Time Trax

I watched this show during the original run, which was when I was in my early teens. I remember thoroughly enjoying it and thinking it was one of the better shows on television. Years later, as an adult, I would see this late one night. I was suffering from nostalgia and decided to kick back and enjoy it one more time. I couldn't bear to watch it! I realized the acting, scripts, and direction.

Granted, the premise was definitely fresh for its time. It could have worked, and if tuned properly and all the problems fixed, could possibly be brought back today. The networks need to remember that the public as a whole really does not mind having to think while watching a program. Mindless fodder is not going to placate those of us who need mental and intellectual stimulation.

Time Trax - OK, here's the deal: a cop from the future (Darien Lambert) travels back in time to track down roughly 200 escaped fugitives from his time and to settle the score with the time machine's creator, who just happened to have killed off the only woman the cop loved for a long time. Simple, right?

Well, yes. That was basically the problem - from a theatrical point of view. Sure, the show's writers worked hard at kicking in some complications. For example, the cop happens to be an ethnic minority in the future, a "blanco," but that seats him in the majority here. They give him disguised weaponry: namely, his futuristic Star-Trek-in-a-box computer hologram projector and historical archive widget and a nifty non-lethal gun formed to look like a credit card and car-alarm. However, he loses this things constantly - just multiply the number of times you've forgotten where to put your keys by like 1 million, and that's about par for the show. In addition, either the convicts he's chasing will sniff them out, or some plucky 20th century kid will inevitably treat them like the mundane objects they're made to resemble.

Overall, this was not enough to give the show much "drawing power." As noted above, these are plot devices and not necessarily related to developing the character.

Having said that, I must say that this was still one of my favorite shows to watch between the ages of 13-14; like MacGyver or the A-Team, this show had a very dynamic episode-to-episode style with no complicated soap opera sagas to slow down the enjoyment - things were always wrapped up neatly in about an hour.

To speak plainly: the show's main export is just plain fun. It's fun to watch the time-displaced cop rediscover everything about the 20th century that we take for granted (like junk food, boxing [which is outlawed in his time but not any other martial art - go figure], amusement parks, and the fact that here he's not a minority at all (which is something one commenter already hit on - they could have done a LOT more with - if the goal had been character development). It's also fun to watch him struggle with being two hundred years in his own past where his favorite restaurant has only one location and the chef hasn't figured out the signature recipe yet, where the Chicago Cubs suck even though they're a dynasty 200 years from now [which is a shame - it really only took about 8-9 years for the Cubs to make that leap, not 200], and he struggles with the idea that he may never go home, though that might not be bad considering he's found the cute ancestor of his former love.

All of this didn't make the show great per se, but it did make the show special. In many ways it was akin to the radio shows of old, like the Shadow, where the contrived plots and weak villains are less important than the overall aesthetic that the show inspires. It was the genuine sense of wonder and amusement from rediscovering the present that helped the audiences simmer in Darien's nostalgia and homesickness.

Fans of sci-fi will appreciate the techno-widgets and special effects for what they are - a means of conveying the storyline with dazzling and emotional spectacle; however, if you're looking for spectacular drama, you've come to the wrong place. Here's my advice: don't go to the circus and expect to sit next to Hamlet, but if you do go, grab some cotton candy, ask a clown to teach you to juggle, pet the lions, and flirt with as many cute acrobats as you can see because you'll enjoy going a whole lot more.

I loved Time Trax and saw every episode when it originally aired. I disagree with a previous post I read about the show though. Granted everyone is entitled to their own opinion, but I thought the show was great. Of course, I originally started watching because of that hot hot man Dale Midkiff. Today I saw him on the SciFi channel in a movie called Maximum Velocity. While the movie was good his acting was the bomb!(That means his acting is "really good" in case you were wondering.) I really like him and will get this series someday soon. Time Trax should be updated into a TV Movie. Of course, it would "have to" star Dale Midkiff or else it just wouldn't work. I highly recommend this series and suggest you check it out in reruns. Also, check out anything else starring Dale.

Many times I remember shows being much more enjoyable than they actually were. But rewatching this series on roku channel is almost as satisfying as the first time when I was in my 20s, unlike Xfiles and UFO reruns that kind of bore me these days. I think one of the more enjoyable elements of the show, as hellraiser's review mentioned is the fun factor. It's not as dark and dramatic as Xfiles or UFO for instance. Hellraiser also nailed it IMO with a comparison to knight rider.. Although, on a much tighter budget. The writers did a good job of selling the futuristic angle and yet keeping a low budget by camouflaging the most often used items to look like current day devices. (I used to have an AT&T Universal card that looked exactly like that!) Also, by making all of Darien's future physical gifts internal, they didn't have to pay for alien makeup or anything. So this is a nice little escapism on a tight budget. Although, I do not want to discount the 2hr pilot which probably used most of the season 1 budget with its futuristic shots. It was believable enough and stands up pretty well even today. I always enjoyed Selma with her Aussie accent and formal diction. Hellraiser did possibly misunderstand some facts, which I had to pause and re-watch sections of the pilot to Understand. Sambi was getting paid by these criminals to send them back and used the money to fund his further research. His long term plans were definitely to jump back to the past once he had his team in place and try to institute a new world order. However, as seen in the pilot episode, he was shocked and unprepared for Darian's arrival in the past, but he maneuvered to try and make the best of the situation.

"These are the journals of Darien Lambert, Captain, Fugitive Retrieval Section, AD 2193..."

One of the first shows made for what would eventually become the WB, "Time Trax" does bear similarities to "Quantum Leap," but this formulaic SF/action show also owed more than a little to the minor classic "Trancers" (criminals time travelling with drugs, etc). Too bad it was never really as witty or as interesting, though - though it's not like that movie's writers Paul De Meo and Danny Bilson are strangers to TV shows that, though entertaining, never really flourish (witness "The Flash" and "The Sentinel").

While our hero was hardly a superman, he did have more endurance than most 20th century people (an indication of how stronger people get as time goes by), and the feature-length pilot also proposed that Lambert was something of a prejudiced-against minority in his own time, a notion that, since the series never went back to the 22nd century, was never seriously brought up again... but if it had been set back there the show might have ended before it did.

Creators (and writers) Harve Bennett, Jeffrey Hayes and Grant Rosenberg were straitjacketed somewhat by their premise - note that the villain who Darien caught and sent back in the pilot was brought back (deformed of course; the series set up the rule that it's not safe for anyone to travel through time more than twice) to give him a recurring nemesis that he could actually fight, since the head villain Mordecai Sahmbi was hardly a physical threat; and the three-person rule about Darien's holographic partner Selma (activating Selma when another person is around, making it three people in that area, isn't allowed) also got broken, though they did acknowledge it.

With Australia standing in for the entire world (even Australia in one episode), it certainly looked nice - except for the episode where Darien went to a foggy London - but the show never had what it took to be a real contender, in spite of OK acting; blame the scripts. I've always enjoyed time travel movies and TV shows (though strangely enough I never got into "Doctor Who"), but it's impossible to think this'll really develop a cult following the way "The Time Tunnel" did. But then, that show didn't have a gratuitous plug for Continental Airlines in its opening credits.