Body of Evidence

(Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon.)

Not that there is a TV version.

We could also call this 'Madonna on top' or 'Madonna in charge' or maybe 'She can show you the power you can have from the prone position.' The one thing about Madonna, other than having no shame (and I admire her for that) is that she can crawl and not feel the slightest bit reduced.

She's not especially bad in this mediocre thriller, nor especially good. The script is ridiculous and the treatment without a hint of nuance or subtlety. William Dafoe and Joe Mantegna seemed to be acting on rote and Anne Archer was a wash. The problem is the movie is so obviously fake that it's like watching bad TV. There's no point other than kinky sex. I'm not sure why Madonna agreed to do this. I can't believe she needed the money, nor can I believe she didn't care about her reputation as a performing artist. I think her appearance here exposes her weakness: simply put, she has bad taste because this could not in any way further her career.

On the plus side I saw the unrated version and she was very sexy.

It was only a matter of time that by 1993 Modonna one of the worlds most recognized woman and #1 sex symbol was to showcase her enormous and natural talents on the big screen for all to see.

"Body of Evidence" is a story about greed lust murder and betrayal where Madonna, Rebecca Carlson, is accused of murdering her rich and elderly lover with the most potent and deadly weapon at her disposal, her body. The lurid and sensational trial that followed left the quiet and sleepy little city of Portland Oregon so shook up that it still hasn't recovered from the shock that hit it after all these years.

Portland Millionaire Andrew Marsh, Michael Forrest, is found dead of a heart attack in his mansion with his hands tied to the bed and a video tape of him and Rebecca Carlson having sex still playing on the VCR. Before long the DA has Miss. Carlson indited for his murder and the evidence against her is almost air-tight and a conviction seems like a forgone conclusion.Miss Carlson was to inherit $8,00,000.00 from Marsh after his death. Attorney Frank Dulaney, Willam Dafoe, takes the case for Carlson's defense and it turned out the be the biggest mistake that he ever made in his entire life.

The movie goes from the ridiculous to the sublime and every thing else in between and by the time the movie is over you feel like you went over Niagara Falls on a surf board. You have to say one thing about "Body of Evidence" it's not at all boring and Madonna dose have acting talents with her very effective portrayal of the sexy and over the top Rebecca Carlson, even though she was obviously playing herself. Willam Defoe was very good as Rebecca's lawyer who was manipulated by her like all the men that she manipulated in the movie; you couldn't fault him for that once she turned it on the poor man was a goner.

Anne Archer, Joanne Braslow, was tragic as well as sympathetic as Rebecca's rival for the dead millionaire Andrew Marsh's affections as well as money whom to no one's surprise lost out to. Joe Mantegna was as good as ever as the hard driving DA, Robert Garrett out to convict Rebecca for Marsh's murder.

The movie has a number of shocking and explosive surprises that will keep you guessing until the final credits start to roll and is much better then you would expect from all the negative comments that it got at the time of it's release. Madonna's acting surprisingly evoking sympathy as well as outrage during the entire movie, Madonna was very good in the scene where she was on the witness stand, that even rival her scenes in the buff, which was the real reason for most people seeing the film, that gives the audience and extra bonus.

Who cares if 'Body of Evidence' is a so-called 'Basic Instincts' rip-off, and the plot is a bit bogus? It's escapism, so I say to all the critics just chill a bit and lay off this movie. Madonna is simply stunning in it and as an enormous fan of hers [practically in anything she endeavours], I cannot believe it took me until 2001 to watch this movie. I guess I was sucked in to believe it was worst than it actually turned out to be. I can say that, whilst this movie is not Oscar-material, it was enjoyable, sexy and intriguing. Why people take it so seriously is beyond me. I firmly believe it was too harshly criticised. I was pleasently surprised. Sure, Madonna has a long way to go before she is considered a serious actress and perfects her craft, but she fit perfectly into this femme-fatal role and is very convincing. She is a better actress than people give her credit for!

Certainly not a great film, but not as bad as it has been made out to be. Madonna's acting is OK, and I suspect the "woodenness" of her performance was largely what the director wanted. Her character's passion was limited to the bedroom (and elevator, and stairs, and parking garage, etc.) and never extended to her daily life. And, by the way, I had forgotten how pretty she could be back then. Anne Archer looked awfully good as well, even while being weepy and not completely hinged. The rest of the cast put in good work, with a special commendation for Julianne Moore. Frank Langella was suitably creepy, and Joe Mantegna suitably industrious. Some of the dialog didn't completely work, but if you watch this without preconceptions, you'll find it OK.

Because the critics gave this such a panning, I didn't bother to watch it for a long time. Now that I have, I'm surprised by how much I enjoyed it. Amazingly, I thought it was better than Basic Instinct, the film that everyone said it was simply a poor copy of. The storyline is tight and engaging, Madonna much better than usual, the sex scenes good, even if Willem Defoe appears more comfortable in the courtroom scenes, and the ending brilliant. A greatly under rated film.