Living Single

The foundation of most sitcom humor is the weaknesses of characters; this show is a priceless exception. The writers should be so proud to have presented us with characters who were strong and loving and fun to watch.

"Friends" before there were "Friends", Living Single was a far more relatable slice of New York City life and a far funnier one! Set in 1990's Brooklyn, this story of three female roommates living in the same apartment building as two male roommates, with a single-dweller thrown in was good fun to watch. The ensemble cast was great with Erika Alexander one of the stand-outs at the always mooching Max and Kim Fields as the mercenary Regine. And the rest of the cast blended nicely to make for a very funny sitcom. Each character had its own special sparkle, the dialogue was realistic, and the situations fun. If I had to choose between reruns of "Friends" or reruns of "Living Single", I'd take "Living Single" 7 days a week and twice on Sundays! An all around fun show!

I love, love, love Living Single!! It is TRULY one of my favorite shows of ALL TIME. It had some truly great story lines and was funny as all get out....and it "looked" like me.;-) Now, what I am not understanding are the comments suggesting they could not afford their lifestyles. THAT IS SO NOT TRUE.

Think about it: Kyle and Overton - Kyle is a SUCCESSFUL stockbroker and Overton is THE Handyman for the building. So, would it not be correct to assume that their apartment had a HUGE discount for Overton's services? And, can we not also deduce correctly that since Kyle IS a successful stockbroker ON THE RISE with NO KIDS and NO WIFE, it is completely feasible he can afford the apartment, his designer clothes, and art collection not only WITH Overton, but by himself as well?

The girls: Khadijah OWNS her magazine. Though struggling, she is STILL a business owner. Regine was a buyer for a high-end boutique, THEN a wardrobe assistant for a MAJOR soap opera and eventually, an Event Planner for WEALTHY clients. Now granted Synclaire is a receptionist, but she is ALSO an actress. She has to make decent money on the side from that. Last, but not least, Max lives across the street in the same neighborhood. She is a successful lawyer, has been a partner in a top law firm AND an Alderwoman and is now the TOP attorney in the NYC Public Defender's office. I'm thinking EACH one of these "tenants" HAD to make a MINIMUM of $50k per year in NYC, with Kyle, Max, and possibly Khadijah on the higher end of $75-85k or better, wouldn't you agree?

To state my case :-)......this is the 90's in BROOKLYN. Even if these apartments were $3600 per month, which IS about practicable for BROOKLYN brownstones at that time, why can't we not assume that each one of these ladies could afford $1200 each per month? Or, in Kyle's and Overton's case, $1800 a piece BEFORE Overton's "live-in" Handyman's discount is applied, making the apartment surely close to, if not free? Or, in Max's case, approx $2000 per month for rent on a PARTNER's salary, a partner who comes from a FAMILY of LAWYERS (i.e. wealthy parents)? I just do not see a huge disparity, if any, between their lifestyles and their incomes.

Carrie Bradshaw's rent controlled apartment on Sex and the City in MANHATTAN on the UPPER EASTSIDE in 2002 was approx $750 per month. (In Season 4, she was looking for apartments around that price range after her building went co-op and she wasn't sure if she would be able to purchase it).

So, my point is (and to sum this sermon up lol).....if Carrie did this on her own with multiple pairs of $450+ shoes in Manhattan on a writer's salary (no matter if we are in TV Land *wink*).....tell me why my beautiful, each successful in their own right, black "family" cannot REALISTICALLY afford their digs in Brooklyn with three apartments and SIX incomes between them.......TOGETHER.....IN THE NINETIES....WITH NO RESPONSIBILITIES.....AND UNDER THE BILL CLINTON ADMINISTRATION??? I'm just saying.......:-)

Loved this show and it may have been the reason why I never watch Seinfeld when it was on its original time slot. I just started to watch the reruns every morning. I wake up at 6:00 AM and watch two episodes back to back. Is a nice way to start the day. I now appreciate how well produced it was and I am proud of everyone in that show. They all did a fantastic job. If you watch, you realize it goes beyond of race or color. You don't think they are African American. You just think they are good friends. They are all unique and I can't decide who is my favorite. You identify with the characters. They are not too pretty or neurotic. They are your own friends, neighbors and coworkers. The message was positive and it remains fresh.

If you're as old as I am you may remember not only comparisons to FRIENDS and THE GOLDEN GIRLS, but this sitcom was also called 'a black version of DESIGNING WOMEN' by critics and viewers. OMG!! I know we're supposed to be living in a color-blind society denying that any current racism still exists, but this is ridiculous. And you all are carping about the 'unrealistically luxurious apartments' of these girls because...? How many hundreds of sitcoms are produced in Hollywood (and set in New York) every year which feature swanky apartments that no one with an annual salary of less than $200,000 can actually afford? Nobody questions why the out-of-work actor or the struggling chef on FRIENDS are in the huge apartments they're in. Black professionals do exist, even in the make-believe world of sitcom television. I thought this series was a charmer; if it was guilty of anything negative it was its initial presentation of all-men-as-neanderthals during the first season. It was allowed (after a fashion) to flourish and find its audience and in that time it even started to give shape and background to its core characters- not to mention allowing them to advance (in the way of job promotions, romances, breakups, and even a wedding). I never thought it ended satisfactorily, but I'm happy for the five years FOX allowed it on the air. Considering that it preceded FRIENDS on the air by one year, should we conclude that FRIENDS was a white version of LIVING SINGLE?