Cel mai iubit dintre pamânteni

The movie follows the events of the novel "Cel mai iubit dintre pamanteni"( could be translated as "The most beloved among humans" ), written by Marin Preda ( a very controversial book and movie), a novel which became something like The Bible or the story of Hamlet, very popular and hard to get, due to its satiric contents over the Communist regime. It represents the drama of the intellectual man, the humanist, in a "red" world. A movie filled with passion, fear, sexuality, all the great ingredients for a great movie recipe.One of the greatest Romanian movies,despite its psychological charge(after all, it is an European movie).

I thought the book by Marin Preda has a lot more substance compared to the movie: Preda explored a lot more the human side of Petrini, there was a lot more introspection and reflection upon the absurdity of the Stalinist times. In fact, most of the characters are more vivid in the book, while in the movie they are dull, dehumanized, ugly, just for the sake of being ugly. Sure, the point of the story is to highlight the tragic nature of the Stalinist repression, but Preda did it with panache and made sure it had all the philosophical underscores worth of a main character ... that was supposed to be a philosopher. The movie is empty of all that, it tries too hard to be provocative and it gets repetitive and tiring after a while. Bleak and dehumanizing.

After reading the book, I felt anger at the immense historic injustice that was allowed to happen (to so many people in the East). A motivating kind of anger. But I only depressed and disappointed at the end of the movie.

The screenplay is mediocre at best. Iordache's performance is linear, unexciting, boring. The scream in his last scene is plain embarrassing. How did that even make the cut? Morgenstern's character is completely off (not on account of Morgenstern's performance though, it's probably a directorial decision): Preda's Matilda was mysterious, attractive, purposeful; the one in the movie plays a marginal role and is plain repugnant. Even the usually masterful Rebengiuc's performance was just OK.

Dorel Visan was quite good as the infamous prison guard Dumnezeu.

The one performance I thought was spot on was Gheorghe Dinica's, with superb delivery of his lines, a spark in his eye, and a DeNiro-esque grin worth all the money. His character was probably the only believable one.

Waiting for a remake of this movie. The book deserves a decent adaptation.

This film adaptation is pure squalidness, a shameful alteration of the book. If he could watch this movie - Marin Preda one of the most successful romanian writers - will be enough to make him turn into his grave and die again. This film adaptation is the worst adaptation in the history of romanian cinema. The book itself is butchered by one untalented director, Șerban Marinescu and one mediocre actor, Mircea Albulescu who came up with the idea of inventing a film character and therewith a horrid scene (prison-rape-homosexual-scene, Albulescu and Iordache). For god's sake, why? Why must be a great book slaughtered in such manner by two uninspired men? Is this some kind of history retribution for the years that we have lived in the dark ages of communism? May be, but Marin Preda doesn't deserve that, that's for sure.

The title of the movie is somehow paradoxical, since nothing that happens in the movie doesn't come to sustain the idea that might arise from the blunt reception of the title. The main issue that the movie tries to tackle is the issue of the scars that communism leaves on the lives of the ones enduring it, and mostly upon the lives of the learned. The movie comes to cast a diminishing and shameful image upon the level at which the communism used to function in Romania's years under the communist dictature. The level of ignorance that the communism had reached is revealed through the plot of the movie: a man's whole life is ruined for absolutely no reason what so ever. The movie is a masterpiece, as it brings to light the wheakness of the learned man in front of the brute force.

a great novel, brick of subtle resistance in Comunist period. a honest adaptation. and impressive Ștefan Iordache performance. for me, remember of high school last year when, in summer, I reading Marin Preda novel imagining its adaptation. my screenplay was different. but the work of Șerban Marinescu is gorgeous. for the accuracy of atmosphere recreation. for the science of details. for the occasion for Ștefan Bănică to make a fabulous role. his last role in a movie. for nuances of evil makes in front by Dorel Vișan or Mircea Albulescu. for image of profaned innocence of Marius Stănescu character. for measure of feelings in Colea Răutu performance. for Matilda by Maia Morgenstern ( in my vision, Matilda must be Tora Vasilescu ). for the music, image and autopsy of an absurd regime.