White Men Can't Jump

Wesley Snipes and Woody Harrelson star in this film as a couple of con men scheming their ways on the basketball court by betting on their opposing allies. With an intriguing story line added with likable and rootable leads, also with clever sub plots, this film succeeds as an entertaining piece of sports film. Although this film does feel outdated watching in today's day and age, it holds up and is better than initially expected. Rosie Perez is another piece which stands out for the better. White Men Can't Jump got its attention due to its title but it's more than just a sports film, it's further about life and relationships. Underrated film if anything.

This is a truly excellent movie! Lots of people have bashed it as a "basketball" movie, but the truth is, it ain't about basketball at all. It could have been hockey, dart playing or curling, it wouldn't matter. It's about human weaknesses and making new friends. Rosie Perez gave probably her best performance ever, and the interplay between Harrelson and Snipes is great. Don't miss it.

Undeniably Hoosiers would get the win, if they ever polled film buffs and critics asking what the best movie is revolving around basketball. Hoosiers, the movie about a failing Indiana high school basketball team being led to success by their new coach played by Gene Hackman and the drunken assistant coach (Dennis Hooper) has enjoyed its fair share of the spotlight. Granted the field of movies about basketball isn't nearly as deep as say movies with plots concerning baseball or boxing, Hoosiers still generally beats out what little competition there is.

However in my opinion the best movie to ever capture the game of hoops is the criminally underrated and underseen White Men Can't Jump, by director Ron Shelton. Shelton also brought us the more popular baseball film Bull Durham and the golf flick Tin Cup. But I'd argue White Men Can't Jump is his centerpiece. The story revolves around two street court b-ball hustlers. One new in town, smooth, and white (Woody Harrelson), undoubtedly to his advantage. The other man, a black, a veteran of the LA courts, and fast-talking (Wesley Snipes). After Harrelson hustles Snipes the two form an unlikely partnership "ebony and ivory" but as always it is on edge and lacks a required amount of trust.

For a film that was released in the aftermath of the Rodney King beating and the L.A. riots and just before the O.J. Simpson debacle, White Men Can't Jump is surprisingly mature, witty, light hearted and open-minded in its approach to the race issue. Ron Shelton's dialogue is amazingly rapid fire and smart. It bites and certainly has a sting to it, but it's all in good fun. The multi-flamboyant personalities on the outdoor L.A. street courts hustler each other, crack "yo-mama" jokes with one another, and try to look better than the other. This is the movie that really put Wesley Snipes on the map and showed that Woody Harrelson was far more than just another face in the "Cheers" ensemble. Both provide excellent work in not only playing the characters but also learning how to play basketball and talk like actual street hustlers. There's very few standins here. Both Snipes and Harrelson learned to play the sport as well as any actor could be expected to. Rosie Perez is good as Harrelson's annoying and overbearing Puerto Rican girlfriend. If any one word can describe White Men Can't Jump, that word is "fun." The movie tackles serious issues like hustling, family, relationships, race, life in poverty, and gambling debts. However if Robert Rossen's pool hall film The Hustler presented the dark side of the life, Ron Shelton's White Men Can't Jump shows the flip side of the coin. How hustling can be fun and games.

Grade: A-

After Billy Hoyle hustles Sidney Deane on the basketball court, Deane offers Billy a proposition about teaming up to hustle the courts of Los Angeles. They are a great team, they are in fact wonderful players, but egos and greed are sure to become a problem, oh and Billy has some rather unsavoury characters after him to return a debt he owes. Can the boys resolve their differences? Can they keep their devoted women happy? All will be revealed in White Men Can't Jump.

White Men Can't Jump is a fine sports movie, offering up more than just a basic sport heart, it's funny, sly and really a rather effective piece of drama. The basketball scenes are very well handled by director Ron Shelton, with slow motion spins and beady drips of sweat glistening in the heat, and the chemistry between Woody Harrelson (Billy) and Wesley Snipes (Sidney) is first class, but really it's the power of Shelton's writing that makes this a most engaging picture (see also Bull Durham & the similarly undervalued Tin Cup).

After following these two guys thru their very rocky relationship you get to a point where you feel that we are about to wander down formula road, but Shelton pulls a trick to make the final last quarter an excellent, none conformity piece of film, one that judging by the less than favourable rating on this particular site, has not been wholly appreciated. Shame that, because other than Rosie Perez doing her best to annoy the viewers to death as Billy's suffering girlfriend Gloria Clemente, White Men Can't Jump is one of the better sports movies of the 90s. 7.5/10

Wesley Snipes and Woody Harrelson team up on the playgrounds of L.A. to hustle all comers. The direction is sharp and the cinematography is surprisingly impressive as the mean streets of Los Angeles are caught with striking camera shots. The under-rated screenplay is intelligent, focused, and clever. All in all "White Men Can't Jump" is far from being a classic, but it is still a fine film that is better than many think. 4 stars out of 5.