Father Hood

This is one of those rare comedies that would've worked better as a drama. Possibly that's because, as a comedy, there isn't a single laugh, but the movie had a good dramatic premise, along the lines of Rain Man almost. The film's biggest fault, besides the dreaful, unfocused script, is the mediocre acting. Swayze is decidedly wooden, a sign that even he knew the film had little hope, and doesn't even attempt to breath any life into the bland film. The two actors who played his kids, Sabrina Lloyd (a 23 year old playing a 10 year old) and Brian Bonsall, don't fare much better. Though neither of them had roles that had any sense of depth, they still manage to disappoint, though at times Bonsall does hint that he has the makings of a Culkin like star. The film's sole redeeming performance comes from then-unknown Halle Berry, playing a reporter. Though her role is a small one, it is pivotal to the story, and it's clear why she became such a big star afterward.

Another problem with 'Father Hood', is that the lead character, played by Swayze, isn't the least bit likeable. If their intentions for the movie were for it to be a family film, it's unneccesarily dark and violent, but as a serious action/comedy, it's just too bland and boring. Pass on this one, it isn't entirely bad, but it's pretty close. For serious Swayze fans only.

Like most action movies, this one has an improbable plot and some impossible sequences. But this can be forgiven, since the movie is primarily a comedy. Patrick Swayze strikes the right note of comic, underclass insouciance, but the film does attempt to say something about parental responsibility and father/child bonding. It also raises some disturbing questions about the predicament of children in state foster care.

There are no love scenes, and little violence. With some language dubbing, this might be suitable for family viewing.

Note to Patrick Swayze fans: Even in his goofy rayon shirts, he's still gorgeous. And we never have to see him in prison clothes.

his movie was great. I was 9 years old when this movie first came out. I can't tell you how many times I watched it. I have always loved it (and not just because Patrick Swayze is in it).

I love the plot and it is typical 90's style. To judge this movie by modern standards would be horrible. It's sweet. It really makes you think too (I can say that having worked for under aged victims of the state before).

In all, the movie is great, and I mean for all ages. Take it for what it is and not what you want it to be. I think it would be a great idea for a remake, but keeping to the original theme and plot as close as possible.

Alright, so 'Father Hood' is not the perfect movie. There have been many of its kind. It isn't devoid of plot holes and is predictable. However, it's also an entertaining road movie about an ex-con, Jack, on the run with his kids (Sabrina Lloyd) who were treated harshly (their hands were cuffed and they were abused) in a detention center). The only person on their side is feisty journalist Kathleen Mercer (Halle Berry) who tries to convince Jack to give her an interview (providing information against the youth detention center) and she'll work out a deal for him so that his sentence is reduced. Jack also drops by his mother's (Diane Ladd) in Las Vegas.

Okay, so it's not anything new but that doesn't mean it can't be fun. Shot in a typical early 90's style, Darrell Roodt catches the cross country landscape effectively. The performances are good too. The late Patrick Swayze is brilliant as the reluctant dad. Sabrina Lloyd is cute and vivacious. Brian Bonsall can be annoying at times (but then again his character was a cliché). Halle Berry is charming in her limited screen time.

'Father Hood' holds some nostalgic value for me and it was nice to go back to memory lane for a while. The way to enjoy this one it to take it for what it is.

Siblings Kelly (Sabrina Lloyd) and Eddie Charles (Brian Bonsall) eagerly wait for the release of their father Jack Charles (Patrick Swayze) from prison along with Kathleen Mercer (Hallee Berry). Fifteen months earlier, Kelly escapes from the Dickensian Bigelow Hall. Jack is a petty criminal facing prison time. He robbed drug dealers until he robbed an uncover cop pretending to be a drug dealer. He's also waiting for a large deal to come in. With their mother dead, the kids were left in the foster system. Kelly tells Jack that Eddie is about to be placed in Bigelow Hall. After witnessing director Lazzaro lying to the court, Jack takes matters into his own hands and breaks Eddie out. Jack intends to leave the kids with his grifter mother Rita (Diane Ladd) but their case has become big news. Jack confronts Mercer for her flawed reporting but she's actually investigating the Hall for fraud.

The filmmaker may be attempting for comedy but there are no laughs to be had. This is a somewhat functional road movie of sorts. The little one is a bit annoying. Swayze is caught failing to be funny but his ample charms keep the movie from completely failing. This really doesn't work but the basic premise with Swayze almost works anyways.