Damini

Damini gets a 10/10, mainly thanks to Sunny Deol in the 2nd half. He was brilliant as the drunk and clever lawyer. See how he tells of the main baddie, Amrish Puri. The confrontation scenes between them are definitely worth watching repeatedly. Sunny won National Award for this. The dialogues are so witty, and the manner in which Sunny says them is humorous. Even his outburst in court is excellent, especially "Tarikh Pe Tarikh." I also like the phrase, "Judge order order karta hain aur tu pidtha rahega!" that uses against Amrish Puri (corrupt lawyer). Their confrontation scenes are immensely watchable. Sunny overshadows everyone else with an awesome performance, as he is the saving grace because his introduction after intermission takes the movie to a new level. He even bashes the baddies at the very end. If you ever watch this movie, do it for Sunny Deol. Enjoy!

Damini can be summarized as the hallmark of 4 people - Meenakshi Sheshadri, Sunny Deol, Amrish Puri and of course, Rajkumar Santoshi. All of them are at their exhilarating best in this movie. Not many movies have given such ample scope to an actress in India. Meenakshi Sheshadri does a fabulous job in this.

Rajkumar Santoshi has done realistic and hard-hitting movies, this tops them all. If you thought Ghayal was wonderful, this is terrific. He continued the same trend with Ghatak. They Sunny Deol-Rajkumar Santoshi is the Indian version of Martin Scorsese-Robert DeNiro.

Amrish Puri is another deserving mention. No actor can portray a villainous role better than Puri saab. He excels here as the scheming and "partially-deaf" lawyer, Inderjeet Chaddha who has a habit of swaying his hair.

All the supporting cast were wonderful. I have always hated Rishi Kapoor as an actor (mainly because of those white pants, white shoes and dhol songs) apart from Bobby. But this is one movie in which he brings the depth and range of a Kapoor. Kulbhushan Kharbanda has always been a fantastic, but underrated actor. In fact, he has been underutilized even in this movie. Tinnu Anand is an excellent supporting act. Not to forget, the Hari Kaka has also done a good job (the final frozen shot of the movie).

I have kept this section for last deliberately - Sunny Paaji's National Award winning performance. Everyone knows Sunny Paaji's best performances have been in Rajkumar Santoshi's movies, but this performance can be talked only in superlative terms. As the drunk, disinterested yet smart lawyer, he delivers the performance of his life. Even if you are not a Sunny Deol fan, you will certainly become one after watching this. If you started watching Sunny Deol movies with movies like "Indian", "Jaal", etc, you have got a wrong start. Start with Ghayal, Damini and Ghatak.

A must watch movie, if you watch movies very closely for their depth and reality. My rating: 8/10.

Damini was a well made film that dealt with a woman's lone battle against a male dominated society to get justice for a rape victim. The film had some very powerful sequences in the second half, with Sunny Deol taking control. The film is remembered for its screenplay and direction and excellent performances from 3 actors,Meenakshi Seshadri, Sunny Deol and Amrish Puri. Director Rajkumar Santoshi combined a socially relevant subject with commercial ingredients to deliver one of the best films of the year.

Sunny Deol was easily the scene stealer. Although Rishi Kapoor was the main lead, he walked away with several awards, including the National award. Amrish Puri delivered a memorable depiction of the corrupt lawyer, Chadda. Rishi Kapoor was just about okay. Nadeem-Shravan came up with an average musical score. Meenakshi and Aamir Khan's pairing in the song Bin Saajan Jhoola Jhulu was refreshing.

Meenakshi Seshadri gave Damini everything she had and she truly shone in a performance of a lifetime. All who watched this film knew that the best actress trophy belonged to no one else in 1993, but her. She portrayed the role of Damini Gupta with complete conviction. Honestly, how Juhi Chawla won for Hum Hain Rahi Pyar Ke over Meenakshi in Damini, is a mystery that remains unsolved till date. I have lost all respect for Filmfare ever since!

Rape is that heinous crime in which the culprit escapes punishment due to the social structure as well as the law being heavily tilted in his favour and the victim, i.e., the raped woman has no option but to swallow her tears and live her life with the unhealable wounds on her heart and soul. Mostly, such cases are either not registered or aborted before reaching the court. And even when any such case reaches the court of justice, the defendant's lawyer takes the advantage of the legal loopholes and save his client for whom the acquittal proves to be a moral booster to repeat the crime with someone else. Damini is a movie which deals with this issue with utmost gravity and sincerity.

There is one apex court above all the worldly courts, the court of conscience which no criminal or anybody aiding and abetting him can escape. Where all the worldly courts fail in their job, the court of conscience takes the charge. Though in today's world, hardcore criminals have buried their conscience also deep down the earth, never allowing it to surface agai; nevertheless conscience plays its role at least for those who are not tainted themselves but don't raise their voice due to the fear of social obloquy or blood relations with the culprits. This fact is emphatically brought to fore in the climax of Damini (lightning).

Damini (1993) starts with the love of Rishi Kapoor as Shekhar and Meenakshi Sheshadri being in the title role. Shekhar is the eldest son of a rich business house whereas Damini is from an ordinary family. Damini who is trying to adjust herself to the hostile environment in the family is stunned to see the maid being raped by her brother-in-law and his friends. She could not save her honour but then she makes up her mind to make her get justice. Quite naturally, she finds herself all alone in this compaign with all her in-laws going against her and her loving husband preferring to be the silent spectator to their activities in the name of the family's honour.

Situation gets from bad to worse for Damini when the maid is killed in the hospital, the crooked lawyer (Amrish Puri) hired by her in-laws proves her as insane in the court so that her testimony is not taken into cognizance by the court and even the sympathetic police inspector (Vijayendra Ghatge) also proves himself to be greedy of tangible beneifts instead of doing his duty diligently to ensure justice to the victim. Imprisoned in an asylum, everything seems to be bleak for her. But when she is able to escape from it, fortune make her cross path with another desperate person Govind (Sunny Deol) who, despite being a laywer, could not get justice when his wife was killed in a hit and run accident and is now trying to find solace in alcohol. In Damini's relentless quest for justice, Govind also gets a purpose for living. However since the criminals are too strong to allow any evidence against to survive, finally justice is ensured when the slept conscience of Shekhar awakens and the failure of worldly court is overshadowed by the victory of the court of Shekhar's conscience.

A hard-hitting movie, Damini is thoroughly impressive and keeps the viewer hooked throughout. It's an intense movie with only the songs providing some relief in between. The biggest credit for making this movie a success goes to its director Rajkumar Santoshi who has rendered utmost reality to the narrative sans the court-room scenes (especially those involving Sunny Deol). The theatricals in the court-room are the only unreal thing shown in the movie because nowhere in India (and the world too), such kind of rhetoric and shouting is allowed by the judges. Otherwise, the A class direction of Santoshi has kept the narrative not only engrossing but also hitting the conscience of the viewers at the appropriate places with appropriate force. Santoshi has crafted each and every scene with the finesse of a devoted artist. A very well made movie indeed.

Rajkumar Santoshi is said to have been in love with the heroine, Meenakshi Sheshadri (who is said to have turned down his proposal). May be due to this personal reason or otherwise, Santoshi gave the role of a lifetime and she excelled like anything. Obese Rishi Kapoor alongwith Amrish Puri and the supporting cast has done well. But it's Sunny Deol who remains with the audience after the movie is over. His over-the-top but very very effective performance make him win the national award for the best actor and his dialogues are still remembered by the people. He is brilliant not only in action and dialogue-delivery but also expressing his anguish and frustration through his gestures.

Technically the movie is A class. The length is quite OK and the production value is high. Dialogues (despite the rhetoric and the over-dramatic tone) are just like hitting the nail right on its head. Nadeem-Shravan's music is good with the beautiful lyrics having been penned by Sameer.

I recommend this socially relevant and eye-opening movie to all those who like meaningful cinema and who believe that the voice of your conscience cannot be suppressed or ignored forever.

Once in a while you see a film which you really enjoy and believe me, this is a film which everybody will enjoy. The plot isn't exactly original but it more than makes up for that in the cast assembled. The film stars Meenakshi Sheshadri, Rishi Kapoor, Sunny Deol, Kulbashan Kharbanda, Paresh Rawal and Amrish Puri. The director, Rajkumar Santoshi has assembled a great cast and there are some really powerful emotive scenes in the film. There is no doubt though who the star of the film is: Amrish Puri gives an absolutely epic performance as the corrupt barrister Indrajeet Chaddha. Some of his scenes are unbelieveable. Overall, this is one of those films which you can watch in front of the family. There are a couple of dodgy scenes, but nothing too powerful. I thoroughly recommend this film to everyone.