IMDb रेटिंग
5.7/10
2.6 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA fired TV salesman (Roth) abandons his girlfriend (Fonda) for the open highway. Encouraged by her best friend (Cates), the girlfriend has an affair with an idealistic local house painter (S... सभी पढ़ेंA fired TV salesman (Roth) abandons his girlfriend (Fonda) for the open highway. Encouraged by her best friend (Cates), the girlfriend has an affair with an idealistic local house painter (Stoltz) just as the boyfriend returns.A fired TV salesman (Roth) abandons his girlfriend (Fonda) for the open highway. Encouraged by her best friend (Cates), the girlfriend has an affair with an idealistic local house painter (Stoltz) just as the boyfriend returns.
- पुरस्कार
- 1 जीत और कुल 1 नामांकन
Sandra Ellis Lafferty
- Yard Sale Lady
- (as Sandra Lafferty)
फ़ीचर्ड समीक्षाएं
Nick is a TV salesman who is discontented with his life with Beth and plans for them to move towns. Carol is Nick's friend and former lover who lives next door and Sid is a painter who has a crush on Beth. This film follows the movement of these generation X'ers as they affect each other's lives.
Done at the same time as gen X movies were in vogue and on the back of Tarantino fever Roth and Stoltz both benefiting from his success. This claims to have a story but it hides it beneath layer and layer of pretension, making it hard to get involved in. The story does have some clever parallels between the character's lives and Newton's rule that a body remains stationary until affected by another. However the characters are unrealistic and selfish making it hard to care about them.
The film is actually really dull it's only 90 minutes long but it felt like a 3 hour epic. The story is really meaningless despite thinking that shots of cacti and using African music will somehow make this deeply profound!
Roth, Fonda, Stoltz and Cates have al been good at least once. Here they're all hampered by bad characters and pretentious dialogue.
Overall, meaningless, self-absorbed, pretentious and, worst of all, deadly dull. What a major disappointment.
Done at the same time as gen X movies were in vogue and on the back of Tarantino fever Roth and Stoltz both benefiting from his success. This claims to have a story but it hides it beneath layer and layer of pretension, making it hard to get involved in. The story does have some clever parallels between the character's lives and Newton's rule that a body remains stationary until affected by another. However the characters are unrealistic and selfish making it hard to care about them.
The film is actually really dull it's only 90 minutes long but it felt like a 3 hour epic. The story is really meaningless despite thinking that shots of cacti and using African music will somehow make this deeply profound!
Roth, Fonda, Stoltz and Cates have al been good at least once. Here they're all hampered by bad characters and pretentious dialogue.
Overall, meaningless, self-absorbed, pretentious and, worst of all, deadly dull. What a major disappointment.
If you have an attention span of sit-com-length, this is not your movie. True, it's 90 minutes or so, but those moments are stretched- as they should be. Sid's character (the sage, of sorts) wants to stretch a moment, and that is what this movie seeks to do. For the most part, these characters are ordinary people- and the actors play them as such. The dialogue isn't expository, but it's real- the characters interact as any person would. There are no huge turning points, explosions, love-struck stares, and all the rest of the hollywood spin supposed to be "real." These are people who could live down the street.
The best part, though, was the cinematography- the camera work is beautiful. There are just enough jump cuts to get your attention, but for the most part, the camera frames these ordinary lives without intruding on them, all while capturing the oranges, reds, and warm whites of the Arizona landscape.
While the character of the painter is supposed to be a sage- offering wise comments about identity and humanity, I was relieved when his mistakes/flaws were finally revealed at the end. All-in-all, the symbols and stress points made for a thoughtful movie.
The best part, though, was the cinematography- the camera work is beautiful. There are just enough jump cuts to get your attention, but for the most part, the camera frames these ordinary lives without intruding on them, all while capturing the oranges, reds, and warm whites of the Arizona landscape.
While the character of the painter is supposed to be a sage- offering wise comments about identity and humanity, I was relieved when his mistakes/flaws were finally revealed at the end. All-in-all, the symbols and stress points made for a thoughtful movie.
Bodies, Rest & Motion is the type of film that you stumble onto on cable one night, you recognize some of your favorite actors in it, so you decide to watch. I didn't get much out of this film. I have always loved Bridget Fonda and Tim Roth is one of my favorite actors -- I feel the film gave them a lot of material to work with. Great acting -- I even found Eric Stoltz to be moving.
The story is not really there -- the film is more about human interaction; goals; and love. Not a picture worth seeking out, but fans of these actors might enjoy it.
The story is not really there -- the film is more about human interaction; goals; and love. Not a picture worth seeking out, but fans of these actors might enjoy it.
Bodies, Rest and Motion is an entertaining, well shot, well acted and well written film. Yes, as the title suggests, it is "philosophical", but it is certainly not dry or pretentious. The twists and turns used to sneak the "philosophy" into the mouths of the characters are fantastically clever. (Reminds me of Mamet.) However, this dialog is so well written that it fits perfectly into the mouths of these characters. This film can be watched two ways: as a slacker diary similar to Dazed and Confused, Clerks or Mall Rats or as a language-driven meditation on love, fidelity and ambition (lack thereof).
I've read reviews that call this film pretentious. I suspect that those reviewers don't appreciate that film can be linguistically creative and intellectually stimulating while still being fun. However, I feel that one of the reasons that this film was overlooked was that it was classified as a romantic comedy. Do not go into this film looking for "You've Got Mail" or "Down with Love". Also, don't go into this film looking for a hero to cheer for (though you might just find one).
Judge for yourself: Would Eric Stolz, Phoebe Cates, Tim Roth and Bridgett Fonda lend their colossal talents to pretentious garbage? If you're a writer, screenwriter or poet, then snag a copy of the script. Like Mamet's work, this script is well worth the read just to savor the writer's talent for making seemingly mundane dialog speak volumes.
This is a very under-rated and under-appreciated film!
I've read reviews that call this film pretentious. I suspect that those reviewers don't appreciate that film can be linguistically creative and intellectually stimulating while still being fun. However, I feel that one of the reasons that this film was overlooked was that it was classified as a romantic comedy. Do not go into this film looking for "You've Got Mail" or "Down with Love". Also, don't go into this film looking for a hero to cheer for (though you might just find one).
Judge for yourself: Would Eric Stolz, Phoebe Cates, Tim Roth and Bridgett Fonda lend their colossal talents to pretentious garbage? If you're a writer, screenwriter or poet, then snag a copy of the script. Like Mamet's work, this script is well worth the read just to savor the writer's talent for making seemingly mundane dialog speak volumes.
This is a very under-rated and under-appreciated film!
This movie is in a category I like to call time and place. It has a very powerful resonance with someone who is experiencing a similar dilemma. For me I originally watched it when it came out and thought the dialogue was well-paced and witty and the acting from Fonda, Roth, and Cates was superb. I recently watched the film again, because I had somewhat grown into its situation. Needless to say it was nearly poetic in a way. That western landscape and feeling of restlessness... My only major complaint was the scoring was a little tedious at times.
क्या आपको पता है
- ट्रिवियाIn the end credits there is a special thanks to Harvey Keitel. He was not involved in the movie as such, but he made a very important phone call to Tim Roth. Roth had been offered a big and well paid part in a big budget film immediately before this low budget independent film was to begin shooting. Harvey Keitel made a phone call to Roth, giving him the following advice "Don't take the money. Take the film you really want to make". So Roth stayed with this project.
- साउंडट्रैकHot Burrito #1
Performed by The Flying Burrito Brothers
Written by Chris Ethridge / Gram Parsons
Courtesy of A&M Records, Inc.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Bodies, Rest & Motion?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Kroppar, vila och rörelse
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $25,00,000(अनुमानित)
- US और कनाडा में सकल
- $7,64,724
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $75,957
- 11 अप्रैल 1993
- दुनिया भर में सकल
- $7,64,724
- चलने की अवधि1 घंटा 35 मिनट
- रंग
- पक्ष अनुपात
- 1.85 : 1
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