Addams Family Values

One of my favorite films. Paul Rudnick clearly had a field day writing this screenplay.

As odd as it may seem, this sequel is in many ways superior to its predecessor. The first had to spend much of its time introducing the Family--and, just as importantly, paying (totally justified) homage to Charles Addams' brilliant cartoons and to the old television series. As a result, the plot felt forced, as if it had been the best way the writers could think of to showcase all the source material. In the end, one left the theater feeling that the movie had been 'about' the old sight gags. And then there was the totally shameless product placement...but I digress.

Addams Family Values, on the other hand, gets to be more playful. Because we all know who we're dealing with by now, we don't have to spend nearly so much time introducing the family and their skewed universe. Instead, the characters get more of a chance to develop as they glide blithely through a fuller, more cohesive story.

Paul Rudnick's screenplay is masterful--you'll be quoting from it for weeks. Raul Julia and Anjelica Huston are particularly marvelous as one of the most genuinely loving, passionate couples you've seen in ages. In a weird sort of way.

That dance number! Morticia's ever-present shaft of light! Christina Ricci as the sublime Wednesday! Joan Cusack, unhinged! A split-second cameo by Charles Busch! Oh, rapture. I could go on and on, but I'm running out of superlatives. Suffice it to say that this movie is well worth your time.

Wednesday and Pugsley go to summer camp whilst Uncle Fester falls in love with the babysitter.

This is a movie carried by the performances of the actors who do an exceptionally good job of delivering all the macabre one-liners and embody their characters perfectly.

The plot is pretty uninspired with Fester yet again under the influence of another female villain looking to rob him blind of his share of the Addams fortune. It gets us from start to finish but is largely forgettable, particularly towards the end. That being said, there is a strong level of satire in the writing, particularly towards the values middle-class, white America, which was quite a prominent topic at the time it was made.

All actors are fabulous. Raul Julia oozes charisma and comic timing. He and Angelica Huston have great chemistry as Gomez and Morticia. Christopher Lloyd can do Fester is his sleep and puts all of his usual mad energy into the role. Carole Kane is obviously having fun as Grandmamma Addams. Joan Cusack is almost scenery chewing as Debbie but does superbly well with the material she has to work with.

For me the real stars are the children. Jimmy Workman is wonderfully deadpan as Pugsley. Mercedes McNab is perfect as snobby Amanda Buckman. David Krumholtz does a Woody Allen turn as the hypochondriac kid in love with Wednesday Addams.

Saving the very best performance till last. Christina Ricci is absolutely brilliant as Wednesday and walks away with the movie. Her quick, dry delivery and mannerisms make the character a classic of modern comedies. If you only watch her scenes alone there is enough entertainment to justify the price of a month's subscription to Netflix. There is a brilliant moment when she lights a match and the Addams theme music plays; I never get tired of watching that.

I watched it with my four year old daughter who enjoyed it but had difficulty with the dark humour. Not as much difficulty as I had explaining it though.

I absolutely loved the first movie. I bought this two days ago, and I was really impressed, because this is a really funny movie. it is possibly better than the first but only just. If there are any flaws, they are minor, but why is the rating for this movie so low? 6.2? It is much better than that! I can name other great movies that have fallen victim to low ratings. The humour was wonderful. Black humour suits the Addams Family perfectly. As for the acting, it was superb. Christina Ricci tops them all as Wednesday, but that doesn't mean that the others weren't good either. Raul Julia and Angelica Huston are note perfect as Gomez and Morticia. To be honest, I think that Gomez is Julia's best role. Christopher Lloyd was born to play Fester, just as entertaining as he was in Back To The Future and Who Framed Roger Rabbit? Jimmy Workman was also really good, and the underrated actress Joan Cusack took me completely by surprise as Debbie. That baby was cute too. If there was one minor flaw, it would be that you don't see much of Cousin It and Margaret. As I'm probably not able to write a review for the first film, what I've said for this film, applies pretty much also for that too. I give this a 9/10, same with the first, but avoid the New Addams Family and unless you're a Tim Curry fan, avoid Addams Family Reunion also. 9/10. Bethany Cox

This is a film with several excellent performances, but that of Christina "Wednesday" Ricci is near perfect. The reluctant smile outside the "harmony hut" is Oscar material. And Christina as Pocahantas is the very definition of "cute".

Of the others, Joan Cusack also stands out. I doubt anyone else could play the part of "the black widow" quite as well, with just the right mix of sleaze and slapstick. Her deranged laughter alone is worth half the rental fee.

It may not be a classic but it is solid entertainment, with few if any weak passages. Go and see it!

Barry Sonnenfeld (Get Shorty) takes a zany script written by Paul Rudnick (Jeffrey, In and Out) and directs with an exhilarating rhythm to tell the tale of Uncle Fester's marriage to a suspicious young nanny (Joan Cusack) and its effect on the Addams family.

All the actors are absolutely wonderful but Cusack steals the movie with a gleefully nasty turn as the murderous Debbie. Her without-peer comedic talent is more strongly showcased here -watch the scene when Debbie sits in a car waiting for a house to explode- than in her award winning role as Kevin Kline's jilted bride in In and Out. Angelica Huston and Raoul Julia are magnetic in dramatic roles but they also have sensational comic timing and their Morticia and Gomez make a memorable dark-humored pair, most notably in the scenes where the sexual innuendo takes a front-row seat. Peter MacNichol (Ally McBeal) and Christine Baranski (The Ref) have a ball as the irritating summer camp counslers and Christina Ricci will probably never top her performance as Wednesday.

It's a guilty pleasure and a fun ride, zipping by in an hour and a half and also features a hilarious cameo by Peter Graves (Airplane). Check it out!