take responsibility for his actions throughout the film and becomes a more competent man. Azusa Gojo is a very sympathetic protagonist with her touching mother-son relationship with BabyGodzilla pulling at your heart strings. Miki Saegusa is just as sympathetic and more developed then ever before as she begins to see Godzilla in a different light due to BabyGodzilla. All of the soldiers, commanders, generals, and scientists at G-Force each have their own motivations and character traits as well, such as the big, gruff Commander Aso who has a very deep vendetta against Godzilla. Even the side characters with not much screen time and very little lines have notable character traits, which is partially due to the really well-done acting.
The new Mechagodzilla design is sleek and awesome, looking smoother and more modern than the Showa incarnation, and it looks even better when it combines with the flying machine Garuda, making it look like an even more powerful killing machine. Godzilla looks just as great as ever, still retaining the iconic look introduced in Godzilla vs. Biollante with another excellent suit that happens to be my personal favorite. Rodan's redesign is more majestic and pterosaur-like, an improvement over his very derpy post-1956 Showa era design. He not only looks cooler, but more natural and believable. And finally, BabyGodzilla is a vast improvement over Minilla, looking absolutely adorable and yet still looking very lifelike, like a real theropod dinosaur infant. The three organic monsters are brought to life in such a way that they have their own personalities and could be considered actual dynamic, well-rounded characters on their own. Godzilla has his character ark here, as he starts out being the same rage-filled nuclear leviathan from the previous films only to become a father that can actually show compassion by the end of the film, as he spends the majority of it searching for BabyGodzilla, only to cross paths with Rodan and Mechagodzilla whenever he tries to do so. His goal is clearly to unite with and protect the infant Godzillasaurus to raise him as his own son, and he risks life and limb over it. He's still a badass throughout the film, but we also get to see a bit of his softer side. Rodan also has an emotional attachment to BabyGodzilla, but in a different way; since they were born in the same nest, he sees BabyGodzilla as his little brother and therefore does everything to protect him. BabyGodzilla is the heart of the film, as an innocent and intelligent being that cares deeply about those he sees as his parental figures. On the other side of things, Mechagodzilla moves and acts realistically for a robot, never making it seem like a living thing and therefore solidifying the theme of life vs. artificial life. The decision to make Mechagodzilla lifeless also supports this theme and, along with BabyGodzilla and our main characters, helps drive the audience to an emotional connection to the monsters as the film progresses.
One of the most powerful and unique aspects of the film is indeed the conflict it brings about within the characters and even the audience. It begins with Mechagodzilla being the good guy and Godzilla being the bad guy, but by the middle, it becomes greyer rather than black and white, with both G-Force and Godzilla having reasons to be doing what they're doing and both are reasonable from their point of view. This also creates high stakes and tension with the battles between Godzilla and Mechagodzilla, making for some of the most gripping fight scenes in the franchise.
The special effects are incredibly solid and well-done, with some astounding attention to detail. Despite the film's abundance of action scenes, there aren't any extremely noticeable lapses in the quality of the visual effects: all of it looks top notch (with the exception of some brief funky matte shots that don't look the best, and the prop used when Mechagodzilla is flying does look kind of wonky, though definitely better then the Showa one). In particular, the animatronic heads for all three monsters look notably impressive and extremely organic. The film is also packed with tons of exhilarating and memorable action sequences that are spread out so well that it's very well-paced and highly entertaining. Godzilla and Rodan's battle on Adonoa Island is one of the most exciting fights in the franchise, and the battles where Godzilla and Rodan fight Mechagodzilla are very excitingly choreographed and directed and have no shortage of physical brawling.
And finally, Akira Ifukube's musical score is brilliant; while he usually always delivers fantastic scores, this one is particularity good, with very many memorable, riveting, and haunting yet beautiful pieces.
Overall, Godzilla vs. Mechagodzilla II is an absolutely fantastic Godzilla film all around. It succeeds in practically every category and therefore is definitely one of the finest and most consistently entertaining entries in the entire franchise.
Toho was on a role bringing back some of their famous monsters to costar with Godzilla throughout the 90s. First King Ghidorah, then Mothra, and now not one but three classic characters: Baby Godzilla, Rodan, and, of course, Mechagodzilla. What results is a full on monster war!
Plot: By reverse-engineering futuristic technology from the remains of Mecha-King Ghidorah, the Japanese government creates what they believe is the ultimate anti-Godzilla weapon: Mechagodzilla! Meanwhile, scientists recover an egg from a Pteranodon nest only for the egg to hatch later and out comes Baby Godzilla, who sees one of the scientists as its mother. With this baby hatched, both Godzilla and Rodan are out to retrieve it as their own and Mechagodzilla is sent in to take them both out. Will Godzilla/Rodan succeed in their mission or will Baby Godzilla end up being orphaned?
The dilemma of this entire situation makes for a great story as loyalties and logics are pitted against each other between man and monster alike. It causes the viewer to choose sides and that makes this movie even more great. The action scenes are awesome as these monsters really beat the living crap out of each other and the surrounding environment gets torn apart by their very might. The suit designs and puppets are pretty good, particularly Baby Godzilla who's able to express certain emotions. The music is absolutely impressive, which complements how intense the action is and how emotional some of the interactions between characters is. Human characters are at least likable, from the scientists to Miki Saegusa, the psychic who empathizes Godzilla and his son.
My only complaint seems to be Mechagodzilla being a little too powerful like in his first movie. Other than that, this is one of the best and most iconic entries in the Godzilla series. It has everything you'd expect in a film like this: great action, wonderful music, character development, and, of course, lots of explosions. Definitely recommended that you check this flick out. All hail the King of the Monsters!
Plot: By reverse-engineering futuristic technology from the remains of Mecha-King Ghidorah, the Japanese government creates what they believe is the ultimate anti-Godzilla weapon: Mechagodzilla! Meanwhile, scientists recover an egg from a Pteranodon nest only for the egg to hatch later and out comes Baby Godzilla, who sees one of the scientists as its mother. With this baby hatched, both Godzilla and Rodan are out to retrieve it as their own and Mechagodzilla is sent in to take them both out. Will Godzilla/Rodan succeed in their mission or will Baby Godzilla end up being orphaned?
The dilemma of this entire situation makes for a great story as loyalties and logics are pitted against each other between man and monster alike. It causes the viewer to choose sides and that makes this movie even more great. The action scenes are awesome as these monsters really beat the living crap out of each other and the surrounding environment gets torn apart by their very might. The suit designs and puppets are pretty good, particularly Baby Godzilla who's able to express certain emotions. The music is absolutely impressive, which complements how intense the action is and how emotional some of the interactions between characters is. Human characters are at least likable, from the scientists to Miki Saegusa, the psychic who empathizes Godzilla and his son.
My only complaint seems to be Mechagodzilla being a little too powerful like in his first movie. Other than that, this is one of the best and most iconic entries in the Godzilla series. It has everything you'd expect in a film like this: great action, wonderful music, character development, and, of course, lots of explosions. Definitely recommended that you check this flick out. All hail the King of the Monsters!
क्या आपको पता है
- ट्रिवियाDespite the film's English title, "Godzilla vs. Mechagodzilla II," the film is not a sequel to Gojira tai Mekagojira (1974). A later film featuring Mechagodzilla was released in western markets as Gojira × Mekagojira (2002). In their original Japanese language, all of these films are differentiated by what word is used for "versus". The original 1974 film uses "tai", this film uses "VS", and the 2002 film uses "X".
- गूफ़When Mechagodzilla fires its chest beam at Rodan, he lands on his back, but when Baby Godzilla calls out to him when Mechagodzilla is killing Godzilla, he is on his belly.
- भाव
Minister Takayuki Segawa: [answers phone] Yes? What's that? Godzilla's attacking the city?
- इसके अलावा अन्य वर्जनThe US version cuts a majority of the ending credits, shortening the runtime from 108 minutes to 105 minutes.
- कनेक्शनEdited into Godzilla Tales: Godzilla World Tour 2020 (2020)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- Jurasic City Godzilla V/s Mechagodzilla
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $95,00,000(अनुमानित)
- चलने की अवधि1 घंटा 48 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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