Benny & Joon

I was surprised at how much I liked this film, I guess that I could somehow relate to the characters. Masterson's Joon is an awfully sad character that I really felt bad for, so was Depp's Sam, but they worked so well together, and had so many wonderful moments that made this film work. Anyone with a heart will enjoy this sweet little film. The only mistake was the relationship between Aidan Quinn and Julianne Moore, that just didnt seem to fit into the rest of the movie. Still, its a sweet and warm hearted film that everyone should enjoy. My rating: 8/10.

I saw "Benny and Joon" in a dollar theatre when I was 12 and a half and my family was going through some difficult times. I had always liked movies before, but they were just an occasional treat and I never really paid attention to actors or directors or the like. After seeing "Benny and Joon" I was in love with movies! I can't pinpoint what it was about this movie that touched me so, but as an insecure, nerdy little 12 year old, it gave me something I needed. I have learned a lot about movies since then, I can name most actors and directors and I know all the production company logos, which makes me a little TOO happy ;)

A lot of movies have come and gone since I first saw "Benny and Joon" and there are plenty that I love, but, for me "Benny and Joon" will always be tops and always have a special place in my heart.

I doubt that I can add much to all the good things said about this film. Acting is superb, as is writing and direction, which keep the story from ever seeming "cute". It is never condescending about mentally ill; I love line where Joon corrects Benny's score keeping of a ping-pong game:" the mentally ill can count, you know". Both serious and comic, like life. Imagine, a good film without violence, drug life, car chases or sex. See it.

If you read this one exactly as it's written and take out the Depp character it can play accurately. It would never be a big movie like that (it wasn't big anyway) but it would be consistent and good. But insert Depp's character (and Depp's way of playing this character) and you have something entirely else. The title holds only if you don't have Depp in the movie - for this movie is all about Depp. He literally steals the show. I don't know much about Depp, what I've heard he is a somewhat weird character, but if you look at what he's done - Scissorhands and this movie as two examples - you have to wonder if you're not looking at one of the truly great actors of the day. The diner scene with the two dinner rolls, the tray of dinners, the Wurlitzer and Julianne Moore; the kitchen antics; the jack-in-the-box scene - simple but still; the 'mail a letter to momma' scene - look how Depp totally creates his character; and the park scene: this is great stuff. Is it about Benny and Joon and their ability to cope with their situation? Maybe. But moviegoers might remember this essentially 'feel good' movie as only another incredible Johnny Depp performance.

BENNY & JOON seems, at its heart, to be an allegory about the different ways people can be out of touch with their fellow human beings, and the ways in which that dischord can be healed.

Benny owns an auto shop and takes care - both financially and physically - of himself and his sister Joon after the death of their parents. Other than weekly poker games, Benny's is a life of servitude, and this is the source of his isolation. He longs to be free to have other relationships, but is wracked by guilt at the idea of leaving Joon in anyone else's care.

Joon is an artist and is also mentally ill, a schizophrenic who has good and bad days and who depends on Benny to provide routine in her life. She has run out every housekeeper to be found in town, but cannot function without assistance and supervision. The film does a superb job of differentiating between mental illness (from which Joon clearly suffers) and stupidity (which is not a problem she faces).

Into their lives comes Sam, a cousin of one of Benny's poker buddies. Through a clever conceit, Sam moves in with Benny and Joon. Sam is undereducated, partially illiterate but a comedic genius who studies Charlie Chaplin and Buster Keaton, knows catalogs of old movies, and has perfected the art form (kudos to Depp for the grace and conviction of this part of his performance). Like Keaton and the great silent film stars, Sam rarely speaks to communicate, and this combined with his illiteracy condemns him to be considered stupid as well. The great sneaker quality of Depp's performance is to show that Sam is always watching, always listening, and that he's no dim bulb by any stretch.

In Sam, Joon finds a person who makes her laugh, lives by his own rules, and cares for her deeply. In Joon, Sam finds a woman who appreciates him as he is, but he also knows a relationship with her is taboo. In a particularly revealing scene, he asks Benny, as one man to another, "How sick is she?" We know he is wrestling with his feelings for her, but Benny does not, and his offhanded answer comes across as callous and almost mocking.

While the handling of Sam and Joon's budding relationship may seem trite, and the humor applied to Joon's illness might seem cruel, in my experience the people who make those judgments know little about living day to day with a mentally ill - not to be confused with unintelligent - human being. There is deep and abiding truth in the idea that laughter and love can cure the incurable; people who seemed unable to function before can make great strides when they are shown trust and respect. And although the psychiatric issues were glossed over in this film, it has at its core an honest message of hope. One of my favorite films, for Depp and Masterson's outstanding performances and a true depiction of imperfect people on the journey to becoming whole. 9/10