IMDb रेटिंग
4.0/10
2.7 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंAn old mirror from the Amityville house finds its way into a young photographer's home, where the demonic presence soon manifests itself to cause more death and mayhem.An old mirror from the Amityville house finds its way into a young photographer's home, where the demonic presence soon manifests itself to cause more death and mayhem.An old mirror from the Amityville house finds its way into a young photographer's home, where the demonic presence soon manifests itself to cause more death and mayhem.
- निर्देशक
- लेखक
- स्टार
Julia Nickson
- Suki
- (as Julia Nickson-Soul)
Jack Orend
- Franklin Bronner
- (as Jack R. Orend)
Jon Paul Steuer
- Young Keyes
- (as Jon Steuer)
Robert Harvey
- Orderly
- (as Bob Harvey)
फ़ीचर्ड समीक्षाएं
Ok, I admit, I have not seen the original yet; but in all this movie isn't all that bad. The idea of objects (like a clock in Amityville 6 (1992 it's about time) or a mirror in this tale (Amityville 7) carrying the original horrors are a bit hokey, but then again it makes sense. I liked this movie better than its time traveling predecessor and this one gives an interesting history if an Amityville family through the deranged father/psyco-killer handing the mirror and its inner demons to his son (who unknowingly accepts the gift and the re-opening of buried images/memories). Maybe it was because I was in New York and Amityville is in Long Island, but this film is at least average (hence a 5 or 6).
Ignore the ridiculous 1 star reviews from people who can't even get the plot points right, this is a decent enough movie with a cast of professional actors who can all act.
Not really a true Amityville movie, a cynic might suggest that they tacked on the name Amityville...shame on you! Haha. This is worth a watch, just don't expect too much.
Not really a true Amityville movie, a cynic might suggest that they tacked on the name Amityville...shame on you! Haha. This is worth a watch, just don't expect too much.
An L.A. photographer gets an antique mirror from a homeless man which triggers memories of his mysterious past and also allows a demons to rampage the lofts where he lives and terrorize the residents.
Amityville: A New Generation has a few memorable moments, but a lot of the horror scenes read more goofy than scary, especially any time the demon manifests. It does function as a fascinating 90's time capsule, though, and the cast is much more staked than other entries in the franchise with several horror regulars showing up for supporting roles.
Amityville: A New Generation has a few memorable moments, but a lot of the horror scenes read more goofy than scary, especially any time the demon manifests. It does function as a fascinating 90's time capsule, though, and the cast is much more staked than other entries in the franchise with several horror regulars showing up for supporting roles.
Amityville: A New Generation marks a different take on the Amityville saga- focusing on the personal history and demons of our main character, the likable floppy-haired Keyes Terry played by Ross Partridge, rather than focusing solely on things that go bump in the night. In this sense Amityville: A New Generation is a more thoughtful film that its predecessors, and a bit of a slow burner.
It certainly won't win any awards but it does try something different- time is taken to introduce us to characters, in this case a group of struggling artists very much in the 90210/ Melrose Place mould of attractive, living in amazing apartments but supposedly broke and angst ridden. It's endearing in its own way- right down to the fashion. The occasional self importance regarding the "artwork" can lead to some unintentional humour, all of which adds to the odd charm of this film.
It is nice to see appearances from an older David Naughton (the male lead David Kessler in An American Werewolf in London) and a younger Terry O'Quinn (who plays the enigmatic Locke on the television drama Lost)
Overall though the film is unlikely to set anyone's world alight it does draw you in, and you will find yourself caring for the lead. However as I've said before, expect a different pace and style from the earlier Amityville horror films. Like 1992 its focus is as much on characters changing as supernatural happenings. So be aware of what to expect if you're thinking of picking this one up.
It certainly won't win any awards but it does try something different- time is taken to introduce us to characters, in this case a group of struggling artists very much in the 90210/ Melrose Place mould of attractive, living in amazing apartments but supposedly broke and angst ridden. It's endearing in its own way- right down to the fashion. The occasional self importance regarding the "artwork" can lead to some unintentional humour, all of which adds to the odd charm of this film.
It is nice to see appearances from an older David Naughton (the male lead David Kessler in An American Werewolf in London) and a younger Terry O'Quinn (who plays the enigmatic Locke on the television drama Lost)
Overall though the film is unlikely to set anyone's world alight it does draw you in, and you will find yourself caring for the lead. However as I've said before, expect a different pace and style from the earlier Amityville horror films. Like 1992 its focus is as much on characters changing as supernatural happenings. So be aware of what to expect if you're thinking of picking this one up.
First a lamp, then a clock, now a mirror. The Amityville yard sale terror lives on as this time an artist is gifted a possessed mirror from the haunted house by a homeless man (who may or may not be the surviving kid from part 2). As usual weird possession things happen, and people die. There's some good stuff here like a scene where a family gets wrecked by a shotgun, and the supporting cast is pretty impressive including the addition of Terry O'Quinn. Not quite as good or as crazy as It's About Time, but not bad either.
क्या आपको पता है
- ट्रिवियाThe same exterior building as Paddy's Pub from Its Always Sunny In Philadelphia.
- गूफ़(at around 1h 25 mins) Boom mic is reflected in a mirror while Keyes is approaching the dinner table with the shotgun.
- कनेक्शनFollowed by Amityville: Dollhouse (1996)
- साउंडट्रैकFurnace Rekindled
Written by Rhys Fulber, John McRae, Chris Peterson
Performed by Will
Roadcrew Music, Inc. (BMI)
©1992 Third Mind Records/The All Blacks B.V.
Used by permission of Third Mind Records/Roadrunner Records
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
बॉक्स ऑफ़िस
- बजट
- $15,00,000(अनुमानित)
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