Another Stakeout

Another Stakeout is a fantastic movie. It's funny and the acting is quite good. Richard Dreyfuss and Emilio Estevez were great together-acting like partners. The house exploding at the beginning was more funny than realistic, it was so long that you could just about go and get a drink and still be back before the end of it. I have seen this film so many times and it is still hilarious every time. It is definitely worth watching on the telly or even hiring it from the video shop. The banter between Dreyfuss and Estevez makes the movie what it is, in other words brilliant. Look out for the conversation about Ren and Stimpy, the bit when Dreyfuss deliberately falls over and says to someone "Frank don't go, you can stay and help me eat", it is so funny. If you haven't seen this film it's you who's lost out. 10/10.

I've gotta give "Another Stakeout" credit: it started out pretty well. The chemistry between Dreyfuss and Estevez was back, the sense of humor worked alright; but eventually the movie trades in Madeline Stowe for Rosie O'Donnell - which actually isn't the kiss of death you think it'd be (she worked well with the two leads, and a lot of the comedy derived from pushing each other's buttons), but it's a neon warning sign that the movie's about to pull into Dullsville. Like, as soon as they set up camp in the the lakehouse and the actual stakeout is under way, the laughs dry up. I will say that that house is some gorgeous piece of real estate, and one of my favorite movie locations.

Big picture, this movie is a rather unnecessary sequel, but does it have to be stagnant?

5/10

When a witness against the Mafia goes missing Chris and Bill are sent to stakeout a place where she may turn up. However this time they're joined by Agent Gina Garrett and her dog. Despite their childish behaviour things will soon turn serious for the cops.

The first film was light, silly, unlikely but quite enjoyable and this one continues in a similar vein – albeit less successfully. The main failing is that the plot is the same as the first one and hence feels less fresh. On top of that we have cliché on top of cliché to add to the stale feel. The film is so desperate to repeat the first one that we even get Stowe roped back in on the side. The jokes are pretty tired and the action is quite tame overall the end result is not terrible but mediocre.

Dreyfuss and Estevez had good fun in the first film but here they look like they're collecting the cheque. They are still OK but you can see they're going through the motions a bit. O'Donnell should be sentenced to daytime TV forever – how can one person be so very brash and annoying? She sucks any lightness out of this film and is really irritating. Farina is good as is Moriarty (but it's a long cry from Raging Bull isn't it?), Ferrer turns in yet another bad guy role and is always value.

Overall this is barely entertaining. It doesn't feel fresh and this cheapens it – the fact that the comedy is weak and that O'Donnell is like a curse from Hell makes it even worse. Stick with the first film – it's not a masterpiece but at least it's got energy.

Six years after the first "Stakeout" (1987), cameras catch detectives Richard Dreyfuss (as Chris Lecce) and Emilio Estevez (as Bill Reimers) on another mission. It's nowhere near as good as the first. The format is similar. We begin with an action-packed opening. In Las Vegas, mobsters want to kill Cathy Moriarty (as Luella "Lu" Delano) because she's going to testify against them. This leads to the explosion of what appears to be a small town. Police search the rubble, but can't find Ms. Moriarty...

They think the missing woman is going to contact a couple - Dennis Farina and Marcia Strassman (as Brian and Pam O'Hara) - so Mr. Dreyfuss and Mr. Estevez are recruited to pose as neighbors...

Madeline Stowe (as Maria), from the first film, appears only sporadically and her chemistry with Dreyfuss is gone. The crime and criminals being investigated are confusing. To make the ruse more realistic, assistant district attorney Rosie O'Donnell (as Gina Garrett) is added to the mix. Accompanied by her rottweiler "Archie", Ms. O'Donnell pretends to be Dreyfuss' second wife and Estevez' step-mother. It's a funny situation, providing this sequel with a little freshness. Otherwise, the story is stale.

***** Another Stakeout (7/23/93) John Badham ~ Richard Dreyfuss, Emilio Estevez, Rosie O'Donnell, Dennis Farina

Before we get started, a little caveat for the reader: this may not be the easiest film to find. Your standard video rental outlets will be hit or miss, as well as libraries. Your best bet will be an online rental service or a strong and fervent prayer. But if you ask me, it is worth it. You may also be scratching your head at the biographical information above. Why should you care about a 1993 sequel to a forgettable buddy cop flick?

Simple. It is a great film. Not only has it obviously influenced many contemporary films, but it also trumps these films on a variety of levels. Allow me to elaborate…

Prior to Another Stakeout, John Badham made a handful a good films (Wargames, Short Circuit). Shortly thereafter he helmed an unfortunate number of Hollywood films (American Flyers, Point of No Return) that may be considered guilty pleasures at best. He was also called upon by fellow director Peter Jackson to head up the second unit on all three Lord of the Rings films but declined. So what is the point of this little history lesson? Hollywood kills good directors (John Woo and Sam Raimi, prime examples).

But, I digress. Despite the a lackluster couple of decades, John Badham does have a grand if only marginally well known legacy in Another Stakeout. Science fiction and horror fans will recognize and appreciate the premise; Detective Chris Lecce (Richard Dreyfuss) wakes up one day, goes through the motions like any and every other day, and slowly realizes that he is, inexplicably, on another stakeout. The scenario plays out basically as is expected but it is the manner of the presentation and plotting that make it remarkable.

The film ultimately has only three characters, whose dynamic, touches on Alfred Hitchcock and Shakespeare without any pretense. Chris' subtle and deliberate decline into the reality of his new position in the world leads to him swinging from disbelief to depression to mania to megalomania to acceptance and back to disbelief. The storytelling and character interaction allow for empathy without distraction and the science fiction elements are beautifully woven into the fabric of the drama so that the one doesn't overshadow the other.

There are several mysteries involved in the story that are revealed with wonderful precision by the director through a series of well placed flashbacks and the subtlety of mood and movement, but you'll have to find the film and watch it to understand the full glory.

This is not a flashy film. It is however a master stroke. It is unfortunate that this film has all but vanished into obscurity, along with its director but they both still exist and there's always a second wind. Always.