IMDb रेटिंग
6.7/10
6.9 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA dramatization of the Hamburg, Germany phase of The Beatles' early history.A dramatization of the Hamburg, Germany phase of The Beatles' early history.A dramatization of the Hamburg, Germany phase of The Beatles' early history.
- 1 BAFTA अवार्ड जीते गए
- 5 जीत और कुल 4 नामांकन
Nicolas Tennant
- Sailor 3
- (as Nicholas Tennant)
फ़ीचर्ड समीक्षाएं
This is an excellent depiction of the Beatles ' Hamburg days .But the movie real heroes are actually Sutcliffe,Lennon and Astrid.The movie was made some years after Goldman's infamous book and there are hints at an homosexual relation between John and Stu ("you're jealous of me!"Astrid would have said to John!) but the director does not insist and he finally depicts a true friendship.He pits Stu's down-to-earth world against Astrid's chic elitist intellectual one : they go to the pictures to see Melville's "Les enfants terribles" (actually a Cocteau story),and she seems to be very fond of the French culture:Cocteau,Sartre ,Edith Piaf ,Rimbaud,;and she was ahead of her time since fifteen years later,rock singer Patti Smith had the same idols.The scenarists also sketch a parallel between the Klaus Voorman/Astrid relationship and "les enfants terribles" Ian Hart is an excellent John Lennon,in turn cynical,violent,delicate,nasty,hateful;Gary Bakewell resembles Paul,but he is not given a single moment to shine ;as for Georges ,he is completely insignificant.The music is very exciting .Even when Stu (Dorff) sings his ditty in a gleeful croak ,it's rock and roll ! At the end of the movie,the dialog begins to ring false.Everybody acts as if the Beatles were to become huge ;at the time ,who could have predicted such a career?It's a rebuilding of history a posteriori.And if the final lines about Astrid,Stu and Klaus are useful,those about the Beatles are overkill:everybody knows that they were the biggest group of all time.
A must for Beatles' fans anyway.
A must for Beatles' fans anyway.
It's 1960 Liverpool. Stuart Sutcliffe (Stephen Dorff) is a painter and John Lennon (Ian Hart) is his best friend. Stuart joins the early Beatles on the bass going to Hamburg, Germany on their first oversea trip along with Paul McCartney, George Harrison and Pete Best. German photographer Astrid Kirchherr (Sheryl Lee) introduces Sutcliffe to her avant-garde circle. Her influence and his poor playing cause friction within the band and his relationship with Lennon.
This is a Beatles movie without the cooperation of some of main players. Lennon is the leader. McCartney is a bit of wet blanket which probably annoyed the real Paul. I love the performances of Dorff and Hart. Also I love the two men's deep friendship. This is a deep bromance movie.
This is a Beatles movie without the cooperation of some of main players. Lennon is the leader. McCartney is a bit of wet blanket which probably annoyed the real Paul. I love the performances of Dorff and Hart. Also I love the two men's deep friendship. This is a deep bromance movie.
The film is a marvel. The only evidence of post-fame Beatles nostalgia that doesn't seek to cash-out. It is no less than a kick-ass rock n' roll film, with deft photography, powerful direction and an incredibly hard garage soundtrack. Recommended for fans of garage raunch and pre-invasion british blues.
Softley's 'Backbeat' is my favorite movie I've ever seen. I'm a huge Beatles fan and I've watched many biographical films about The Fab Four like 'Birth of Beatles' for example, and I must admit that this production from 1993 is the best of them all. This picture shows us the Hamburg's episode (early 60s) of Beatles career and it concentrates on relationship between John Lennon (fantastic play by Ian Hart) and Stuart Sutcliffe (aka The Lost Beatle). Lots of laughs, lots of tears and above all - great music ! A must seen for Beatles fans.
I really enjoyed this film, I do however doubt that i would have enjoyed it as much if it hadn't been for the absoloutely storming soundtrack made up of Fifties covers which you believe would have been played by the Beatles at that stage in their careers. Add to that the fact that the Band used to create the sound of the Beatles consisted of some of the leading musicians of the 90's. They bring their own interpretation to the music just as you believe the Beatles would have done, The only exception to this is the Drum beat which tends to sound more like the 90's than the 60's that being said it does make it more accessable to a contemporary audience.
Now as for the actual film itself, It was built on an interesting story about Stuart Sutcliffe, John Lennons best friend, Choosing between music and Art, the latter enevitably wins out with the help of Astrid. Much of the story is of a Tug Of war between John lennon trying to keep him involved in the music and Astrid who sees his artistic potential. It's a story that has been played over and over again but is refreshed in the context of surrounding characters that you feel you already know.
The Characteristically funny Lennon, Business like McCartney, Shy Harrison all come across very comfortably. But they are merely bit characters as this film is more about the choices of sutcliffe than it is about the fab four.
Now as for the actual film itself, It was built on an interesting story about Stuart Sutcliffe, John Lennons best friend, Choosing between music and Art, the latter enevitably wins out with the help of Astrid. Much of the story is of a Tug Of war between John lennon trying to keep him involved in the music and Astrid who sees his artistic potential. It's a story that has been played over and over again but is refreshed in the context of surrounding characters that you feel you already know.
The Characteristically funny Lennon, Business like McCartney, Shy Harrison all come across very comfortably. But they are merely bit characters as this film is more about the choices of sutcliffe than it is about the fab four.
क्या आपको पता है
- ट्रिवियाAs seen in the movie, The Beatles are given "uppers" pills so they can keep performing when they're getting tired. Also, as seen in the shot after John accepts the pills for the first time, The Beatles are performing "Long Tall Sally" like crazed maniacs with eyes bulging and sweating profusely. The reason for this is that the uppers were actually prescription-strength "speed" pills. According to all of The Beatles in various interviews (most prominently in the "Beatles Anthology" film and book), the band was forced to perform up to eight hours a night, far and away more than a band can possibly play given the normal fatigue that sets in from singing and playing. Whenever they grew tired, the bartenders or the waitresses would often give them (and other performers) uppers to keep them going. Because of this, and their horrible living conditions in the Kaiserkeller Club's back room, The Beatles were often sweaty, smelly, pale and shockingly thin (speed pills back then doubled as diet pills) because they rarely bathed, hardly ever washed their clothes or, more importantly, ate healthy meals. However, after Stuart Sutcliffe began dating Astrid Kirchherr, she would feed the band and wash their clothes and allow them access to her bathroom for bathing. All of The Beatles have said that Astrid, more or less, kept them alive and healthy.
- गूफ़The train carriage at Hamburg station has a date of 22.2.90 stenciled at the bottom. This will be the date of the last full service, 3 years before filming but 30 years after the action.
- भाव
John Lennon: We're gonna be big Stu, we're gonna be too big for Liverpool, we're gonna be too big for Hamburg, we're gonna be too big for our own bloody good.
- क्रेज़ी क्रेडिटAt the very end of the end titles, long after all the other music credits have run, one last music credit appears on the otherwise blank screen: "TIME TO GO HOME, Written by Maria Bird, Published by Minder Music."
- कनेक्शनFeatured in Backbeat Band: Money, Version 1 (1994)
- साउंडट्रैकGood Golly Miss Molly
Written & Composed by Robert 'Bumps' Blackwell & John Marascalco
By kind permission of Prestige Music Ltd
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- Backbeat: el inicio
- फ़िल्माने की जगहें
- Cheney Road, लंदन, इंग्लैंड, यूनाइटेड किंगडम(German Gymnasium doubles as The Anchor pub)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $23,92,589
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,26,740
- 17 अप्रैल 1994
- दुनिया भर में सकल
- $47,08,451
- चलने की अवधि
- 1 घं 40 मि(100 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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