Yiu sau dou si

I've seen this movie at least a dozen times, and never once, never, didn't I cry at the end! I'm glad this is my first impression of sci-fi movie (besides ET, when I saw it at 6, which I don't quite remember what was really going on until I become a grown-up) since I first saw it at the age 18. It forever influenced my view of sci-fi movies. Whenever I go to see sci-fi films, I always pay attention to the styles, the messages contained within, the connection between the imaginative world and the real life. For me, that is what sci-fi movies really about, not some fancy special effects.

The other day I was surprised to find out we have copies for sale in America, I order a copy at once. But I was also shocked to find that this wonderful film, probably the best Hong Kong movie I'd ever seen, was not received well here in America. Almost all the people who praise the film are Asian. I don't think this has something to do with culture gap, because this is a very unusual Hong Kong films, it didn't contain anything specific about the Asian culture. And that's the point. It is not anything you expect to see in a Hong Kong, or any other Asia films you can find here in the United States. It didn't have fancy martial art, no strange custom (which I strongly disagree with. They always portray Asia as bunch of strange, mysterious, sick places. Because that kind of films can easily won the prize in European film festivals). This is simply a film about humanity. At the same time, it was so beautifully done. Very stylish, with the music that was so heartbreakingly beautiful. But do see this film in its original language with subtitle. NO FOREIGN FILM SHOULD BE WATCHED IN ENGLISH DUBBED VERSION! IT IS ALWAYS THE BIG DISASTER!!! Do take a moment to think about what you see and enjoy that beautiful ending.

This movie just goes to prove that most anime or manga "A" titles do not translate well to live action. Taken from the Anime of the same title (or AKA Supernatural Beast City) by Kawajiri Yohiataki, it lacks the visceral punch of the original. I was sorely disappointed with the "soft-core" shots and "soft-core" action. It coulda been a contenda...

This film is a mess. No amount of suspension of disbelief will overcome the real world short comings. This is a special effects laden film, but the letter box format, ruins the impact by greatly reducing the size of the effects. Far worse is the use of a blue filter on many of scenes, which were shot entirely at night. Then, when the filter wasn't used, the backgrounds were in blue. Then, I guess for a diversion, some scenes used a bright red filter. I mean everything was red. Blue, red and dark. In conclusion, everything was difficult to see clearly, you had to use your imagination.

A foreign film has to be really good to gain acceptance from me. This film wasn't close. However, I am not meaning to put down people who like this sort of stuff. I am sure that this film does include elements that will be are greatly appreciated by some viewers. This is not a main stream film. Steer clear of this type of film-making.

This movie rarely pauses to let you catch your breath (or figure out the plot) before another onslaught of stylish action wierdness happens. Like Jackie Chan's CITY HUNTER, this is a Hong Kong adaptation of a Japanese manga (comic) which would explain all the tentacle monsters in the movie (a particular Japanese obsession). I couldn't follow the plot but this film is so manic and overloaded with bizarre wham-bang special effects that only the most jaded of fans could dislike it.

WICKED CITY is a crazy Hong Kong slice of sci-fi action based on a Japanese manga and anime. It takes the wackiness of the 1990s craze of wuxia epics and transfers it to a contemporary or futuristic setting where monsters in human disguise roam the city and integrate with society. The film hits the ground running and throws you in at the deep end, trying to keep up with a fast-moving plot involving a war between cops and monsters that never makes entire sense.

It's bizarre stuff indeed and completely schlocky from beginning to end. Old dependables Leon Lai and Jacky Cheung play two cops hoping to avert an all-out war between humankind and monsters but the main emphasis of the film is on insane action sequences which have been inspired by TERMINATOR 2: JUDGMENT DAY. Thus we get scenes of characters being chased around by 'liquid monsters' and even a laughable attempt to copy the motorbike-out-of-the-window shot in the Cameron film.

Of course, the Cameron movie didn't have any scenes of long-limbed monsters wreaking havoc in hotel rooms or the absolutely bizarre, random interludes seen here. It's pretty poor stuff, it has to be said, and the direction and editing is very choppy, but I enjoyed it regardless, although perhaps on a so-bad-it's-good level. Given it's a 1990s Hong Kong film, the main guys entangle with a sexy femme fatale, here played by Macau-born actress Michelle Reis. The familiar-looking sergeant is none other than Yuen Woo-ping. Bad guy Roy Cheung starred in the PRISON ON FIRE movies. Best of all is Kurosawa veteran Tatsuya Nakadai who bags a great support role and is effortlessly cool as always.