कवि जिमी सैंटियागो बाका के वास्तविक जीवन के अनुभवों के आधार पर, फ़िल्म सौतेले भाई पाको और क्रूज़ और उनके द्वि जातीय चचेरे भाई मिकलो पर केंद्रित है.कवि जिमी सैंटियागो बाका के वास्तविक जीवन के अनुभवों के आधार पर, फ़िल्म सौतेले भाई पाको और क्रूज़ और उनके द्वि जातीय चचेरे भाई मिकलो पर केंद्रित है.कवि जिमी सैंटियागो बाका के वास्तविक जीवन के अनुभवों के आधार पर, फ़िल्म सौतेले भाई पाको और क्रूज़ और उनके द्वि जातीय चचेरे भाई मिकलो पर केंद्रित है.
- पुरस्कार
- 4 जीत और कुल 2 नामांकन
फ़ीचर्ड समीक्षाएं
Based on the real life experiences of poet Jimmy Santiago Baca, Bound By Honor covers two decades in the latter half of the 20th century as seen through the eyes of half brothers Benjamin Bratt and Jesse Borrego and their cousin Damian Chapa. Growing up more or less together, all three start out as gang bangers, but each has a different destiny and in many ways one's destiny is caused by the actions of the others.
Borrego gets injured in a gang retaliation and works hard to not become a cripple. He does however become both a painter of note and a drug addict of considerable appetite. A tragedy there sets him and Bratt apart.
Bratt also winds up in a feud with Chapa. When both were young gang bangers and looking to retaliate for Borrego, Bratt and Chapa are arrested. Because this was Bratt's first offense he got a choice of the military or jail time and he chose the Marines. Chapa however was sent to prison, to San Quentin to be precise where he joined the Chicano prison gang La Onda. Pretty soon Chapa is high in the gang councils and deep in the politics of the prison. Bratt in the meantime joins the LAPD and destiny makes these two collide.
Bound By Honor has an epic quality almost a kind of Chicano Gone With The Wind. The mostly Hispanic cast do a great job in depicting life in the Barrio. The film runs just about three hours and it's a tribute to director Taylor Hackford that your interest doesn't flag for a minute.
Hackford also creates many interesting supporting characters two numerous to mention, always the mark of a good film. But your interest is always in the three leads. You get to care about what is to become of them, what destiny has in store.
There are certain similarities between Bound By Honor and the Edward James Olmos film, American Me. Personally I give a slight edge to this one, don't miss it if it is broadcast.
Borrego gets injured in a gang retaliation and works hard to not become a cripple. He does however become both a painter of note and a drug addict of considerable appetite. A tragedy there sets him and Bratt apart.
Bratt also winds up in a feud with Chapa. When both were young gang bangers and looking to retaliate for Borrego, Bratt and Chapa are arrested. Because this was Bratt's first offense he got a choice of the military or jail time and he chose the Marines. Chapa however was sent to prison, to San Quentin to be precise where he joined the Chicano prison gang La Onda. Pretty soon Chapa is high in the gang councils and deep in the politics of the prison. Bratt in the meantime joins the LAPD and destiny makes these two collide.
Bound By Honor has an epic quality almost a kind of Chicano Gone With The Wind. The mostly Hispanic cast do a great job in depicting life in the Barrio. The film runs just about three hours and it's a tribute to director Taylor Hackford that your interest doesn't flag for a minute.
Hackford also creates many interesting supporting characters two numerous to mention, always the mark of a good film. But your interest is always in the three leads. You get to care about what is to become of them, what destiny has in store.
There are certain similarities between Bound By Honor and the Edward James Olmos film, American Me. Personally I give a slight edge to this one, don't miss it if it is broadcast.
i believe that is one of the better movies ever to come out. a truly amazing story of what life can entail between brothers and how the choices you make defines your direction in life. OK, one might argue that it is rather cheap in the budgetary sense and consequently not a respectable director nor actors are in it makes the flick only more interesting. The acting is however quite good and the prisoners are more than realistic. In other words it gives a nice insight in US (prison-gang)life. On top of that i personally am a great fan of true stories as this is. it is a shame that bad distribution has not given this the place in movie history that it deserves.
I've seen this movie a couple of times and its got its good points and its bad. It's an interesting story, though generally, it perpetuates the "East L.A. gang member" stereotype. However, it also addresses something I haven't seen before in a movie of this type, and something that was perfectly illustrated (unintentionally) by some of the unfavorable reviews posted here. I'm referring to the character of Miklos, and how stereotypes within his own community about "what is Latin" contribute to the person he becomes. There have been a few reviewers here who feel that the character of Miklos was not believable as Latino, as he was "too" white looking. As I understand, that was exactly the point. He was always having to prove himself as 'more latin than thou' because of his fair skin. Somehow being 'more latin than thou' became akin to being a hardest of the hard gang member. I think that was the most compelling idea out of the movie because that sort of thing happens quite often. Many Latinos subscribe to the stereotype that "all latinos are a sort of medium brown". Forgetting that "Latino" is not a race. It refers to ethnicity. You can be of any race and still be Latino. Those who don't fit into the stereotype of appearance sometimes try to find another way to 'be more Latin', and become susceptible to other, more insidious stereotypes. I've known my fair share of blue eyed blond "Miklos" who felt compelled to prove their "Latin-ness" by being a thug. So despite what has to be a record usage of the word "ese", I found this movie a worthy viewing due to the addressing of this topic.
It's an awesome epic worth your time and patience. Some viewers complain that this an American Me rip off and its way too long, yes there are similarities but it is told in a different manner, I thought the 190 minutes(Directors cut) flew by. There are numerous cheesy lines, racial stereotypes and the acting can be over the top, sometimes wooden but its what makes this epic work and enjoyable. A must watch for those who enjoy hood/barrio movies.
At first glance one feels this is a TV movie, starting with a sunny day somewhere in east LA and a guy coming in and greeting anyone in Spanish, with colorful Mexicans all over. You may think, based on the movie title as well, that it will be one of those gang action movies where the hero beats up everybody. It certainly starts that way, but the movie is not like that.
After a while, when the plot expands a little more, you find that the white dude that comes to greet his "Chicano" friends is a halfbreed American Mexican who hates his white father and considers himself "brown on the inside". He is also on parole and only days until he gets to be 18 and be totally free. Then he makes a stupid move. Now you think it is going to be one of those prison movies, with the misguided youth and the corrupt system. Perhaps he is going to go to prison and beat up everybody. That ain't it, either.
It takes maybe a little to see that the movie isn't even close to being over so you look to the length of the film. It's 3 hours long! The fact that it starts showing the year in which things happen gives the final clue: it is an epic story. The complexity of the characters hint at a book or something like that and, indeed, the story is written by poet Jimmy Santiago Baca, based on his personal experience. It's almost a biopic.
And look at the cast! Damian Chapa is pretty known, but also Benjamin Bratt, Delroy Lindo, Victor Rivers (can't have a movie about Mexicans without Rivers - I really think he should have gotten more main roles), Billy Bob Thornton, Ving Rhames, Danny Trejo and even Jimmy Santiago Baca himself as "Gato", who I don't really remember.
About the movie itself, its main strength is the characters. Each of the lead characters is being carefully sketched and then transformed by the story. The ending, most of all, explains the feelings and reality of the people involved. There were criticisms that the movie was overacted sometimes. Perhaps, but most of it was actually in character. Miklo is someone who is desperately, so desperately, trying to belong. Of course he overacts. His whole character is made up in his head.
So, as a conclusion to this too long review: this is not a masterpiece, but it is a movie about the truth of people in those times, and it is well done. Truthful films are more and more scarce as the time goes by. If you find the time and mood to watch this white Mexican biopic, I don't think you will be disappointed.
After a while, when the plot expands a little more, you find that the white dude that comes to greet his "Chicano" friends is a halfbreed American Mexican who hates his white father and considers himself "brown on the inside". He is also on parole and only days until he gets to be 18 and be totally free. Then he makes a stupid move. Now you think it is going to be one of those prison movies, with the misguided youth and the corrupt system. Perhaps he is going to go to prison and beat up everybody. That ain't it, either.
It takes maybe a little to see that the movie isn't even close to being over so you look to the length of the film. It's 3 hours long! The fact that it starts showing the year in which things happen gives the final clue: it is an epic story. The complexity of the characters hint at a book or something like that and, indeed, the story is written by poet Jimmy Santiago Baca, based on his personal experience. It's almost a biopic.
And look at the cast! Damian Chapa is pretty known, but also Benjamin Bratt, Delroy Lindo, Victor Rivers (can't have a movie about Mexicans without Rivers - I really think he should have gotten more main roles), Billy Bob Thornton, Ving Rhames, Danny Trejo and even Jimmy Santiago Baca himself as "Gato", who I don't really remember.
About the movie itself, its main strength is the characters. Each of the lead characters is being carefully sketched and then transformed by the story. The ending, most of all, explains the feelings and reality of the people involved. There were criticisms that the movie was overacted sometimes. Perhaps, but most of it was actually in character. Miklo is someone who is desperately, so desperately, trying to belong. Of course he overacts. His whole character is made up in his head.
So, as a conclusion to this too long review: this is not a masterpiece, but it is a movie about the truth of people in those times, and it is well done. Truthful films are more and more scarce as the time goes by. If you find the time and mood to watch this white Mexican biopic, I don't think you will be disappointed.
क्या आपको पता है
- ट्रिवियाDamian Chapa, Benjamin Bratt, and Jesse Borrego lived with real gang members in East Los Angeles for 3 months in order to help the actors develop the characters they were portraying and perfect their roles in the film.
- गूफ़Miklo had two parole hearings, supposedly several years apart, but all the members of the parole board are wearing the same outfits and sitting in the same places for both hearings.
- भाव
Miklo Velka: Vatos Locos forever, ese!
- क्रेज़ी क्रेडिटDuring the end credits we see helicopter shots of Los Angeles. The movie ends with shots of the big tree (pina).
- इसके अलावा अन्य वर्जनUK theatrical release was edited to secure a 18 rating and removed shots of a butterfly knife being twirled. For the video release further 21 sec. were removed. Director's cut runs ca. 10 min. longer.
- साउंडट्रैकComo Un Perro
Written by Severo Miron and Blanca Medel Calvez
Performed by Chelo Silva
Courtesy of Sony Music Entertainment Mexico, S.A. DE C.V.
By Arrangement with Sony Music Licensing
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- Blood in, Blood Out
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $3,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $44,96,583
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $10,02,548
- 2 मई 1993
- दुनिया भर में सकल
- $44,96,583
- चलने की अवधि3 घंटे
- रंग
- पक्ष अनुपात
- 1.85 : 1
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किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें