Gettysburg

This is one of my favorite movies, and the comments of fans on this site notwithstanding, I think it was underrated. From the first time I saw it, it exemplified a personal theory that women (until very recently) rarely see men at their very finest, and that is unfortunately often (obviously not always)in battle. The courage, commitment and humanity that this movie portrays, on both sides of the conflict, moves me to tears every time, and the humanity is key. I don't know enough about the battle to point out any glaring historical inaccuracies, but the acting was exemplary across the board, with Jeff Daniels outstanding. The battle at Little Round Top is one of the finest movie scenes I've witnessed. I particularly like the expressions of respect and awe on the faces of Chamberlin's men when he tells them to "fix bayonets". What's striking is that there was no "good" choice; there was a clear and compelling objective in a much bigger picture, and this schoolteacher rose to the challenge, and his men went with him. This movie conveys a lot-through the long philosophical discourses and the action-about how people behave when they are inextricably joined with other people, for a cause that they don't fully understand, charged with a responsibility that no individual should bear, and with the desire mainly to return to the way things were before. It conveys a lot about true leadership and sacrifice. It conveys that individual choices and motivations always impact others, sometimes on huge scales. Guys, I don't know if you can convince your wives/girlfriends to cuddle up with this film, but I would make the attempt; there are obviously very ugly things that people did to each other in this and any conflict, but if I ever got a sense of the nobility of men and their push in this world, it was from this film.

This movie picks up steam as it goes along - leading to its wrenching end, as did the battle.

The performance of Richard Jordan as Lo Armistead must be singled out for praise - his anguish was very moving. I'd loved the actor in The Friends of Eddie Coyle and what a job he does. (It helps that he's given the best lines in the movie). Martin Sheen as Robt. E. Lee is not the first name that would come to mind - but I think he gave a fine performance - his accent was entrancing. Sam Elliott is perfectly chosen as (and wonderfully played) the western General John Buford. I also think Jeff Daniels was absolutely wonderful - conveying so well the different manner of someone who until a year before, had been a civilian professor, not a colonel. Unfortunately although I'm generally a fan of Tom Berenger, I wasn't particularly moved by any scene he was in - he kind of walks through it.

The movie is written so well - and its pace just fine. There are so many interesting scenes, touching on many different aspects of life and war - from the nature of man and race to the paradox of a general loving his army yet having to sacrifice it. Jordan brought home so well the closeness of the senior officers to those on the other side.

I loved how well they showed the varied purposes for fighting of the different armies, and the occasional reference to a perceived resentment by the Union soldiers over what they saw as Confederate pretensions to higher social class. ("They're so arrogant", etc.).

The music is first rate - and definitely enhances the drama. The depiction seems quite authentic.

Some niggling criticisms: aside from the map at the start of the movie, there is none. Maps would definitely have helped to undeerstand the overall picture. People commonly refer to directions (from the norht, from the west, etc.) or "we must flank them to the right" and it's hard to understand if you haven't read about the battle.

The scene with the runaway slave is too abbreviated from the book - it doesn't have much impact in the movie.

Kevin Conway's dialogue and accent was a bit over the top, and the English military attache was rather clicheed.

For all that General Hancock is referenced, we see very little of him.

We see the diatribe by General Trimble against General Ewell - but without seeing anything of that battle (or Ewell ever), it just hangs there - rather than being part of any continuous story. (In the book, Ewell's and Early's conduct is more discussed - including a wonderful scene by the two with Lee). If they weren't going to discuss that side of the battle, they should have left Trimble's (well-played) trembling anger out of the story - it doesn't belong in this movie.

Gen. Longstreet is the star of the book and movie - yet I never sensed from Berenger the great brooding quality (and he wasn't given any reference to the fact that his thre children had just died) that he has throughout the battle - according to the book. Similarly, Gen. Lee's health (his heart and headaches, etc.) is a constant factor - not shown in the movie.

Despite the criticisms, this is a wonderfully done movie - from a Pulitzer Prize winning book. It's long - but quite clear, and very deeply moving. I defy anyone to see the last 1/2 hour and not have tears in their eyes. I'd very strongly recommend this.

With a few notable exceptions Schindler's List, Braveheart, Saving Private Ryan and Glory, history based movies usually die quick and quiet in the movie theater (The Messenger, Ride with the Devil, Cobb) History flicks cost a bundle to make with the costumes and the challenge of finding a place to shoot that's nowhere near highways, bridges, and cities, and they don't always appeal to mass audiences.

So it's not that often that really good historical film comes around. As a result, it's good not to be too fussy when one does. Both Gettysburg and the Killer Angels, the book it was based on, were stuffed with historical inaccuracies, the grossest of all being the presence of the 20th Maine regiment anywhere near Pickett's charge (this happens in both the movie and the book).

For all the lengthy soliloquies, historical misses, whitewashed violence, and the fact that only about 30% of the battle of Gettysburg is shown on film, Gettysburg remains as the best effort to capture the sprawling battle of July 1863 on film. Where the movie lacks in realism, it makes up for it's dialogue, and in the scope of the battle scenes, which are on a scale so grand, that the bloodless body count and the inaccurate tactics can be forgiven. The sheer numbers of soldiers taking part in Pickett's charge was breathtaking. Kudos to the reenactors.

Martin Sheen and Tom Beringer were they're usual excellent selves as Lee and Longstreet and for me, their ongoing debate of the strategy of Gettysburg helped make the movie. Other highlights include the disenchantment of Union soldiers at this stage of the Civil War, and the personal trauma Richard Jordan's Lewis Armistead felt at having to fight his friend Winfield Hancock not only in the same war, but in the same sector of the same battle of that war.

Much of Gettysburg has to be viewed with a grain of salt, but until a Stephen Speilberg or other directing genius with a knack for war footage comes along, it's one of the best we have. And it's pretty good.

A film that runs longer than 'Lawrence of Arabia' and only covers three days of action sounds a long haul but it is not. As someone who is both British and interested rather than an expert on the Civil War I found 'Gettysburg' very satisfying. The prologue makes the objectives of the two armies clear and the 'updates' in the form of dialogue between the commanders mean the viewer doesn't lose sight of the course of events. The battle scenes capture the "terrible beauty" of combat, conveying terror, claustrophobia and violence without being too horrific.

More important, the film makes the most of the remarkably rich characters who took part. My only hope is that Col. Chamberlain was as intelligent, humane and courageous in life as Jeff Daniels's performance. This is just one example, and there are many men one would like to know more about as a result of seeing this.

The one question I was left with came from Martin Sheen's portrayal of Lee. I know Lee had been unwell before the battle but Martin Sheen seems strangely remote from events, with a glazed look in his eye and high-pitched 'other worldly' voice. Is this fair and accurate? At least Lee has the moral courage to say "It's all my fault" when he sees the result of Pickett's Charge. I don't remember Douglas Haig saying that after the first day on the Somme in 1916.

All I hear is people griping about how long this film is. That's not the point. The point is it represents what is considered by historians to be the most important battle of the American Civil War.

I will admit that the length of the film kinda takes away from it, but it is nonetheless good.

Save a few historical gaffes (eg. Chamberlain and the 20th Maine at Picket's Charge - in reality, they were being held in reserve near the Round Tops with the rest of the V Corps), this film is very realistic, using thousands of professional re-enactors to fight the battle scenes, which adds to it.

Many battles and side notes were left out (eg. Vincent was mortally wounded on Little Round Top; or did they mention this, I don't remember), but that is okay, given the film focuses on Joshua L. Chamberlain and the 20th Maine, who saved the day at Little Round Top on July 2.

Skirmishes at the Herr Tavern, McPherson's Hill, Little Round Top, and Picket's Charge were all the fighting I remember. But, again, this doesn't really take anything away.

The sweep and grandeur is helped by the superb cinematography (by Kees Van Oostrum) and great acting on the part of Tom Berenger (Longstreet), Martin Sheen (Lee), Jeff Daniels (Chamberlain), C. Thomas Howell (Tom Chamberlain), Sam Elliot (Buford), and the rest of the superb cast. A standout is the late Richard Jordan as Lewis Armistead, the brigade commander in Picket's division who was killed leading his troops "over the top" against Union artillery.

The battle scenes are excellent; Picket's Charge, in real time, is superb, but the furious battle for Little Round Top is one of the most desperate battle scenes ever filmed. You can feel the fear and tension of the 20th Maine as the 44th Alabama (I believe this is correct) charges up the hill again and again. When Chamberlain and his men finally sweep their opponents off the hill?

I think that it may have been good to portray the charging Confederates as well, since they had many interesting stories among them (e.g., the commander of the 44th, William Oates, had a brother, John, who had been ill with a fever and refused to stay behind, and was mortally wounded in the carnage), and the heroics of such people as Vincent himself, and Patrick O'Rourke (who led his New York regiment in a counterattack that saved Vincent's right flank and was killed in the charge) are neglected, but I'm not complaining.

Despite the length and a few overdramatic speeches, this is a great movie.

Seven out of ten.