Wind

This is one of those movies where I feel like I'm the only person who has ever seen it. No one I know has ever talked about this film, I stumbled across it one time surfing through old school cable. I've always been a fan of Matthew Modine and while he's pretty good in this one, Jennifer Grey is at her very best. She's the brains and Matthew Modine is the ambition. Neither one can do much without the other, blah blah.

It's straight out of the late 80's and it's cheesy as hell, but I enjoy it every time I see it. I loved the Australian guys - party animals that sail like pirates, it's just fun.

It's one of those rare movies where nobody is tied to the mafia, nobody shoots anyone and nobody traffics a metric ton of cocaine out of Peru...and it's still fun to watch. Actually it would have been a lot better if it had those things, but hey I'll take what we got.

One thing is for certain - you will either hate this film, especially if you can't stand the sea, boats and wind, or, if you like any of these, especially if you like _all_ of them, you will love it. Admittedly it has a simple, proven plot, gives short shrift to the history of the America's Cup and features a rather non-describt cast - but the film does have superior and imaginative cinematography, impeccable editing and a marvelous soundtrack, as well as a slow, but steady build-up of drama. To my knowledge there is no other film that even comes as close as this movie to capture the feeling, tension and athmosphere of offshore competitive racing. It deals with an unconventional, off-beat setting and theme - go, see/rent/buy it if you can stand that.............

Under anyone else's direction, "Wind" would be mediocre at best. Caroll Ballard of "Never Cry Wolf" helmed this fictional tale of the race for the America's Cup, and it shows. The level of acting is mixed: Modine is wooden, but the supporting cast doesn't get the exposure it deserves, especially Skarsgard. The plot is somewhat sports-movie predictable, and the characters are, for the most part, poorly executed, though most blame for that probably belongs to the dreadfully scripted dialogue. The movie's real strength is in its stunningly beautiful cinematography, full of seemingly impossible camera angles, well-crafted scene composition, and wonderful use of color and shadows; in places, it is as visually appealing as "2001". Ballard's direction is superb, and Poleodorus' score matches the camera work in excellence. Non-sailors will enjoy this film, and will be able to follow the intricacies of high-level yacht racing. Sailors will drool over this glorification of sailing's beauty.

This is one of the movies I never tire of seeing again. Beautiful sailing scenes, but you don't have to know anything about sailing to appreciate it. The cast did an earnest and excellent job. It must have been a labor of love to make. Don't miss it.

As a long-time sailor and racer, I admit that most consider a sailboat race like watching the grass grow, but they've done a great job of producing exciting racing scenes, while having so few technical inaccuracies that the most avid of us keep rewinding to review and debate. Take good note of the early dinghy racing scenes. I don't believe they used any trick photography: things really can happen that fast.

Of course, there's a larger set of stories, the classic love stories: between men and women, of sailing, of ideas, of ideals; the rough retelling of the Dennis Connor story (though I place Robertson/Weld as Connor, not Modine/Parker); an accurate representation of the "Old Boys'" network that *is* big-money yacht racing --I've met "Abigail Weld" many times; and the "absurdity" of a desert-based effort winning the Cup, a nod to the Melges' campaign.

The photography is astounding, the character development (the reason for the film's length) good, and the music complimented everything admirably.

That it's "about" sailing will turn many off, but those of us with a love of the sea and sailing hold this as a classic to be cherished.