CB4

What Spinal Tap did to heavy rock, CB4 does to rap in the 1990s and it was about time.

Chris Rock is Albert, a decent guy who along with his friends want to hit the big time as rappers. They try every gimmick to break into showbiz. Albert inadvertently gets mixed up with a local hoodlum, Gusto getting arrested and decides to adopt his hard core gangster identity, MC Gusto and the group becomes CB4. They eventually raise the ire of conservative politicians but the record buying public love them but Gusto breaks out of prison and wants to get even.

The film succeeds because it makes pointed and prescient digs at gangsta rap and some of the songs they parody are actually very good and reflective of the music of the early 1990s.

The story is not the strongest, the satire always not sharp or even hits the target but the Rock and the rest of the cast seem to be enjoying the ride and real rappers turn up as to be in on the joke.

I grew up with hip hop. And I don't mean that as some sort of white guy who got introduced to the culture through Eminem. I was 10 years old when I got into graffiti and thereby the whole hip-hop culture. This was mid 90s. Tupac and Biggie still had another year on this Earth. I, however, was more about the traditional ideas of hip hop as a movement against drugs, violence and racism. I was into Grandmaster Flash, Kurtis Blow, Run DMC, Sugar Hill Gang, Beastie Boys, Afrika Bambaataa and stuff like that. So, having spent the late 90s watching all the "gangster movies" like Boyz & The Hood, A Menace To Society, Dead Presidents, Colors, Blood In Blood Out, etc. Etc. I hade an honest and profound love for the genre and I had the necessary references for this movie. So, let's cut to the chase.

If you are into those movies and do have a love for hip hop then this movie is a blast and an absolute must, in the same way as the Wayans brothers classic "Don't be a menace to society while..." But if you have no love for NWA and know nothing about the culture then most likely you won't know the necessary references to really enjoy this.

I laughed my mass off the first time I saw it. I have not rewatched it since perhaps early 2000. But my rating is based on the experience I had back then. Hell, I liked CB4 so much that I even started a new graffiti crew called WL4 just because I found it so cool to have a letter in an acronym. Where their's is Cell Block 4, ours was "Writing on Line 4" as we were graffiti writers and the line that we ruled was number 4.

Enjoy!

This is one of my favorite movies of all time. I love the fact that they pretty much play on the myth that most rappers are essentially middle class kids who've never even smelled the ghetto but try to pass themselves off as true "gangstas". Chris Rock and the rest of the cast make this one of the funniest movies of all time as well as a great commentary on the music business. Also, Allen Payne shows that he has a great flair for comedy as he plays Rip and Candy Alexander shines as Cissy. She pretty much has fun playing the stereotypical groupie that everyone has written about from rockers to rappers. This film really is a classic.

This movie is a classic. I had wanted to see it when I was younger, but of course I wasn't allowed to. I saw this a few months ago and it was even better now. This is one of Chris Rock's best performances, he nails the role of a rapper perfectly (not to mention his costume...). The movie was one of the first to feature parody raps and they are great, considering this film was Pre-Insane Clown Posse and the like. "Sweat from my balls" still makes me laugh every time I hear it.

Some might say this does not transfer to the new rap school, but It definitely does. If you were once a fan of oldschool rap or are still a fan of rap, this movie is definitely worth checking out.

This is by far one of Chris Rock's best works to date, and it's his first starring role! This movie has tons of talent, a tight plot (okay - you need a good ability to suspend your disbelief), and a palpable message.

It quickly became something of an underground classic as the early 90s launched the careers of many gangster rap artists. This movie does a great job of parodying the rise and fall of a gangster rap group.

It's got a unique urban flavor and is loaded with perhaps more race-driven humor than others may think necessary (many many MANY racial stereotypes are exploited in this movie, such as a local restaurant called "Big Ass Biscuit" where the young rappers frequented). However, it's done in a very tongue-in-cheek manner and the overall effect is hilarious, not heinous.

The addition to the cast of Chris Elliot playing the role of "A. White", the rapumentary's director, is brilliant. Elliot is great at playing a white fanboy who lands the job of working for his new favorite rap group, and he fumbles through the movie as only Chris Elliot can.

Phil Hartman is equally funny as Virgil Robinson, a local politician who tries to use CB4's profanity as his new platform for re-election (meanwhile, his son is addicted to CB4's music and image). The interaction between Virgil and his son in this manner represents how many parents viewed rap music as their children began to listen to it.

This movie is laden with parodies too numerous to list. The soundtrack is also quite good (if you like rap music at all) and includes the song "Sweat of my Balls" - a song featured in the movie (also hysterical, complete with a stage show of large testicles being dropped from the ceiling onto the crowd).

If you aren't easily offended, this movie is VERY entertaining. If you are able to look beyond the veneer of racial overtones and profanity, it also has a few points to make about the origins of "fake" gangster rap groups and their image.

Look for underrated performances by Tyrone Granderson Jones as "40 Dog", Richard Gant as "Baa Baa Ack" and Charles Q. Murphy as "Gusto".

I CAN'T WAIT for this to be released on DVD - if it ever will be...