Benny & Joon

I saw "Benny and Joon" in a dollar theatre when I was 12 and a half and my family was going through some difficult times. I had always liked movies before, but they were just an occasional treat and I never really paid attention to actors or directors or the like. After seeing "Benny and Joon" I was in love with movies! I can't pinpoint what it was about this movie that touched me so, but as an insecure, nerdy little 12 year old, it gave me something I needed. I have learned a lot about movies since then, I can name most actors and directors and I know all the production company logos, which makes me a little TOO happy ;)

A lot of movies have come and gone since I first saw "Benny and Joon" and there are plenty that I love, but, for me "Benny and Joon" will always be tops and always have a special place in my heart.

I first saw this movie with almost no expectations. Now I own it and have watched it more times than I can remember.

I have heard that this movie caught a lot of flak about not being "realistic" about mental illness, and not providing a diagnosis for Joon, etc. I think that it is more realistic for the "average" person with a mental illness than any other movie I have seen on the topic. There was no theme of "being institutionalised forever" and there was no unrealistic expectation of a "cure".

The character of Sam put it best when he said "Aside from being a little mentally ill, she's pretty normal." I think that's the best quote I've heard in a movie, on that particular topic.

I also think there is a reason for there being no stated diagnosis of Joon. She personifies those of us who can't get on with the things we want to do in life because of a mental illness and treatment getting in the way. She does it very well, down to the mannerisms. If she were to be labeled, say, obsessive-compulsive, or post-traumatic stress disorder, or schizophrenic, or bipolar, then the universality would be taken out of it and it would suddenly only apply to people with one certain label.

This movie did wonders for my family. Upon watching it, we all said "That's us!" and learned to laugh at ourselves and the situations we got into. It offered me a lot of hope -- what more could I want than to find an understanding and eccentric friend to love and move into my own apartment, away from the mess of hospitals and doctors? It still makes me laugh every time I see it, and "Joon" has become a household word... I recommend this to anyone, particularly anyone with a mental illness, and their families -- it might lighten things up, but it certainly doesn't skip over the bad parts.

I personally think this film is amazing in the style that is incorporated in this film. By this films style i mean a deeper meaning, and style maybe is not even the right word to explain what i mean. (Style) is probably the wrong word but anyway, the meaning behind that word that i am using is the innocence used in this film to triumph over the prejudice towards people who are not considered normal, in this case meaning Joon and Johnny depp's character in this film. Also the power to interest me and a story that keeps it's innocence. They really should make more films like Benny and Joon! To promote the equal judgment of all people. I am really happy i saw this wonderful film.

I have to say that I think Benny & Joon may be one of my favorite Johnny Depp films, along with Edward Scissorhands and Cry Baby. Unfortunately, you don't hear too many people talk about B&J the way they do Johnny's more high profile films, like Pirates of the Caribbean. This film is wonderful because it manages to tell the story of two mentally ill characters and never make them helpless victims. Instead, at their worst they're merely troubled and interesting characters, and at their best they're absolutely charming and heartwarming. Of course, Depp shines with his spot-on Chaplin impressions, and Masterson and Quinn are in top form as well. The real miracle of this film is that it is able to tell a story laced with realism through a whimsical lens, and it walks the tightrope of making one feel good without blatant reassurance. You believe Benny and Joon love one another without a gratuitous sex scene, (only a beautifully sensual one), and the viewer subsequently falls in love with everyone because this is a fine example of the way characters should be developed. Bravo to all involved!

BENNY & JOON seems, at its heart, to be an allegory about the different ways people can be out of touch with their fellow human beings, and the ways in which that dischord can be healed.

Benny owns an auto shop and takes care - both financially and physically - of himself and his sister Joon after the death of their parents. Other than weekly poker games, Benny's is a life of servitude, and this is the source of his isolation. He longs to be free to have other relationships, but is wracked by guilt at the idea of leaving Joon in anyone else's care.

Joon is an artist and is also mentally ill, a schizophrenic who has good and bad days and who depends on Benny to provide routine in her life. She has run out every housekeeper to be found in town, but cannot function without assistance and supervision. The film does a superb job of differentiating between mental illness (from which Joon clearly suffers) and stupidity (which is not a problem she faces).

Into their lives comes Sam, a cousin of one of Benny's poker buddies. Through a clever conceit, Sam moves in with Benny and Joon. Sam is undereducated, partially illiterate but a comedic genius who studies Charlie Chaplin and Buster Keaton, knows catalogs of old movies, and has perfected the art form (kudos to Depp for the grace and conviction of this part of his performance). Like Keaton and the great silent film stars, Sam rarely speaks to communicate, and this combined with his illiteracy condemns him to be considered stupid as well. The great sneaker quality of Depp's performance is to show that Sam is always watching, always listening, and that he's no dim bulb by any stretch.

In Sam, Joon finds a person who makes her laugh, lives by his own rules, and cares for her deeply. In Joon, Sam finds a woman who appreciates him as he is, but he also knows a relationship with her is taboo. In a particularly revealing scene, he asks Benny, as one man to another, "How sick is she?" We know he is wrestling with his feelings for her, but Benny does not, and his offhanded answer comes across as callous and almost mocking.

While the handling of Sam and Joon's budding relationship may seem trite, and the humor applied to Joon's illness might seem cruel, in my experience the people who make those judgments know little about living day to day with a mentally ill - not to be confused with unintelligent - human being. There is deep and abiding truth in the idea that laughter and love can cure the incurable; people who seemed unable to function before can make great strides when they are shown trust and respect. And although the psychiatric issues were glossed over in this film, it has at its core an honest message of hope. One of my favorite films, for Depp and Masterson's outstanding performances and a true depiction of imperfect people on the journey to becoming whole. 9/10